Hiding in plain sight

The Easter holiday rush is receding into distant memory. The only thing airport security personnel have to worry about is what happens when everyone starts arriving for the Olympics. That, and the helpful physicists who have worked out how to smuggle a gun through a metal detector.

It all started as a bit of harmless blue-sky thinking. In the late 1960s, a Russian physicist pointed out the fun you could have if you invented a material that bends light in the opposite direction to normal. You could use it as an invisibility cloak, he said: just as water diverts round a rock in a stream by going first to one side, then back to the other, light bent in two different directions as it passed an object would give a viewer the impression that the light had travelled in a straight line and that the object simply wasn’t there.

Oh, how everybody laughed. Then, in 2000, someone turned this ridiculous fantasy into reality. John Pendry of Imperial College London showed how to create “left-handed materials” that would bend microwave radiation the wrong way. The practicalities were a little cumbersome and it didn’t work with visible light. But still, it was surprising, impressive and fun, in a nerdy kind of way.

Over the past decade, the technology has matured. At first, left-handed materials were constructed from intricate arrays of copper rings and could only hide tiny objects from a microwave detector. Now, we have invisibility “carpets” made from cheap and widely available crystals of the mineral calcite. They are able to hide objects the size of your thumb – and they work in visible light.

That technology is not yet going to smuggle a gun through airport security, though. Even if the X-ray machine doesn’t make the outline obvious, the magnetic field from the steel triggers an alarm. But a paper recently published in the journal Science can get you round that obstacle.

As it turns out, you can cloak a metal’s magnetic field for less than £1,000. First, wrap your gun in a layer of superconducting tape. Magnetic fields cannot pass through a layer of superconductor, so the scanner wouldn’t see the gun’s field. The scanner would see the superconductor’s field, though. However, this can be countered by adding a layer of flexible magnetic strip, rather like that found on the back of a fridge magnet. The researchers showed that this combination of readily available materials does a reasonable job of cloaking a magnetic field.

Touching the void

OK, it’s still not quite a credible threat. The superconductor has to be kept at liquid-nitrogen temperatures and a cloud of nitrogen vapour coming out of your hand luggage might raise a few eyebrows. A simple thermal detector would certainly put paid to any gun-smuggling plans.

But the physicists aren’t beaten yet. While some have been content to bend light as it travels through space, Martin McCall of Imperial College London has played around with bending light as it travels though time.

The technique involves slowing down and speeding up light inside an optical fibre – something that physicists have learned to do with astonishing skill in the past few years. McCall now has a blueprint for a device that doesn’t just make things invisible; it makes it look like they never even happened. It only works on technologies with an optical fibre feed, such as a CCTV camera. Nevertheless, in principle, we now know how to create the illusion of a void in both space and time – a void that could plausibly be exploited to evade surveillance technologies. Of course, it’s ridiculous. But where these troublesome physicists are involved, nothing remains ridiculous for long.

Michael Brooks’s “Free Radicals: the Secret Anarchy of Science” is published by Profile Books (£12.99)

Michael Brooks holds a PhD in quantum physics. He writes a weekly science column for the New Statesman, and his most recent book is At the Edge of Uncertainty: 11 Discoveries Taking Science by Surprise.

This article first appeared in the 30 April 2012 issue of the New Statesman, The puppet master

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Clickbaiting terror: what it’s like to write viral news after a tragedy

Does the viral news cycle callously capitalise on terrorism, or is it allowing a different audience to access important news and facts?

On a normal day, Alex* will write anywhere between five to ten articles. As a content creator for a large viral news site, they [Alex is speaking under the condition of strict anonymity, meaning their gender will remain unidentified] will churn out multiple 500-word stories on adorable animals, optical illusions, and sex. “People always want to read about sexuality, numbers of sexual partners, porn habits and orgasms,” says Alex. “What is important is making the content easily-digestible and engaging.”

Alex is so proficient at knowing which articles will perform well that they frequently “seek stories that fit a certain template”. Though the word “clickbait” conjures up images of cute cat capers, Alex says political stories that “pander to prejudices” generate a large number of page views for the site. Many viral writers know how to tap into such stories so their takes are shared widely – which explains the remarkably similar headlines atop many internet articles. “This will restore your faith in humanity,” could be one; “This one weird trick will change your life…” another. The most cliché example of this is now so widely mocked that it has fallen out of favour:

You’ll never believe what happened next.

When the world stops because of a tragedy, viral newsrooms don’t. After a terrorist attack such as this week’s Manchester Arena bombing, internet media sites do away with their usual stories. One day, their homepages will be filled with traditional clickbait (“Mum Sickened After Discovery Inside Her Daughter’s Easter Egg”, “This Man’s Blackhead Removal Technique Is A Complete And Utter Gamechanger”) and the next, their clickbait has taken a remarkably more tragic tone (“New Footage Shows Moment Explosion Took Place Inside Manchester Arena”, “Nicki Minaj, Rihanna, Bruno Mars and More React to the Manchester Bombing”).

“When a terrorist event occurs, there’s an initial vacuum for viral news,” explains Alex. Instead of getting reporters on the scene or ringing press officers like a traditional newsroom, Alex says viral news is “conversation-driven” – meaning much of it regurgitates what is said on social media. This can lead to false stories spreading. On Tuesday, multiple viral outlets reported – based on Facebook posts and tweets – that over 50 accompanied children had been led to a nearby Holiday Inn. When BuzzFeed attempted to verify this, a spokesperson for the hotel chain denied the claim.

Yet BuzzFeed is the perfect proof that viral news and serious news can coexist under the same roof. Originally famed for its clickable content, the website is now home to a serious and prominent team of investigative journalists. Yet the site has different journalists on different beats, so that someone writes about politics and someone else about lifestyle or food.

Other organisations have a different approach. Sam* works at another large viral site (not Buzzfeed) where they are responsible for writing across topics; they explains how this works:  

“One minute you're doing something about a tweet a footballer did, the next it's the trailer for a new movie, and then bam, there's a general election being called and you have to jump on it,” they say.

Yet Sam is confident that they cover tragedy correctly. Though they feel viral news previously used to disingenuously “profiteer” off terrorism with loosely related image posts, they say their current outlet works hard to cover tragic news. “It’s not a race to generate traffic,” they say, “We won't post content that we think would generate traffic while people are grieving and in a state of shock, and we're not going to clickbait the headlines to try and manipulate it into that for obvious reasons.”

Sam goes as far as to say that their viral site in fact has higher editorial standards than “some of the big papers”. Those who might find themselves disturbed to see today’s explosions alongside yesterday’s cats will do well to remember that “traditional” journalists do not always have a great reputation for covering tragedy.

At 12pm on Tuesday, Daniel Hett tweeted that over 50 journalists had contacted him since he had posted on the site that his brother, Martyn, was missing after the Manchester attack. Hett claimed two journalists had found his personal mobile phone number, and he uploaded an image of a note a Telegraph reporter had posted through his letterbox. “This cunt found my house. I still don't know if my brother is alive,” read the accompanying caption. Tragically it turned out that Martyn was among the bomber's victims.

Long-established newspapers and magazines can clearly behave just as poorly as any newly formed media company. But although they might not always follow the rules, traditional newspapers do have them. Many writers for viral news sites have no formal ethical or journalistic training, with little guidance provided by their companies, which can cause problems when tragic news breaks.

It remains to be seen whether self-policing will be enough. Though false news has been spread, many of this week’s terror-focused viral news stories do shed light on missing people or raise awareness of how people can donate blood. Many viral news sites also have gigantic Facebook followings that far outstrip those of daily newspapers – meaning they can reach more people. In this way, Sam feels their work is important. Alex, however, is less optimistic.

“My personal view is that viral news does very little to inform people at times like this and that trending reporters probably end up feeling very small about their jobs,” says Alex. “You feel limited by the scope of your flippant style and by what the public is interested in.

“You can end up feeding the most divisive impulses of an angry public if you aren’t careful about what conversations you’re prompting. People switch onto the news around events like this and traffic rises, but ironically it’s probably when trending reporters go most into their shells and into well-worn story formats. It’s not really our time or place, and to try and make it so feels childish.”

Amelia Tait is a technology and digital culture writer at the New Statesman.

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