Q&A: Super Tuesday

Your guide to the GOP contests happening across the US on Tuesday.

Q. Which states are holding GOP primaries or caucuses tomorrow, and how many delegates does each state award?
Caucuses:
Alaska, 27 delegates
Idaho, 32 delegates
North Dakota, 28 delegates

Primaries:
Georgia, 76 delegates
Massachusetts, 41 delegates
Ohio, 66 delegates
Oklahoma, 43 delegates
Tennessee, 58 delegates
Vermont, 17 delegates
Virginia, 49 delegates

Q. How many delegates are up for grabs on Super Tuesday?
437 delegates are in play.

Q. Where do the candidates stand going into tomorrow's primaries and caucuses?
Mitt Romney - 203 delegates
Rick Santorum - 92 delegates
Newt Gingrich - 33 delegates
Ron Paul - 25 delegates

Q. How many delegates are needed to secure the GOP nomination?
1,144 delegates are needed to win the party's nomination.

Q. Why does Super Tuesday matter so much?
Super Tuesday matters for different candidates depending on their position in the delegate count. The longer the GOP nomination process rolls on, the less time the eventual candidate has for the general election election, and for this reason, Mitt Romney hopes a strong showing will all but seal the deal for him

For Rick Santorum, Super Tuesday is an opportunity to catch or overtake Romney in the delegate count, or at least take a large chunk out of Romney's lead. Santorum has been surging over the past month - although he has lost momentum of late - and hopes to continue his charge tomorrow.

For Newt Gingrich and Ron Paul, sitting in distant third and fourth place, Super Tuesday, with its hundreds of delegates up for grabs, is an opportunity for both candidates to make upward moves. Candidates distant in the delegate count have historically viewed Super Tuesday as an opportunity to make up serious ground.

Q. Why do so many states (10) choose to have their primaries on the same day?
Early primary states have more sway in determining the nominee than do later ones. Candidates spend enormous amounts of time and money in Iowa - the first caucus - and New Hampshire, the first primary. States after New Hampshire and Iowa have historically had less and less impact the farther into the election process they have voted. Over the last two decades, states have been moving their primaries and caucuses earlier and earlier in order to have more impact on the nominating process.

Super Tuesday is the first real test of a candidate's popularity nationwide, and thus many states choose to hold their primary or caucus on that day, in order to play a part in the electability test.

Q. Mitt Romney and Ron Paul were on ballots on Super Tuesday 2008 (5 February). How did each fare four years ago?
Romney won 7 states (176 delegates). Of the states voting tomorrow, Romney carried Alaska, Massachusetts and North Dakota in 2008.

Paul did not win any contests four years ago.

*John McCain won 9 states (511 delegates) and Mike Huckabee won 5 states (147 delegates)

Q. Which are the key battleground states tomorrow?
Georgia, the state awarding the most delegates, is very much up for grabs. Newt Gingrich was a US House representative from that state 1979 to 1999, and could see a very strong showing there.

Ohio - seminally a battleground state in general elections, particularly in 2004 Kerry versus Bush - will be telling. With the question of general election electability being more and more tossed around, and with the GOP looking to find its best candidate for the November general election, Ohio's primary results will be crucial.

Ron Paul faces only one ballot opponent - Mitt Romney - in Virginia's primary. None of the other candidates collected the 10,000 signatures required to appear on the ballot.

Newt Gingrich could have a strong showing in Tennessee, another of the big southern states that vote tomorrow.

Idaho is one of the most conservative states in the US, and Gingrich and Santorum could both fare well there.

Q. What will the possible results tell us?
Newt Gingrich has pledged to stay in the race until the convention. His results in the more conservative states will tell us how appealing he is to the Conservative Right.

Mitt Romney is no stranger to Super Tuesday, and has to like his position this time around. Tomorrow will tell us whether Romney will be able to hold off charges from his more conservative counterparts and further separate himself from the pack.

Rick Santorum has surged into second place, and his results tomorrow will be crucial. He could emerge atop the delegate leaderboard or could fall well behind Romney. For Santorum, like Gingrich, courting the Conservative Right vote will be crucial.

Ron Paul continues to raise large amounts of cash despite having not won a primary or caucus. The future of his campaign should become clearer after tomorrow's contests.

Q. Which states follow Super Tuesday?
Over the week following Super Tuesday, Kansas, Alabama, Hawaii, Mississippi, the US Virgin Islands and Guam hold caucuses and primaries, with 165 combined delegates up for grabs.

Calvert 22/Courtesy of the artist, Danila Tkachenko
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Ruin porn: the art world’s awkward obsession with abandoned Soviet architecture

Deserted fairgrounds, disused factories and forgotten military bases may look cool, but are we fetishising the remnants of such a cruel history?

Armenia, where one side of my family is from, was one of the first members of the USSR, annexed by Russia in 1922. A few years ago, when I visited this little country that perches precariously in the south of the Caucasus, I was struck most by its Soviet architecture.

Although its landscape is a hotchpotch of medieval Orthodox churches, a smattering of Persian-era domes, and brutalist concrete, it was the latter that particularly stuck out. From unfelled statues of Stalin to giant tower blocks spelling out the letters “CCCP” from a bird’s-eye view (well, half spelt-out – construction stopped partway through, with the fall of the Soviet Union), I’ve never forgotten it.

Perhaps it was so compelling because such stark physical symbols make recent history all the more tangible. A history still profoundly affecting the country of my ancestors (and all post-Soviet and communist states). But also, it just looked really cool.


Mixed air corps, Mongolia. Photo: Calvert 22/Courtesy of the artist, Eric Losito

It’s a bit passé now to mock the hipster obsession with reclaimed industrial detritus, exposed pipes and bare concrete. An aesthetic – that of a post-industrial wasteland, but a chic one – which has gripped western cities for years, and crept worldwide.

But it could be this tendency to find disused stuff visually intriguing, and a morbid fascination with cruel regimes, which has led to the art world’s obsession with abandoned Soviet architecture. A whole wave of artists and photographers have been poking around the eastern bloc’s architectural graveyard in recent years.

Late last year, we saw the hugely popular disused Soviet bus stop series by photographer Christopher Herwig, echoing photographer Sergey Novikov’s equally absorbing collection of abandoned Soviet cinemas from 2013.

Following Russian filmmaker and photographer Maria Morina’s “Atomic Cities” project four years ago, London-based artist Nadav Kander explored the “aesthetics of destruction” in his exhibition, Dust, in 2014, snapping “radioactive ruins” of secret cities on the border between Kazakhstan and Russia. The same year, Moscow photographers Sasha Mademuaselle and Sergey Kostromin travelled to the disputed region of Abkhazia, capturing fragments of its deserted infrastructure.


Fighter aviation regiment, Mongolia. Photo: Eric Losito
 

And photojournalist Anton Petrus’ now iconic pictures of Chernobyl’s abandoned amusement park have long been an internet favourite, as have numerous haunting images of Pripyet – the city famous for lying deserted following the nuclear disaster.

Jamie Rann, a lecturer in Russian at Oxford University, has written that the quality and technical accomplishment of most of this photography make the style more “ruin erotica” than “ruin porn” (the tag being used by some critics), but argues: “The enormous online popularity of this genre . . . combined with their voyeuristic, almost exploitative feel, certainly has something porny about it.”

The latest exploration of Soviet society’s skeletons can be found at the Power & Architecture season at London’s Calvert 22 Foundation. In an exhibition called Dead Space and Ruins, we see abandoned military bases and formerly mighty monuments, forgotten space ports freezing in the tundra, the ghost of an entire unused, unfinished city in Armenia lying derelict.



The unfinished "ghost city" built in Armenia to house earthquake survivors (water added by artist). Photo: Calvert 22/Courtesy of the artist, Vahram Aghasyan

The works are beautiful, but do they feed in to this zeitgeisty lust for Soviet ruins?

One of its curators, Will Strong, laments this trend. “I was keen that this didn’t become like a kind of ‘ruin lust’, ‘ruin porn’ thing; this slightly buzzwordy term that there is at the moment, this kind of fetishisation of dead space,” he tells me.

“This history is incredibly loaded, and it did not end in 1991. To sort of fetishise it in the very bourgeois western way of, ‘oh yeah, look at all this wonderful Soviet architecture, isn’t it fantastic?’ Obviously a lot of people who lived in that time hated it . . . a lot of people were very miserable under these regimes, so it’s important not to forget that.”


Gym at the Independent Radar Centre of Early Detection, Latvia. Photo: Eric Losito

He adds: “It’s more a point of reflection on how buildings were designed, what their legacy is, what their narrative is, and who the people are who live with that story. This show looks at the aftermaths of when utopia hasn’t been delivered.”

This view is echoed by the Moscow artist, Danila Tkachenko, whose work is featured in the exhibition. “It is rather a metaphor for the future, not the past,” he says. “It represents an image of a possible future. When there is a visualisation of this issue [utopia], it evokes a response in people; they see this utopia in their lives . . . There is disappointment in all utopias.”


The world's largest diesel submarine, in Russia's Samara region. Photo: Calvert 22/Courtesy of the artist, Danila Tkachenko

His Restricted Areas series explores great behemoths of European communism left to lie forgotten in the tundra of remote regions in and around Russia and Kazakhstan: the world’s largest diesel submarine, like a beached whale in the snow; a giant satellite, thatched with antennae, built to communicate with Soviet bases on other planets some day; the deserted flying saucer-like communist headquarters in a region of Bulgaria. The structures hover in blank, white space, making the photos appear black-and-white.


Deserted observatory, Kazakhstan's Almaty region. Photo: Danila Tkachenko
 

Anton Ginzburg is an artist who grew up in St Petersburg in the Eighties as the Soviet Union was disintegrating. He believes studies like his film, Turo, of disused modernist constructions in the post-Soviet bloc, appeal to people’s connection to history. After all, picking through the architectural carcasses of former societies isn’t exactly a new thing:

“Russian culture is still haunted by its Communist past, and constructivist architecture is a decaying shell for its ghosts. It is an active reminder of the recent history,” he reflects. “Perhaps [its appeal] is a mixture of memento mori, with its thrill of beauty and destruction, along with a Romantic tradition of contemplation of Greek and Roman ruins.”

(Anton Ginzburg Turo teaser from Visionaireworld on Vimeo.)

The Power & Architecture season is on at the Calvert 22 Foundation, London, from 10 June-9 October 2016. Entry is free.

Anoosh Chakelian is deputy web editor at the New Statesman.