Fighting for fair pay

The Greens are more than a party simply for the environment.

Last Monday I helped to launch the Fair Pay Network, a new coalition of anti-poverty and workers’ rights campaigners, of which I am now a proud patron.

At the launch in Westminster were fellow patron John Cruddas MP and the chair of the Fair Pay Network, Karen Buck MP, as well as representatives from network members NUS, Unite, UNISON, the Fawcett Society, and Oxfam. Not forgetting campaigners from probably my favourite organisation in the capital (after the Green Party): London Citizens, whose work on the living wage I’ve http://www.newstatesman.com/200712170001">championed here before.

During the event, I spoke about fair pay for women. I've become a patron of the Fair Pay Network to demand decent wages for all workers, but it’s a simple fact that women workers are furthest from this modest goal. Low pay is worst among part-time and temporary workers - the workforces that are majority female.

As a result, women in Britain are 14% more likely to be in poverty than men. Close this gender gap, and we're well on the way to a fair deal for all workers.

I’m also very proud of the Green record on this issue. Green London Assembly members were instrumental in setting up the London Living Wage Unit, which carries out the annual assessment of the pay level needed to provide the basics of life in the capital, and Green AM Darren Johnson last year helped persuade the London Fire Authority to vote for all the cleaners in its fire stations to be paid a living wage.

There are no environmental reasons at all for my involvement in campaigning for fair pay. It’s all purely for reasons of social justice and equality – but these other facets of the Greens’ philosophy seem to be too much for some to take in.

Extremely curiously, Channel 4 insisted on removing a section covering the fire station cleaners’ story from our ‘Political Slot’ – an annual three-minute broadcast, which was aired by C4 on the Thursday before the Fair Pay Network launch.

This year, we decided to focus our film on the achievements of our two London Assembly Members, with me topping and tailing the piece with a short plug explaining how, ‘when voters put the Greens in positions of influence, we really get things done.’

After clearing the script with the producers and recording the piece without incident, the final cut was deemed ‘too election focused’ by Channel 4’s lawyers. Fair enough, we thought, and awaited a version without my plugs for electing Greens. However, in the final cut, all that stuff remained in and, instead, the entire section on low pay had been taken out.

Very, very odd indeed. We still have no idea why, but it has made us wonder about rates of pay at Channel 4. Whistleblowers and conspiracy theorists, please get in touch (about this, not about free energy, 9/11 or Diana).

Oh and of course you can watch the original cut, including the section on living wages on our http://youtube.com/watch?v=sSSjGnj6g7k">Green Party YouTube channel.

Sian Berry lives in Kentish Town and was previously a principal speaker and campaigns co-ordinator for the Green Party. She was also their London mayoral candidate in 2008. She works as a writer and is a founder of the Alliance Against Urban 4x4s
John Moore
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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.