In this week's New Statesman: India - The economic miracle implodes

William Dalrymple on India: can it ever become a superpower? PLUS: Sophie Elmhirst profiles Ai Weiwei and an "Autumn Books" special in the Critics.

Rafael Behr: Cameron fantasises about the next big push while the troops struggle

In the Politics Column this week, Rafael Behr rounds up lessons learned from the annual party conference season. From feel-good speeches to “pleb” badges, here are the takeaway messages:

Liberal Democrats miss the moral high ground

While the junior coalition party was meeting in Brighton, headlines were dominated by tales of Andrew Mitchell, the Conservative Chief Whip, allegedly calling a police officer a “fucking pleb”. Many Lib Dems didn’t seem to mind their demotion down the news agenda. They revelled in Tory discomfort at the episode. Ministers made “pleb” jokes in their speeches. “I’m a pleb” badges became a must-have conference accessory . . . The party is “battle-weary”, in the words of one senior adviser. “[Lib Dems] long to feel good about themselves again.”

Ed Miliband really is the leader of the Labour Party

Ed Miliband delivered his big speech in Manchester with a thespian fluency of which many had previously thought him incapable . . . It gave delegates hope that they might actively promote the idea of the Labour leader as a potential prime minister instead of dodging accusations that he doesn’t fit the part . . . The sceptics in his party are not entirely won over. They acknowledge that he has proved capable of raising his game but doubt that he can keep it up.

Morale is low on the Conservative front lines

The impatience of many Tory MPs… is well known . Such ingratitude is part of a cycle that began when David Cameron failed to win a majority in 2010 and that systematically erodes his authority. Common complaints are that the party machine is rusty, that its central office is staffed with lightweights and that Labour campaign teams are more motivated and better organised.

These are not gripes about ideological direction: they are the grumbles of a demoralised infantry whose commanding officers are miles from the front, fantasising about the next big push and apparently unaware that their ill-equipped troops are struggling just to hold the line.

Read the piece in full, published online here.

 

William Dalrymple: After the blackout

India has long been hailed as the world’s next great superpower, notes the historian William Dalrymple in this week's cover story:

For over a decade now, India has marketed itself as the coming superpower, placing itself in the same league as Europe and the United States, and hyphenated with China as the dominant force of the near future. Indian futurologists have projected that China will overtake the US in gross domestic product between 2030 and 2040, and that India will follow suit by roughly 2050.

Yet Dalrymple has doubts. He finds a country questioning if it will ever become the powerhouse many promise it will be. From the power outage this summer that left 700 million people in darkness, to larger issues of wealth imbalance and crippling poverty, he probes the issues in the way of India’s rise to superpower:

How far Shakti Dehra was typical of a much wider scenario in India became clear this August after the country suffered what the international media soon christened “the largest power blackout in human history”. India’s creaking electricity grid had finally collapsed in the middle of the hot summer, due to the load of supporting hundreds of thousands of air-conditioners, and had supposedly plunged 700 million people across 21 of India’s 28 states into darkness.

India carried on much as it usually did: it muddled through. It was able to do this as the government provision of power is always so inadequate that the rich all have their own generators or “inverters” – a sort of giant rechargeable battery that can keep the fans going until power returns – while most of the poor get so little electricity anyway that its disappearance was barely noticed: of the 700 million people allegedly left powerless, in reality only 320 million had electricity in the first place.

What the power failure did was expose to international scrutiny the scandalous state of Indian infrastructure and the failure of the Indian state a full 65 years after independence to provide even the basic necessities for modern life across most of the country. It also highlighted the growing sus­picion that India’s dream of a rapid rise to the international top table might be just that – a dream.

 

Ai Weiwei: "If someone is not free, I am not free" - a profile of our next guest editor by Sophie Elmhirst

For the NS Profile, Sophie Elmhirst spent a week at the Beijing studio of the artist Ai Weiwei, the next guest editor of the New Statesman. Ai’s special issue will be published next week, 19 October.

Reacting to a Beijing court’s refusal last month of his appeal against a £1.5m fine imposed on his design company for “tax evasion”, Ai says the entire legal process has been deplorable. “The company could not place inquiries about the case or defend itself,” he says. “Our side of the story has not been heard in the trials. Not only did the authorities have no respect for the law and violate all the legal procedures as the case proceeded, they failed to provide any hard evidence for the charges they made.”

Ai also recalls that “from the beginning the tax case is doomed and everyone involved knows it”.
The police, he says, told him in private that “their aim was to discredit me because I criticised the government publicly”. When he challenged them about why the state couldn’t address his dissidence directly rather than impose a fine, they told him that people in China listen to him and often agree with him, and that imposing a fine would more “effectively damage my reputation and popularity”.

Of his reasons for continuing to protest against the actions of the Chinese government, Ai says:
“If someone is not free, I’m not free . . . If artists cannot speak up for human dignity or rights, then who else will do it?”

He is aware of the dangers to himself, but maintains that he will keep fighting injustice and oppression as long as he can:

“I always have to question myself . . . what happens if I spend the rest of my life in jail? Or what happens if I can never travel again? Can I afford to do that? I think, still, there is something I can do . . . As a living creature, you have to prove what you can do.”

 

Mehdi Hasan: Being pro-life doesn’t make me any less of a lefty

In Lines of Dissent, Mehdi Hassan sticks out his neck and declares: “I’m a lefty, but I’m with Jeremy Hunt and Christopher Hitchens on time limits for abortion.” He compares his stance with the liberalism of Hitchens, writing:

It has long been taken as axiomatic that in order to be left-wing you must be pro-choice.Yet Hitchens’s reasoning was not just solid but solidly left-wing. It was a pity, he noted, that the “majority of feminists and their allies have stuck to the dead ground of ‘Me Decade’ possessive individualism, an ideology that has more in common than it admits with the prehistoric right, which it claims to oppose but has in fact encouraged”.

Abortion is one of those rare political issues on which left and right seem to have swapped ideologies: right-wingers talk of equality, human rights and “defending the innocent”, while left-wingers fetishise “choice”, selfishness and unbridled individualism.

He refutes the claim that being pro-life means being “anti-women” or “sexist”:

For a start, 49 per cent of women, compared to 24 per cent of men, support a reduction in the abortion limit, according to a YouGov poll conducted this year . . . Then there is the history you gloss over: some of the earliest advocates of women’s rights, such Mary Wollstonecraft, were anti-abortion, as were pioneers of US feminism such as Susan B Anthony and Elizabeth Cady Stanton...

In recent years, some feminists have recognised the sheer injustice of asking a woman to abort her child in order to participate fully in society; in the words of the New Zealand feminist author Daphne de Jong: “If women must submit to abortion to preserve their lifestyle or career, their economic or social status, they are pandering to a system devised and run by men for male convenience.

I’m not calling for a ban on abortion; mine is a minority position in this country. What I would like is for my fellow lefties and liberals to try to understand and respect the views of those of us who are pro-life, rather than demonise us as right-wing reactionaries or medieval misogynists.

 

In the Critics: An Autumn Books Special

It’s the Autumn Books special in The Critics this week. Our lead book reviewer is Jonathan Powell, Tony Blair’s chief of staff from 1995 to 2007. Powell reviews Kofi Annan’s memoir, Interventions. “I don’t think Annan has anything to apologise for,” Powell writes. “The problem is not with the man but with the international community.”

The former Conservative foreign secretary Douglas Hurd also considers the future of the international community in his review of Governing the World by Mark Mazower. “The UN has endorsed the notion of ‘the responsibility to protect’,” Hurd notes. “As on many similar occasions, the baptismal name is misleading. The responsibility to protect is not so much about protection as about intervention.”

In the Books Interview, Jonathan Derbyshire talks to D T Max about his biography of the late David Foster Wallace, and in her Personal Story, the American novelist A M Homes explains how growing up amid the tumult of Nixon-era Washington, DC shaped her fiction. “It was a strange time and place to be a child,” she writes. “A multilayered existence with shifting standards, exceptions and different rules for different people.”

 

Elsewhere in Autumn Books

The business editor of ITV News, Laura Kuenssberg, reviews John Gapper’s Wall Street thriller, A Fatal Debt;  the NS’s pop critic, Kate Mossman, reviews Philip Norman’s biography of Mick Jagger; the poet Christopher Reid on The Collected Poems of Samuel Beckett; Linda Grant enjoys Colm Tóibín’s retelling of the story of Mary, mother of Jesus; and much more.

 

Elsewhere in the NS

Ryan Gilbey is impressed by Walter Salles’s adaptation of Jack Kerouac’s On the Road; Rachel Cooke reviews the BBC2 documentary I Was Once a Beauty Queen; and Antonia Quirke is entranced by a Radio 4 programme about the Irishness of Bram Stoker’s Dracula.

PLUS: Will Self on Jimmy Savile in Maddness of Crowds

Charlotte Simmonds is a writer and blogger living in London. She was formerly an editorial assistant at the New Statesman. You can follow her on Twitter @thesmallgalleon.

John Moore
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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.