Politics 29 March 2007 The Loneliness of the Long Distance Punner Paris, Milan, Keswick and Hull - the glamour of being a comedian on tour Print HTML I am just about to embark on an international stand-up tour which will keep me busy until June 11th. It is a slightly surreal itinerary, which sees me playing Hull one day, then Paris the next, then Milan, then Keswick. It’s as if someone wants to give me the illusion of having a glamorous life, but then bring me crashing down to earth. Not wishing to be rude to the people of Keswick. But all you have is a Pencil Museum, which is hardly a match for La Scala Opera House or the Eiffel Tower is it? And I really, really like pencils. A lot. My show is called ménage à un and is loosely themed around the subjects of loneliness, only-ness and Onanism. But I felt it was quite an apt title in any case, as stand-up is surely the most solitary and masturbatory of art forms. Each night I stand isolated in a spot light, vigorously massaging my organ (in this case my brain), then shooting my brackish ideas over the audience’s delighted and sometimes less delighted faces (not everyone enjoys their face dripping with unsavoury ideas). And just like such a one sided sex act, it can seem like such a good idea at the time – while it’s actually happening you’re both up for it - but once it is over, you catch each other’s eye as if to say, “What the Hell was that about? What were we thinking? Why did we both willingly and enthusiastically put ourselves through that ordeal?” And then you slink off separately into the night, feeling nothing but shame and confusion, vowing you will never see each other again, but secretly hoping you will accidentally meet in another dark room and repeat the whole sordid scenario. Only then can a comedian feel he has really earned his money. I think people might imagine that a stand up on tour must have the most wonderful and gregarious of lives: working for an hour a day, then getting pissed, taking the finest drugs and sleeping with a string of nubile groupies. But in reality this kind of thing only happens about 97% of the time. And it does not make up for that yawning 3% chasm in which we are a secluded breed of unloved outcasts. If a gig goes badly, there is the mortifying walk of shame, through the throng of disappointed punters, before you are swallowed by the night and make your way anonymously back to your hotel where you sit alone in your room attempting to pleasure yourself to the poor quality soft pornography, laid on for sexually unambitious businessmen. If the gig goes brilliantly, it is even worse. You have wowed a room of people, you are literally a god to them. But when you return to their earthly realm, real life seems monochrome by comparison. The company of such tedious mortals is not something that you crave. So you head to your hotel alone again, contemplating the fact that the fleeting adoration of a room of drunken idiots is probably no substitute for the true love of a devoted wife or the unconditional devotion of a tiny child. Then you drink yourself into oblivion before inevitably tuning into Lusty Asians VIII and allow the night to come full circle. Of course, I am jesting. It is my job. You must never take anything I say seriously. Though you must always suspect that in everything I say there is some grain of truth. Imagine what fun it must be being my girlfriend. No wonder I am alone. But in reality I am not as downhearted as I might seem. I love this ridiculous and wonderful (I almost baulk at calling it this) job. It is the autonomy of stand up that makes it such a brilliant, unique and exciting medium for the communication of ideas. There is no-one telling you what you must do, no producer telling you what you can or can’t say, no executive suggesting you try to appeal to a certain demographic, no actors to misinterpret what you had to say. It is just you on your own, doing the stuff that you think is funny. It is possibly the last pure art form. In ménage à un, I mourn the fact that I have lived for nearly 40 years and yet never taken part in a threesome. I thought that by drawing attention to this in the show I might persuade a couple of young ladies in the audience to take pity on me and make my fantasies come true. But after over fifty performances I have lowered my expectations. For a while I just hoped my desperation might lead to a twosome, but if it ever has done then I was not involved. So recently I have taken to asking any single men in the crowd if they are prepared to come back to my hotel room and pleasure themselves next to me, so that at least I won't be alone. Who says comedy is the new rock and roll? › British humbug Richard Herring began writing and performing comedy when he was 14. His career since Oxford has included a successful partnership with Stewart Lee and his hit one-man show Talking Cock Subscribe More Related articles Munich shootings: The bloody drama where everyone knows their part Donald Trump brings home his dark vision of America at the Republican convention Cabinet audit: what does the appointment of Boris Johnson as Foreign Secretary mean for policy?