Hiding in plain sight

The Easter holiday rush is receding into distant memory. The only thing airport security personnel have to worry about is what happens when everyone starts arriving for the Olympics. That, and the helpful physicists who have worked out how to smuggle a gun through a metal detector.

It all started as a bit of harmless blue-sky thinking. In the late 1960s, a Russian physicist pointed out the fun you could have if you invented a material that bends light in the opposite direction to normal. You could use it as an invisibility cloak, he said: just as water diverts round a rock in a stream by going first to one side, then back to the other, light bent in two different directions as it passed an object would give a viewer the impression that the light had travelled in a straight line and that the object simply wasn’t there.

Oh, how everybody laughed. Then, in 2000, someone turned this ridiculous fantasy into reality. John Pendry of Imperial College London showed how to create “left-handed materials” that would bend microwave radiation the wrong way. The practicalities were a little cumbersome and it didn’t work with visible light. But still, it was surprising, impressive and fun, in a nerdy kind of way.

Over the past decade, the technology has matured. At first, left-handed materials were constructed from intricate arrays of copper rings and could only hide tiny objects from a microwave detector. Now, we have invisibility “carpets” made from cheap and widely available crystals of the mineral calcite. They are able to hide objects the size of your thumb – and they work in visible light.

That technology is not yet going to smuggle a gun through airport security, though. Even if the X-ray machine doesn’t make the outline obvious, the magnetic field from the steel triggers an alarm. But a paper recently published in the journal Science can get you round that obstacle.

As it turns out, you can cloak a metal’s magnetic field for less than £1,000. First, wrap your gun in a layer of superconducting tape. Magnetic fields cannot pass through a layer of superconductor, so the scanner wouldn’t see the gun’s field. The scanner would see the superconductor’s field, though. However, this can be countered by adding a layer of flexible magnetic strip, rather like that found on the back of a fridge magnet. The researchers showed that this combination of readily available materials does a reasonable job of cloaking a magnetic field.

Touching the void

OK, it’s still not quite a credible threat. The superconductor has to be kept at liquid-nitrogen temperatures and a cloud of nitrogen vapour coming out of your hand luggage might raise a few eyebrows. A simple thermal detector would certainly put paid to any gun-smuggling plans.

But the physicists aren’t beaten yet. While some have been content to bend light as it travels through space, Martin McCall of Imperial College London has played around with bending light as it travels though time.

The technique involves slowing down and speeding up light inside an optical fibre – something that physicists have learned to do with astonishing skill in the past few years. McCall now has a blueprint for a device that doesn’t just make things invisible; it makes it look like they never even happened. It only works on technologies with an optical fibre feed, such as a CCTV camera. Nevertheless, in principle, we now know how to create the illusion of a void in both space and time – a void that could plausibly be exploited to evade surveillance technologies. Of course, it’s ridiculous. But where these troublesome physicists are involved, nothing remains ridiculous for long.

Michael Brooks’s “Free Radicals: the Secret Anarchy of Science” is published by Profile Books (£12.99)

Michael Brooks holds a PhD in quantum physics. He writes a weekly science column for the New Statesman, and his most recent book is At the Edge of Uncertainty: 11 Discoveries Taking Science by Surprise.

This article first appeared in the 30 April 2012 issue of the New Statesman, The puppet master

Azeem Ward
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Living the Meme: What happened to Azeem Ward and his flute?

In the first of a new series investigating what happens to people after they become memes, we speak to Azeem Ward, whose flute recital went viral in 2015.

The Sixties had Woodstock. The Nineties had Lollapalooza. The Tens – and, if we’re being honest, just a single year of them – had Azeem's Senior Flute Recital.

If you were inactive on the internet between 12 and 16 May 2015, you’ll be forgiven for not knowing who Azeem Ward is. After setting up a Facebook page for his end of year flute performance, the University of California student was inundated with over 100,000 RSVPs from the United Kindom, along with multiple requests to fly to England and play (for no apparent reason) Darude’s “Sandstorm” in Nando’s. After international news coverage, Ward – as all memes inevitably do – appeared on Jimmy Kimmel Live! to discuss his newfound fame. On 16 May, he had to turn hordes of people away from the 500 seat recital hall, and over 55,000 individuals tuned into a livestream of the event. Then, Ward disappeared. Not from social media, and not from the world, but from the internet’s collective consciousness.

Search interest in "Azeem Ward" over time

“I’d say no,” answers Ward, when I ask him whether, one and a half years later, he still receives any special attention or has any fan interactions. “I’m just regular Azeem now, and I’m okay with that. Regular me is a more focussed person that is not reacting to things that are happening around me.”

Ward is Skyping me from his home in Iowa, where he is getting his master’s degree in flute performance. He spends his time composing flute beatbox songs, learning how to produce music, and teaching a class on flute fundamentals at the university. “A lot of [the students] here in Iowa know what happened but they don’t go like: ‘Oh my God! It’s Azeem!’. It’s just like, ‘Hey, what’s up man? I saw that one thing about you on Jimmy Kimmel’.”  

The original Facebook event page

Ward regained his anonymity when he moved to Iowa, as many of his fellow undergraduate students in California recognised him because he was on the local news. “But the whole viral thing was a UK thing,” he explains, “It wasn’t really around the whole US.”

An Azeem meme

Four months after his famed flute recital, Ward did come to the UK and toured the country to perform as part of various university freshers’ weeks. “That was a crazy time,” he says, “I was over there for five weeks and played 22 shows in 12 different cities, all the way from London to Scotland.” His concerts were popular, though most people came to take a selfie or ask about how the recital happened, and only a few wanted to talk to him about music. Still, Ward profited from the events. “We did make some pretty good money," he says, admitting he earnt around $5,000. 

Despite clearly enjoying this time, Ward seems unfazed that his viral fame is now over. His only regrets, he says, are that he didn’t make any connections in the music business while in the UK, and that he didn’t have any social media accounts set up before he went viral, so there was nowhere for people to go to listen to his music. “When you go viral people hold onto that rather than taking you seriously as a musician,” he says. “Sometimes it annoyed me but sometimes I realised that I wouldn’t be there in the first place if it wasn’t for going viral.”

Azeem now, photo courtesy of Azeem Ward

So what advice would Ward give to the next person who finds themselves, unwittingly, the object of the internet’s affection?

“I'd say don't lose sight of what you've already been doing in your life, like keep your focus. I'd say that sometimes in your head you're like ‘Oh man, I have to do this now’, but you've just got to stay focussed on your goals. When you have your own path and you go viral you have a lot of people asking you to do all these different things. It was pretty intense – I’m not used to having a lot of people look at me and my actions, so I was pretty anxious at first. In the end I realised that I came to do what I came to do, and I had to go do it.”

Although Ward doesn’t miss being internet-famous, it is clear that going viral had an impact on him. He recalls the peak of the madness with telling clarity, sharing specific details such as "256 people” clicked attending in "four hours", and “then 512”, before 12,000 people RSVP’d overnight. Mostly, however, he seems very grounded, though he acknowledges it was “out of control” and “really crazy”.

Perhaps Ward feels this way because he received little in the way of negativity or hate. He fondly discusses memes that were created and art that was drawn about him, and the support of his family and friends. “Even though there were a lot of silly things going on, I managed to make it positive for the school,” he says. “I had no haters. Everyone was like ‘Damn, Azeem. Good job, man’.”

One day, Ward hopes to come back to London, although he is wary of returning. Not because of his viral fame, nor the number of selfies he might have to take with Nando's customers, but because of Brexit. Our conversation, like all post-June conversations, turns swiftly to the topic, and Ward asks me about the economy. “I was thinking about trying to do a doctorate over in London, but if things aren't going to be so good in a few years...” 

Ward admits he wouldn’t be bothered if he never went viral again. “When I think of something going viral, I think it has a point in time where there’s so much interest and then it goes away. I’d like to produce material and the attention to keep going up.” So do you want to be famous, I ask? “Do I really want to be famous?” he ponders. “Being famous is okay, I guess. But I want to be is respected and appreciated.”

To listen to Azeem’s music visit soundcloud.com/azeem-ward or Like his Facebook page.

To suggest an interviewee for Living the Meme, reach out to Amelia on Twitter.

Amelia Tait is a technology and digital culture writer at the New Statesman.