New web security system tests computers' emotions

Sorting the men from the replicants.

A new Captcha system seeks to separate humans from computers by testing empathy – and spreading awareness of human rights human rights abuses at the same time.

A Captcha – which stands for Completely Automated Public Turing test to tell Computers and Humans Apart – is the test used when logging into many sites to distinguish between real people and malicious programs, which may attempt to log into many thousands of accounts at the same time. You've all used one – signing up for a New Statesman commenting account, if nowhere else – and they are ripe for being put to good use.

ReCAPTCHA was the first socially-beneficial captcha, and still the most popular. It uses the combined might of all the human brain power wasted on Captchas to transcribe scanned books:

reCAPTCHA improves the process of digitizing books by sending words that cannot be read by computers to the Web in the form of CAPTCHAs for humans to decipher. More specifically, each word that cannot be read correctly by OCR is placed on an image and used as a CAPTCHA. This is possible because most OCR programs alert you when a word cannot be read correctly.

Since it took off, ReCAPTCHA has been used on innumerable sites, and is now displayed over 100 million times a day. But that success comes at a price. Now that the low hanging fruit has been plucked, fewer and fewer easily-transcribable words remain in its corpus, meaning that the system regularly throws up completely unintelligible words, words in other scripts, or things which just aren't language at all.

The civil rights captcha wants to be the replacement. Rather than using the captcha to perform useful work, like reCAPTCHA, it uses it to raise awareness about important issues:

Instead of visually decoding an image of distorted letters, the user has to take a stand regarding facts about human rights. Depending on whether the described situation is positively or negatively charged, the CAPTHA generates three random words from a database. These words describe positive and negative emotions. The user selects the word that best matches how they feel about the situation, and writes the word in the CAPTCHA. Only one answer is correct, the answer showing compassion and empathy.

As well as being important socially – example questions include "The parliament in St. Petersburg recently passed a law that forbids "homosexual propaganda". How does that make you feel?" – the Civil Rights Captcha is stronger against attack as well. It includes the same visual element as a reCAPTCHA, requiring potential attackers to decipher obfuscated words, but also requires any automated attack to parse a complex question, pick the right emotion, and only then work out which of the proffered words match that emotion.

The whole thing is rather reminiscent of Blade Runner:

We'll catch those pesky replicants yet.

Rutger Hauer, in the film Blade Runner.

Alex Hern is a technology reporter for the Guardian. He was formerly staff writer at the New Statesman. You should follow Alex on Twitter.

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The one where she turns into a USB stick: the worst uses of tech in films

The new film Worst Tinder Date Ever will join a long tradition of poorly-thought-through tech storylines.

News just in from Hollywood: someone is making a film about Tinder. What will they call it? Swipe Right, perhaps? I Super Like You? Some subtle allusion to the app’s small role in the plotline? Nope – according to Hollywood Reporterthe film has been christened Worst Tinder Date Ever.

With the exception of its heavily branded title (You’ve Got Gmail, anyone?), Worst Tinder Date Ever follows neatly in the tradition of writers manhandling tech into storylines. Because really, why does it matter if it was a Tinder date? This “rom com with action elements” reportedly focuses on the couple’s exploits after they meet on the app, so the dogged focus on it is presumably just a ploy to get millennial bums on cinema seats.  

Like the films on this list, it sounds like the tech in Worst Tinder Date Ever is just a byword for “modern and cool” – even as it demonstrates that the script is anything but.

Warning: spoilers ahead.

Lucy (2014)

Scarlett Johansson plays Lucy, a young woman who accidentally ingests large quantities of a new drug which promises to evolve your brain beyond normal human limits.

She evolves and evolves, gaining superhuman powers, until she hits peak human, and turns into first a supercomputer, and then a very long USB stick. USB-Lucy then texts Morgan Freeman's character on his fliphone to prove that: “I am everywhere.”

Beyond the obvious holes in this plotline (this wouldn’t happen if someone’s brain evolved; texting a phone is not a sign of omnipotence), USB sticks aren’t even that good – as Business Insider points out: “Flash drives are losing relevance because they can’t compete in speed and flexibility with cloud computing services . . . Flashdrives also can’t carry that much information.”

Star Wars: The Force Awakens (2015)

If you stare at it hard enough, the plotline in the latest Star Wars film boils down to the following: a gaggle of people travels across space in order to find a map showing Luke Skywalker’s location, held on a memory stick in a drawer in a spherical robot. Yep, those pesky flash drives again.

It later turns out that the map is incomplete, and the rest of it is in the hands of another robot, R2-D2, who won’t wake up for most of the film in order to spit out the missing fragment. Between them, creator George Lucas and writer and director JJ Abrams have dreamed up a dark vision of the future in which robots can talk and make decisions, but can’t email you a map.

Willy Wonka and the Chocolate Factory (1971)

In which a scientist uses a computer to find the “precise location of the three remaining golden tickets sent out into the world by Willy Wonka. When he asks it to spill the beans, it announces: “I won’t tell, that would be cheating.


Image: Paramount Pictures. 

The film inhabits a world where artificial intelligence has been achieved, but no one has thought to pull Charlie's poor grandparents out of extreme poverty, or design a computer with more than three buttons.

Independence Day (1996)

When an alien invasion threatens Earth, David Levinson (Jeff Goldblum) manages to stop it by hacking the alien spaceship and installing a virus. Using his Mac. Amazing, really, that aliens from across the universe would somehow use computing systems so similar to our own. 

Skyfall (2012)

In the Daniel Craig reboot of the series, MI6’s “Q” character (played by Ben Whishaw) becomes a computer expert, rather than just a gadget wizard. Unfortunately, this heralded some truly cringeworthy moments of “hacking” and “coding” in both Skyfall and Spectre (2014).

In the former, Bond and Q puzzle over a screen filled with a large, complex, web shape. They eventually realise it’s a map of subterranean London, but then the words security breach flash up, along with a skull. File under “films which make up their own operating systems because a command prompt box on a Windows desktop looks too boring”.

An honourable mention: Nelly and Kelly Rowland’s “Dilemma” (2009)

Not a movie, but how could we leave out a music video in which Kelly Rowland texts Nelly on a Microsoft Excel spreadsheet on a weird Nokia palm pilot?


Image: Vevo.

You’ll be waiting a long time for that response, Kelly. Try Tinder instead.

Barbara Speed is a technology and digital culture writer at the New Statesman and a staff writer at CityMetric.