Why Vince should be in charge of our creative industries

Responsibiliy for the creative industries should be transferred to the business department.

Having spent two weeks glued to the Olympics, I am as anxious as the next Brit that we don’t lose the impetus and continue the fabulous development of sport in Britain. But the last two weeks have demonstrated another area at which we beat the world hands down – one that will need just as much attention as our sporting endeavours if we are to continue our world beating performance.

The closing ceremony was a paean to Britain's second largest industrial sector - the creative industries. We celebrated music, the performing arts, fashion, architecture, and design, all of which we are world leaders in. Add in film and video - who will ever forget Danny Boyle’s opening ceremony - and TV and radio - the BBC has had praise heaped on it from around the world - and you understand that both ceremonies are a demonstration of why the creative industries will be key to any economic recovery. Indeed, this is recognised at the highest levels of government - Vince Cable made a speech stating as much just a few weeks ago:

We should be proud of how our creative industries have meshed with technology and engineering to produce products that Britain and the rest of the world wants to buy. British designers from Brunel and Burners-Lee to James Dyson and Vivienne Westwood have been admired around the world for generations. They have all contributed, not only to Britain's reputation as an innovative nation, but also to our economic growth.

Yet strangely, the creative industries do not fall under the purview of Dr. Cable. Because they are managed, not by the Department of Business, but…by the Department of Culture, Media and Sport.

And this seems a touch anachronistic. I am sure the minister with direct responsibility for the sector, Ed Vaizey, is doing a fine job. But the decision to put responsibility for an industry worth around 6% of GDP and employing more than two million people in the UK under DCMS control does smack of politicians having it marked down as, well, a touch fluffy.

Well, it's not. It's world leading, profitable, attracting business from the all the fastest developing economies in the world (who recognise our pre eminent skills in this area) and vital to the recovery. Shouldn’t it be treated as such and given a home in the Department of Business, Skills and Innovation? After all, - Business, Skills, Innovation - it seems to tick all those boxes.

Richard Morris blogs at A View From Ham Common, which was named Best New Blog at the 2011 Liberal Democrat Conference.

Business Secretary Vince Cable arrives for a cabinet meeting at 10 Downing Street. Photograph: Getty Images.

Richard Morris blogs at A View From Ham Common, which was named Best New Blog at the 2011 Lib Dem Conference

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Theresa May’s stage-managed election campaign keeps the public at bay

Jeremy Corbyn’s approach may be chaotic, but at least it’s more authentic.

The worst part about running an election campaign for a politician? Having to meet the general public. Those ordinary folk can be a tricky lot, with their lack of regard for being on-message, and their pesky real-life concerns.

But it looks like Theresa May has decided to avoid this inconvenience altogether during this snap general election campaign, as it turns out her visit to Leeds last night was so stage-managed that she barely had to face the public.

Accusations have been whizzing around online that at a campaign event at the Shine building in Leeds, the Prime Minister spoke to a room full of guests invited by the party, rather than local people or people who work in the building’s office space.

The Telegraph’s Chris Hope tweeted a picture of the room in which May was addressing her audience yesterday evening a little before 7pm. He pointed out that, being in Leeds, she was in “Labour territory”:

But a few locals who spied this picture online claimed that the audience did not look like who you’d expect to see congregated at Shine – a grade II-listed Victorian school that has been renovated into a community project housing office space and meeting rooms.

“Ask why she didn’t meet any of the people at the business who work in that beautiful building. Everyone there was an invite-only Tory,” tweeted Rik Kendell, a Leeds-based developer and designer who says he works in the Shine building. “She didn’t arrive until we’d all left for the day. Everyone in the building past 6pm was invite-only . . . They seemed to seek out the most clinical corner for their PR photos. Such a beautiful building to work in.”

Other tweeters also found the snapshot jarring:

Shine’s founders have pointed out that they didn’t host or invite Theresa May – rather the party hired out the space for a private event: “All visitors pay for meeting space in Shine and we do not seek out, bid for, or otherwise host any political parties,” wrote managing director Dawn O'Keefe. The guestlist was not down to Shine, but to the Tory party.

The audience consisted of journalists and around 150 Tory activists, according to the Guardian. This was instead of employees from the 16 offices housed in the building. I have asked the Conservative Party for clarification of who was in the audience and whether it was invite-only and am awaiting its response.

Jeremy Corbyn accused May of “hiding from the public”, and local Labour MP Richard Burgon commented that, “like a medieval monarch, she simply briefly relocated her travelling court of admirers to town and then moved on without so much as a nod to the people she considers to be her lowly subjects”.

But it doesn’t look like the Tories’ painstaking stage-management is a fool-proof plan. Having uniform audiences of the party faithful on the campaign trail seems to be confusing the Prime Minister somewhat. During a visit to a (rather sparsely populated) factory in Clay Cross, Derbyshire, yesterday, she appeared to forget where exactly on the campaign trail she was:

The management of Corbyn’s campaign has also resulted in gaffes – but for opposite reasons. A slightly more chaotic approach has led to him facing the wrong way, with his back to the cameras.

Corbyn’s blunder is born out of his instinct to address the crowd rather than the cameras – May’s problem is the other way round. Both, however, seem far more comfortable talking to the party faithful, even if they are venturing out of safe seat territory.

Anoosh Chakelian is senior writer at the New Statesman.

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