In Aleppo, death comes from above and there's no knowing where it will fall

Toby Muse reports on the horrors caused by the constant shelling he experienced in the Syrian city of Aleppo.

After a two-hour drive, the car came in to Aleppo. Grabbing my bags and getting out of the car, a mortar exploded some two blocks away.

And then another. Every inner voice screamed to get in the car and race back to the safety of the border.

What caused me a moment's terror has been daily life for Aleppo's millions of inhabitants over the last six weeks.

Aleppo can be overwhelming. It's unlike combat I've ever covered before; much of it isn't even combat. Day and night, it's non-stop bombing and shelling of a city of millions by the Syrian government using airplanes, helicopters and heavy artillery. In an instant, death comes from above and there's no telling where it will fall.

Government MiG jet fighters perform elaborate military maneuvers against civilian neighborhoods, diving down to drop bombs across the city.

It's in the emergency wards where one sees the daily mutilation of the city. Heavy shelling rocked the neighborhood around the hospital all afternoon, causing deep rumblings that upend the stomach. Without fail, five minutes after a shelling a car would screech to the hospital's front doors and one or two injured civilians would be carried in.

One man who looked to be about 55 was brought in half unconscious, his head lolling back. The left leg below the knee had been blown off in the shelling.

With the hospital already attending to dozens of other patients, the only space left was on the floor by the door, just feet from the pavement. Doctors in blood stained white coats quickly stubbed out their cigarettes and did what they can.

The doctors applied the tourniquet as a bright red puddle spread out underneath him.

Tens were killed yesterday here in Aleppo and tens more will die today.

When Syrians learn I'm English, they ask why England or America or the world doesn't do anything to stop the maiming, end the killing. But there's also a resignation that the world will not help.

One commander told me: "The world knows what it should do. We are not interested in begging for help."

Daily sights are the bread lines, where dozens queue for the staple that accompanies every meal in Syria. Human Rights Watch has documented multiple cases where heavy artillery has fired on these lines, dismembering women and children.

I've rarely been so self-conscious of the limits of my job trying to describe Aleppo. Obviously, I'm only reporting one half of this story; I can't speak to soldiers fighting those rebels or civilians who support President Assad (journalists working in Aleppo take it for granted that if they're caught by the army they'll be indefinitely detained or killed).

As I prepared to leave Aleppo I was frustrated that I can't convey the sheer scale of what is happening to this city. No report prepared me for what I would see in Aleppo and I know I'm equally incapable of explaining to the outside world.

As I left Aleppo, it wasn't the sight of the dead girl that remained with me, it wasn't the group of Syrian fighters who stood in the middle of a main avenue thrusting their Kalashnikovs in to the air defying the MiG jet screaming overhead. It wasn't the brigade commander sitting in the flickering light focused on the chessboard as heavy artillery landed all around outside his command center.

It was a suitcase. One of my final nights, I slept on the frontline.

All civilians had fled the neighborhood, leaving the rebels and the army to fight over the deserted homes and blasted out buildings.

Even Aleppo's ubiquitous stray cats had fled the government's constant mortar attacks.

Four fighters, two brothers and two cousins, had taken over an apartment. The spacious home had obviously once belonged to a well-off family. In the living room, the fighters would relax at night watching clips from around Syria showing combat with the army or the latest civilian bloodshed on a huge flat screen TV.

With the customary hospitality, they put me in what they said was the safest room, what was once the children's room.

Two small beds lay side by side, each made up with matching sheets showing a smiling sun.

A stuffed elephant sat on the shelves.

On one bed was an open suitcase. It was almost fully packed, with t-shirts and shorts adorned with drawings of animals and Minnie Mouse.

I can see a young girl, maybe ten years old selecting her favourite clothes, neatly folding them in to the suitcase.

I can imagine her and her family frantically fleeing their home as survival becomes countable in seconds. Not even time to grab that bag she had taken her time to thoughtfully pack.

I imagine this girl now with her family, a few more faces among the 200,000 Syrians living in misery in the refugee camps in Turkey and Jordan.

Or perhaps she never took that bag because one day, her and family were killed in shelling.

Toby Muse is a journalist and documentary film-maker who has just returned from Aleppo, Syria.

A Syrian girl runs for cover from an air raid in Aleppo. Photograph: Getty Images

Toby Muse is a journalist and documentary film-maker who has just returned from Aleppo, Syria.

Photo: Getty
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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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