Why Vince should be in charge of our creative industries

Responsibiliy for the creative industries should be transferred to the business department.

Having spent two weeks glued to the Olympics, I am as anxious as the next Brit that we don’t lose the impetus and continue the fabulous development of sport in Britain. But the last two weeks have demonstrated another area at which we beat the world hands down – one that will need just as much attention as our sporting endeavours if we are to continue our world beating performance.

The closing ceremony was a paean to Britain's second largest industrial sector - the creative industries. We celebrated music, the performing arts, fashion, architecture, and design, all of which we are world leaders in. Add in film and video - who will ever forget Danny Boyle’s opening ceremony - and TV and radio - the BBC has had praise heaped on it from around the world - and you understand that both ceremonies are a demonstration of why the creative industries will be key to any economic recovery. Indeed, this is recognised at the highest levels of government - Vince Cable made a speech stating as much just a few weeks ago:

We should be proud of how our creative industries have meshed with technology and engineering to produce products that Britain and the rest of the world wants to buy. British designers from Brunel and Burners-Lee to James Dyson and Vivienne Westwood have been admired around the world for generations. They have all contributed, not only to Britain's reputation as an innovative nation, but also to our economic growth.

Yet strangely, the creative industries do not fall under the purview of Dr. Cable. Because they are managed, not by the Department of Business, but…by the Department of Culture, Media and Sport.

And this seems a touch anachronistic. I am sure the minister with direct responsibility for the sector, Ed Vaizey, is doing a fine job. But the decision to put responsibility for an industry worth around 6% of GDP and employing more than two million people in the UK under DCMS control does smack of politicians having it marked down as, well, a touch fluffy.

Well, it's not. It's world leading, profitable, attracting business from the all the fastest developing economies in the world (who recognise our pre eminent skills in this area) and vital to the recovery. Shouldn’t it be treated as such and given a home in the Department of Business, Skills and Innovation? After all, - Business, Skills, Innovation - it seems to tick all those boxes.

Richard Morris blogs at A View From Ham Common, which was named Best New Blog at the 2011 Liberal Democrat Conference.

Business Secretary Vince Cable arrives for a cabinet meeting at 10 Downing Street. Photograph: Getty Images.

Richard Morris blogs at A View From Ham Common, which was named Best New Blog at the 2011 Lib Dem Conference

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Quiz: Can you identify fake news?

The furore around "fake" news shows no sign of abating. Can you spot what's real and what's not?

Hillary Clinton has spoken out today to warn about the fake news epidemic sweeping the world. Clinton went as far as to say that "lives are at risk" from fake news, the day after Pope Francis compared reading fake news to eating poop. (Side note: with real news like that, who needs the fake stuff?)

The sweeping distrust in fake news has caused some confusion, however, as many are unsure about how to actually tell the reals and the fakes apart. Short from seeing whether the logo will scratch off and asking the man from the market where he got it from, how can you really identify fake news? Take our test to see whether you have all the answers.

 

 

In all seriousness, many claim that identifying fake news is a simple matter of checking the source and disbelieving anything "too good to be true". Unfortunately, however, fake news outlets post real stories too, and real news outlets often slip up and publish the fakes. Use fact-checking websites like Snopes to really get to the bottom of a story, and always do a quick Google before you share anything. 

Amelia Tait is a technology and digital culture writer at the New Statesman.