Whose words are these?

The strange evolution of a Martin Luther King quotation can tell us a lot about authorship.

Authorship is a funny thing. Take this blog post, for example. There, above the headline, is a large, pink egg-shaped object that bears an uncanny resemblance to the putty-faced ovoid I occasionally wash when I can't see through the grime. It's my face, trapped in that awkward sneery half-smile, and these words are mine.

Well, are they? You could say that I've lifted "these words are mine" from the beautiful lyrics of Natasha Bedingfield's spectacularly written song about songwriting, "These Words Are Mine". And there they are, the same Roman characters in the same order, the same English words implying a very similar sentiment to that pop masterwork. I would argue, though, that since I haven't surrounded them with the lustrous beauty that Bedingfield did, I haven't so much borrowed them from her fair quill, but simply reproduced a familiar phrase.

I think that's fair enough, but it's hard to know. When writing something, you're aware that you might stumble across something someone else once did before, whether you're doing so accidentally or knavishly. It's the latter knavishness that is frowned upon, of course, for tweet jackdaws who end up cracking gags that others have made before, using their own avatar and getting all the plaudits.

But then, what if you come up with the same thing independently, simultaneously? There is only a finite number of puns, for example: someone's bound to have thought about the same one as you, and done it before – and probably done it better. Does that mean you're a thief if you think you've come up with one yourself, only to discover that it came out of the Ark?

I ask all this because, this week, words from Martin Luther King Jr echoed around Twitter and Facebook. "I mourn the loss of thousands of precious lives, but I will not rejoice in the death of one, even an enemy," he said. Or rather, he didn't. The quotation came instead from a Pennsylvanian English teacher in Japan, Jessica Dovey, who had followed her own sentiment with the true King quote:

Returning hate for hate multiplies hate, adding darkness to a night already devoid of stars. Darkness cannot drive out darkness: only light can do that.

Dovey's quote got added in to MLK's words, and then, for reasons of space in Twitter's 140-character limit, her quote became King's. Except he never said it.

Does it matter, now that we know a figure we admire didn't say these words – that they came from a pleb, someone who is just like us? Does it diminish their power? Does it erode credibility from those who repeated and retweeted the sentiment in those hours after the slaying of Osama Bin Laden, using the authoritative voice of a peace campaigner to reflect their views that the killing was less than morally perfect?

I think the answer is no. If anything, I feel it's a wonderful thing to discover a new, extraordinary quotation from someone completely ordinary. Would we have known about Dovey's words if they had not been wrongly attributed to someone more famous? Probably not. But I'm glad we did hear them.

It is too easy to attribute wise-sounding words to the wise people we've learned to admire. There are plenty of mistakes, bad quotes and less-than-pleasant things that got said by many famous figures whose other words are copied and pasted all over the place; but we tend to ignore those other sayings in favour of the aphorisms that suit our sentiments the most. It's a deal more complicated than that, but when you're trying to sum up your feelings in 140 characters or fewer, a lot of the richness to these passages does die away.

So, yes, I did write this; but I had help, from Natasha Bedingfield, from Martin Luther King, from Jessica Dovey. Would you believe me if I said I wrote this all on my own? Probably not. Does it matter if I did most of it by myself? I hope so. These words are mine. Trying to find the magic, trying to write a classic . . . sometimes we all borrow a little from somewhere else.

Patrolling the murkier waters of the mainstream media
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The decline of the north's sporting powerhouse

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Now, things are different.

On a drive between Sheffield and Barnsley, I spotted a striking painting of the Kes poster. Billy Casper’s two-fingered salute covered the wall of a once-popular pub that is now boarded up.

It is almost 50 years since the late Barry Hines wrote A Kestrel for a Knave, the novel that inspired Ken Loach’s 1969 film, and it seems that the defiant, us-against-the-world, stick-it-to-the-man Yorkshireness he commemorated still resonates here. Almost two-thirds of the people of south Yorkshire voted to leave the EU, flicking two fingers up at what they saw as a London-based establishment, detached from life beyond the capital.

But whatever happened to Billy the unlikely lad, and the myriad other northern characters who were once the stars of stage and screen? Like the pitheads that dominated Casper’s tightly knit neighbourhood, they have disappeared from the landscape. The rot set in during the 1980s, when industries were destroyed and communities collapsed, a point eloquently made in Melvyn Bragg’s excellent radio series The Matter of the North.

Yorkshire historically acted as a counterweight to the dominance of southern elites, in sport as in politics and culture. Yet today, we rarely get to hear the voices of Barnsley, Sheffield, Doncaster and Rotherham. And the Yorkshire sporting powerhouse is no more – at least, not as we once knew it.

This should be a matter of national concern. The White Rose county is, after all, the home of the world’s oldest registered football club – Sheffield FC, formed in 1857 – and the first English team to win three successive League titles, Huddersfield Town, in the mid-1920s. Hull City are now Yorkshire’s lone representative in the Premier League.

Howard Wilkinson, the manager of Leeds United when they were crowned champions in 1992, the season before the Premier League was founded, lamented the passing of a less money-obsessed era. “My dad worked at Orgreave,” he said, “the scene of Mrs Thatcher’s greatest hour, bless her. You paid for putting an axe through what is a very strong culture of community and joint responsibility.”

The best-known scene in Loach’s film shows a football match in which Mr Sugden, the PE teacher, played by Brian Glover, comically assumes the role of Bobby Charlton. It was played out on the muddy school fields of Barnsley’s run-down Athersley estate. On a visit to his alma mater a few years ago, David Bradley, who played the scrawny 15-year-old Billy, showed me the goalposts that he had swung from as a reluctant goalkeeper. “You can still see the dint in the crossbar,” he said. When I spoke to him recently, Bradley enthused about his lifelong support for Barnsley FC. “But I’ve not been to the ground over the last season and a half,” he said. “I can’t afford it.”

Bradley is not alone. Many long-standing fans have been priced out. Barnsley is only a Championship side, but for their home encounter with Newcastle last October, their fans had to pay £30 for a ticket.

The English game is rooted in the northern, working-class communities that have borne the brunt of austerity over the past six years. The top leagues – like the EU – are perceived to be out of touch and skewed in favour of the moneyed elites.

Bradley, an ardent Remainer, despaired after the Brexit vote. “They did not know what they were doing. But I can understand why. There’s still a lot of neglect, a lot of deprivation in parts of Barnsley. They feel left behind because they have been left behind.”

It is true that there has been a feel-good factor in Yorkshire following the Rio Olympics; if the county were a country, it would have finished 17th in the international medals table. Yet while millions have been invested in “podium-level athletes”, in the team games that are most relevant to the lives of most Yorkshire folk – football, cricket and rugby league – there is a clear division between sport’s elites and its grass roots. While lucrative TV deals have enriched ruling bodies and top clubs, there has been a large decrease in the number of adults playing any sport in the four years since London staged the Games.

According to figures from Sport England, there are now 67,000 fewer people in Yorkshire involved in sport than there were in 2012. In Doncaster, to take a typical post-industrial White Rose town, there has been a 13 per cent drop in participation – compared with a 0.4 per cent decline nationally.

Attendances at rugby league, the region’s “national sport”, are falling. But cricket, in theory, is thriving, with Yorkshire winning the County Championship in 2014 and 2015. Yet Joe Root, the batsman and poster boy for this renaissance, plays far more games for his country than for his county and was rested from Yorkshire’s 2016 title decider against Middlesex.

“Root’s almost not a Yorkshire player nowadays,” said Stuart Rayner, whose book The War of the White Roses chronicles the club’s fortunes between 1968 and 1986. As a fan back then, I frequently watched Geoffrey Boycott and other local stars at Headingley. My favourite was the England bowler Chris Old, a gritty, defiant, unsung anti-hero in the Billy Casper mould.

When Old made his debut, 13 of the 17-strong Yorkshire squad were registered as working-class professionals. Half a century later, three of the five Yorkshiremen selec­ted for the last Ashes series – Root, Jonny Bairstow and Gary Ballance – were privately educated. “The game of cricket now is played in public schools,” Old told me. “Top players are getting huge amounts of money, but the grass-roots game doesn’t seem to have benefited in any way.”

“In ten years’ time you won’t get a Joe Root,” Rayner said. “If you haven’t seen these top Yorkshire cricketers playing in your backyard and you haven’t got Sky, it will be difficult to get the whole cricket bug. So where is the next generation of Roots going to come from?” Or the next generation of Jessica Ennis-Hills? Three years ago, the Sheffield stadium where she trained and first discovered athletics was closed after cuts to local services.

This article first appeared in the 19 January 2017 issue of the New Statesman, The Trump era