Colonel Gaddafi, the trophy corpse

It's good to show the reality of war, but there's something unsettling about our delight in graphic

The blood-soaked face of a still-warm corpse is the enduring image of the past 24 hours. That the face belonged to a vile tyrant is perhaps one reason why we're not as squeamish about this particular death as we have been about others.

Almost all national newspapers today lead with the photo of a dead man's head. Some crop out the smiling militiamen having their photo taken with the body of Muammar Gaddafi; some news channels have opted out of showing the most bloody footage of all. But the likelihood is that most of us with a passing interest in the news will have seen the corpse at some point. I began to feel a little sickened by its near-constant presence on my screens, and I'm not easily shocked.

As I wrote before about the death of Osama Bin Laden, we live in a 'pics or it didn't happen' era, where we don't trust the word of broadcasters and want to see for ourselves. The worldwide web has opened up a place where there aren't the familiar boundaries and standards there used to be, where punters can readily access material that might once have been deemed unsuitable; and the historic importance of the Gaddafi photos and footage could be considered ample justification for the rather shocking nature of the sights we've seen. It is, after all, what happened.

In one sense, it's good to show the reality of war. Our eyes are often shielded by news broadcasters during those times when 'our boys' get involved in scrapes overseas; the inevitable bloodshed doesn't get transmitted at teatime for fear of upsetting children and adults alike. There are countless graphic images of charred corpses, dangling intestines and splintered scarlet skulls that we don't get to see, which might make us shift on our settees a little and possibly bring home the graphic truth of what happens in the theatre of battle.

Maybe we shouldn't be shielded, and maybe we should be shown. This is, after all, what is happening at the behest of our elected politicians. Maybe we should see how our tax pounds are being spent with every shuddering cadaver oozing life by the roadside or twisted carnage of blood and bone that used to be human beings. It could be that we have a rather sanitised picture of war and its consequences, because we see the flag-draped coffins rather than the broken pieces of flesh inside.

Maybe every time politicians bask in the glory of their 'tough decisions' and 'strong leadership' with regards to successful military intervention, their words should play out over scenes of the lost lives - 'our' troops, as well as those killed by 'our' troops - who paid the biggest price of all. No looking away, no changing the channel; this is how things really are.

Are we ready for that? Well, we're less sensitive than we used to be, in the days when other people used to decide what was too graphic to show us and what wasn't, when the nanny broadcasters had to make choices for us. Now we can set our own boundaries of what's acceptable and what isn't. It's all out there, on the net - videos of executions, suicides, car crashes, murders and assorted accidents, all in jerky pixellated shades of crimson; mortuary slab photos of the famous and infamous; ghoulishly detailed descriptions of death and dying to feed our morbid fascination.

But there's another aspect to the Gaddafi story that doesn't sit as easily with me as the other reasons why news outlets have been happy to splash the blood this time around. There's something primeval almost, something rather unsettling, about the trophy-like nature of Gaddafi's corpse, regardless of how horrific a human being he undoubtedly was, and regardless of the suffering and death he unleashed upon his subjects. Perhaps we are in danger of revelling in this violent act, in delighting in the grisly episode a little too much.

In a week when the Sun has been under fire, in parliament and elsewhere, for what it printed in the aftermath of the Hillsborough disaster, today's front page also looks back in time, to 1988. THAT'S FOR LOCKERBIE, it roars, alongside the now familiar grainy still of Gaddafi's bloodied and battered dead face. It wasn't really for Lockerbie, of course; there are many more reasons why Gaddafi was killed by Libyans than that.

But there's a sense in which the Sun, among many others, is enjoying the kill, sensing the bloodlust and tapping the same old jingoistic responses from its readers. You might cynically wonder if the same newspapers happily printing snuff photos will be pretending to clutch the pearls in a few days' time, worried about children being exposed to sex on TV, or putting asterisks in words it doesn't think its readers should see, for fear of the little lambs being corrupted. Ah, but that will be another day, another time.

There's no doubting that the image of lifeless, humiliated Gaddafi is a powerful one - powerful enough to be used to further all kinds of agendas. Maybe it's those agendas we should be more squeamish about. Dead bodies are just facts.

Patrolling the murkier waters of the mainstream media
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Millennial Man: How Emmanuel Macron is charming France's globalised youth

At the French presidential candidate's London rally, supporters cheered for a reformist. 

If it weren’t for the flags – the blue, white and red of France, but also the European Union’s starred circle – the audience’s colourful signs and loud cheers could have been confused with those of a rock star’s concert. There even were VIP bracelets and queues outside Westminster Central Hall, of fans who waited hours but didn’t make it in. This wasn't a Beyonce concert, but a rally for France’s shiny political maverick, the centrist presidential candidate Emmanuel Macron. He arrived on stage under a thunder of applause, which lasted the full minute he took to salute the first rank.

Since he resigned from his position as François Hollande’s economy minister last August, the 39-year-old relative political newbie – he used to be a banker and only joined the French government in 2014 – has created his own movement, En Marche, and has been sailing in the polls. In this he has been helped by the fall from grace of Conservative candidate François Fillon. Macron, who can count on the support of several Socialists, the centrist François Bayrou and the unofficial backing of the Elysee palace, is seen as the favourite to face hard-right Marine Le Pen in the election’s run-off in May.

A screen displayed photos of supporters from around the world (Singapore, Morocco, United States, “We’re everywhere”) as well as the hashtags and Snapchat account for the event. Rihanna’s “Diamonds” played as a team of young “helpers”, en anglais dans le texte, were guiding the 3,000 French expatriates to their seats. “We’re about 90 helpers tonight,” said Pierre-Elie De Rohan, 23. A History student at University College London, he joined the youth branch of En Marche via a school group.

The movement has been very active among students: “We’re in all London universities, King’s, Imperial, UCL”, he said. “It’s exciting”, echoed fellow helped Arcady Dmitrieff, 18, from UCL too. “We feel like we’re taking part in something bigger than us.”

Hopeful millennials are flowing to En Marche en masse. Macron is young, attractive, and though, like most French politicians, he is a graduate of the elite École Nationale d'Administration school, voters still see in him a breath of fresh air. “He’s neither left-wing nor right-wing," praised helper 18-year-old Victoria Tran. Her friend Adele Francey, 18, agreed. “He transcends the political divides that have confined us for the past thirty years," she said. “And he looks sincere," added Lena Katz, 18. “He really believes he can make a change.” The Macron brand, a mix of smart marketing, cult figure (the first letters of En Marche are Macron’s initials) and genuine enthusiasm previously unseen on the French campaign trail, has given him momentum in a political system highly based on the leader’s personality.

For Katz, Tran and many of their friends, France’s 2017 presidential race is their first election. “I want to be invested and to vote for someone I like," Tran said. “More than the others, Macron represents our generation.” Their close elders are hoping for a political renaissance, too – perhaps the one that was supposed to come with François Hollande in 2012. “I really believe he can make it," said Aurelie Diedhou, 29, a wholesale manager who has lived in London for two years. “On many topics, he’s more advanced than his rivals, a bit like Barack Obama in 2008. In France, when a politician has the pretention not to be corrupt, or to have held a job before entering politics, they’re accused of marketing themselves. But it’s just true.”

Macron occupied the stage for a good hour and a half – during which his supporters never failed to cheer, even for boring declarations such as “I want more management autonomy”. He passionately defended the European Union, and pleaded for its reform: “I am European, and I want to change Europe with you.”

Such words were welcomed by French expatriates, many of whom have feared that their life in the UK may be turned upside down by the consequences of the Brexit vote. “Britain has made a choice, which I think is a bad choice, because the middle classes have lacked perspectives, and have had doubts," Macron said. He promised to stand for the rights of the French people who “have made their life choice to settle in Britain”.

As far as Macron's UK co-ordinator, Ygal El-Harra, 40, was concerned, that the candidate would make a trip across the Channel was self evident: “We’ve got people in Bristol, Cambridge, Edinburgh, in Cornwall. And they’re not just bankers and traders: some work in delivery, restaurants, many are students... They perfectly represent French society, and we want to keep in touch with them.”

In 2012, London’s French community opted for Nicolas Sarkozy over Hollande, but the vote was very close (48 per cent to 52 per cent). Just as within France, where he appeals to both left and right-wingers, Macron’s internationally-minded liberalism, coupled with his fluent, fairly well-accented English, could win big among the expat. And they matter - there are about 100,000 votes to grab. “For us who are in London, it’s important to have an open-minded, international candidate," the teenager Tran said.

Rosa Mancer, a 45-year-old strategist who has lived in London for 20 years, agreed. “I loved what he said about Europe. We must reform it from the inside," she said. But she admitted her support for Macron was “a choice by elimination”, due to the threat of the far-right Front National and the corruption case surrounding Fillon. “He’s got no scandal behind him," she said. Unlike their younger peers, voters with more experience in French politics tended to choose the dynamic Macron because he was the least compromised of the lot. “It’s certainly not Marine Le Pen, nor Benoît Hamon, the sectarist Fillon or the Stalinist Jean-Luc Mélenchon, who will rebuild our fossilised France”, said Roland Stern, a Frenchman in his sixties. “In 1974, Giscard D’Estaing didn’t have a party, either. But once he had won, the others followed him.”

British politicians had come to see the French phenomenon, too. Labour’s Denis MacShane and former Deputy Prime Minister Nick Clegg sat among the VIPs. For the latter, the enthusiasm around a promising and brilliant politician rang a bell. Looking back on the 2010 general election, the former Liberal Democrat leader reflected: “Although my platform was very different at the time, the basis was that the status quo was letting people down and that we needed something different.” Clegg’s advice to Macron? “Make sure you seek to set and manage people’s expectations.”

As Clegg knows too well, there is a danger in bringing everyone together, and that is keeping everyone together without disappointing them all. If his name comes first on the evening of May 7, Macron’s real challenge will begin: forming a government with his supports for a broad political spectrum, and dropping vague pledges and marketing slogans to map out a clear way ahead.

In Westminster, hundreds of supporters were literally behind him, seated in tiers on stage. A massive screen showed a live close-up of Macron's youthful face. Something in his picture-perfect smile seemed to wonder what would happen if the crowd stopped cheering.