David Miliband appears to be leading this race

But his brother's camp is still talking tough.

The ComRes-BBC Daily Politics poll highlighted by my colleague Caroline Crampton appears to have breathed new life into the David Miliband campaign for the Labour leadership, showing him ahead among councillors polled in first, second and third preference votes.

The results echo those in past "primaries" and appear to show David Miliband on course to victory even after the distribution of votes during knock-out stages. The poll appears to question the claim in the Ed Miliband camp that the younger brother will win on the basis of second preferences. The claim, pushed in an article in yesterday's Guardian, led to mild retribution from supporters of David Miliband last night. One said that to talk of victory not on the basis of coming first was "an act of desperation".

But a source close to Ed Miliband told the New Statesman that the Daily Politics poll is a "survey that is not representative of the whole membership", and pointed out that the fieldwork was conducted in July. "It is historical -- a lot has changed in August."

Both Miliband camps maintain they are confident of victory.

James Macintyre is political correspondent for the New Statesman.
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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.