Steve Jobs: a modern Leonardo da Vinci or Einstein?

The death of Apple’s iconic founder has folk reaching for the hyperbole.

The sad death of Steve Jobs at the age of 56 yesterday was greeted by an outpouring of grief on the internet, and a flood of tributes from everyone from Barack Obama to David Cameron. But will he really be remembered by the history books as a creative and entrepreneurial force on a par with Leonardo da Vinci and Einstein, as some commentators are suggesting?

There's no doubt that Steve Jobs was really rather good at getting cool technologies from the lab into the hands of consumers fast, and wrapped in shiny plastic and aluminium that helps Apple products garner admiring glances. The Apple logo, seen glowing on the lids of sleek laptops, is surely the most admired corporate symbol in the world -- certainly the Apple brand is the most precious of any firm according to brands agency Millward Brown. Apple is also the most valuable technology firm by market capitalisation, and at one point this year it was the most valuable company in the world; surpassing even Exxon Mobil.

The figures speak for themselves: Apple posted profits of around £6.1billion in its most recent quarter. It did that not just by selling Macintosh computers -- which actually have a market share of only around 4 per cent of all PCs that are sold, or about 4 million Macs a quarter -- but it sold over 20 million iPhones, 9 million iPads and 7.5 million iPods. These last three categories are what took Apple from moderate success to superstardom, and Steve Jobs' insistence on classy design, ease of use and an ecosystem of applications are writ large on all three.

One can certainly make the case that it was Apple co-founder Steve Wozniak who had by far the greatest technical input into Apple's first computers. Jobs was interested in design, and especially fonts, but he actually spent a lot of time running around trying to win orders and raise finances. But Jobs' gift for helping to get the look and feel right, his intuition for what customers really want -- even if they don't yet know it themselves -- and his business acumen are all clearly top notch. He didn't only make Apple a success: he also fixed up Pixar, eventually selling it to Disney for $7.4billion, and NeXT, which he then sold on to Apple.

The vast numbers of people expressing their sadness for his death yesterday -- at one point Twitter was seeing a record 10,000 tweets per second, with many using the hashtags # iSad or # thankyousteve -- is another sign of how his deft touch could give some semblance of personality to seemingly functional things like MP3 players and phones. For others, the magic was all in Steve's head, and Apple fans are merely caught up in what some now call Steve's "reality distortion field", or RDF.

Reality distortion field?

RDF was first coined by Bud Tribble at Apple Computer in 1981 to describe Jobs' charisma and its effects on the developers working on the Mac project. Others have used it to describe the effect of his keynotes, or "Stevenotes", in which the consummate showman in trademark jeans and black turtleneck sweater had audiences in rapturous applause for, occasionally, incremental improvements to existing gadgets.

But whatever you think of him, was Stephen Fry right to say when he resigned earlier this year that, "There are few more important people on this planet"? Was Masayoshi Son, CEO of Softbank which distributes the iPhone in Japan, right to compare him to Leonardo da Vinci? Michael Bloomberg, New York's mayor, said Jobs will be remembered "With Edison and Einstein, and whose ideas will shape the world for generations to come."

David Cameron said, "Steve Jobs transformed the way we work and play," and yet if one doesn't own an Apple gadget it's hard to see quite how. Sure, other gadgets such as smartphones have been heavily influenced by the iPhone, but equally just as many Apple products were influenced by their predecessors. Apple didn't invent the smartphone, although it made it far, far more capable and appealing. It didn't event the mouse or the personal computer; it didn't invent portable music players and it didn't invent tablet computers, either.

Perhaps, as Steve Wozniak noted yesterday, Jobs' real brilliance was not just innovation, but also timing. He knew a thing or two about product development, but also when to stand on the shoulders of giants. Ultimately, he knew what a lot of customers wanted; even before they knew themselves.

Jason Stamper is NS technology correspondent and editor of Computer Business Review.

Jason Stamper is editor of Computer Business Review

Photo: Getty
Show Hide image

The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

0800 7318496