10 questions for Daily Mail boss Paul Dacre

The editor's appearance before the Leveson inquiry is the perfect time to ask about Mail Online.

The editor's appearance before the Leveson inquiry is the perfect time to ask about Mail Online.{C}

The timing couldn't be better. Just as Paul Dacre prepares to appear before the Leveson inquiry, his newspaper appears to be vindicated over its calls for Fred "The Shred" Goodwin. Coming so soon after Dacre's slightly odd appearance on his own website, proclaiming the value of his publication's campaign in the Stephen Lawrence case, it's a time to celebrate the Daily Mail, isn't it? While it will be easy to point to the inflated role of the press in general -- and the Mail in particular -- in the Stephen Lawrence case, there's not as much to shout about when it comes to Mail Online.

Sure, it's the No 1 news website in the world; which would be a real bauble worth having if most of the traffic came there to look at news. But get beneath the bold headlines and political comment and you'll see a bewilderingly high number of stories about obscure (to British readers, anyway) American celebrities on holiday, wearing bikinis or being "poured into" (a favourite phrase, this, of Mail Online's) swimwear or little black dresses. As The Media Blog pointed out last week, you have to ask whether this recipe for success is really something to shout about.

Maybe it is. Maybe Paul Dacre is delighted to have the Mail brand associated with softcore masturbators seeking out cheesecake images of women in lingerie and bikinis -- though I doubt that would be the first thing he would bring up when asked about the relative success of Mail Online and what it means for the future of journalism. But as editor-in-chief of Associated Newspapers, and a highly remunerated editorial expert on the Daily Mail and General Trust board, he'd be hard pressed to claim it's nothing to do with him.

All that aside, there are other nagging issues about Mail Online: photos used without the takers' permission; articles that border on the tasteless and unethical which are only pulled after they've attracted thousands of visitors to add to Mail Online's growing statistics; hundreds of stories about young children who happen to have famous parents; trashy articles speculating on the weight gain (or loss) of (mainly female) celebrities. How does that kind of activity sit with the Mail brand?

So here are 10 questions for Paul Dacre ahead of his appearance before Leveson about Mail Online and whether its standards live up to those of his flagship printed edition.

1) Do you think it is appropriate to embed a 7 minute video of an alleged rape in a story about an alleged rape in Brazil's Big Brother? The footage was available to view for several hours.

2) Do you think it is acceptable to use photographs from Facebook/Twitter/Flicker/blogs without the permission of the copyright holder, even when that person has explicitly denied permission?

If not, why does it keep happening? Would the rules be different for photographs sourced for the print edition of the Mail?

3) Do you think it is appropriate to run stories about children where the reason for their newsworthiness is their family connection to a public figure, for example 572 stories about Suri Cruise, including the agenda-setting "The tiring life of Suri Cruise: Katie Holmes' daughter snuggles up in her favourite pink 'blankie'"?

4) How does this sit when bearing in mind the PCC Editor's Code, section 6, part v: "Editors must not use the fame, notoriety or position of a parent or guardian as sole justification for publishing details of a child's private life"?

5) Do you use pictures taken by paparazzi photographers where the person being photographed is on holiday or in other situations where they may have an expectation of privacy? Why were pictures of Rebekah Brooks on holiday (along with caption comments about her paleness) with her partner removed from the Mail website initially and then repurposed to illustrate a story about another NI employee being arrested?

6) Do you believe it is acceptable to digitally manipulate photographs without making the reader aware manipulation has taken place? Here's one example, and there was another where the PCC intervened: Here's an image on the website today.

7) What editorial considerations are made before the decision to run stories about weight gain/loss of celebrities? There are hundreds of examples but here and here are a couple on the Mail's website today.

8) What procedures do you have in place to deal with complaints about stories on Mail Online?

9) How many stories about women in bikinis do you run each month on Mail Online?

10) Are you as proud of the Mail Online as you are of the Daily Mail?

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Why relations between Theresa May and Philip Hammond became tense so quickly

The political imperative of controlling immigration is clashing with the economic imperative of maintaining growth. 

There is no relationship in government more important than that between the prime minister and the chancellor. When Theresa May entered No.10, she chose Philip Hammond, a dependable technocrat and long-standing ally who she had known since Oxford University. 

But relations between the pair have proved far tenser than anticipated. On Wednesday, Hammond suggested that students could be excluded from the net migration target. "We are having conversations within government about the most appropriate way to record and address net migration," he told the Treasury select committee. The Chancellor, in common with many others, has long regarded the inclusion of students as an obstacle to growth. 

The following day Hammond was publicly rebuked by No.10. "Our position on who is included in the figures has not changed, and we are categorically not reviewing whether or not students are included," a spokesman said (as I reported in advance, May believes that the public would see this move as "a fix"). 

This is not the only clash in May's first 100 days. Hammond was aggrieved by the Prime Minister's criticisms of loose monetary policy (which forced No.10 to state that it "respects the independence of the Bank of England") and is resisting tougher controls on foreign takeovers. The Chancellor has also struck a more sceptical tone on the UK's economic prospects. "It is clear to me that the British people did not vote on June 23 to become poorer," he declared in his conference speech, a signal that national prosperity must come before control of immigration. 

May and Hammond's relationship was never going to match the remarkable bond between David Cameron and George Osborne. But should relations worsen it risks becoming closer to that beween Gordon Brown and Alistair Darling. Like Hammond, Darling entered the Treasury as a calm technocrat and an ally of the PM. But the extraordinary circumstances of the financial crisis transformed him into a far more assertive figure.

In times of turmoil, there is an inevitable clash between political and economic priorities. As prime minister, Brown resisted talk of cuts for fear of the electoral consequences. But as chancellor, Darling was more concerned with the bottom line (backing a rise in VAT). By analogy, May is focused on the political imperative of controlling immigration, while Hammond is focused on the economic imperative of maintaining growth. If their relationship is to endure far tougher times they will soon need to find a middle way. 

George Eaton is political editor of the New Statesman.