Why is Boris Johnson promoting climate change "sceptics"?

The Mayor of London's championing of Matt Ridley raises questions over his commitment to science.

On Thursday, Boris Johnson will host the second of the Mayor of London 2012 Debates, which he claims are "London’s intellectual contribution to the [Olympic] Games", and "will help define London’s vision for the next 15-20 years".

The title of the second debate is The Environment Imperative, and the Mayor’s website introduces it with the question: "How can London develop approaches to climate mitigation [sic] either as an economic response or in shaping the climate for investment in technological responses?" This is an important question. But the Mayor has made a bizarre choice of individual to answer it. The keynote speaker is Dr Matt Ridley, whom the website describes as “a renowned science writer, journalist, biologist, and businessman”.

Dr Ridley is all of these, but the website neglects to mention a few other important attributes of the speaker. The first is that his primary experience as a businessman was acquired as Chairman of Northern Rock bank, until his resignation in October 2007 in the wake of its catastrophic failure.

In its report on the bank, the House of Commons Treasury committee concluded: "The high-risk, reckless business strategy of Northern Rock, with its reliance on short- and medium-term wholesale funding and an absence of sufficient insurance and a failure to arrange standby facility or cover that risk, meant that it was unable to cope with the liquidity pressures placed upon it by the freezing of international capital markets in August 2007....The non-executive members of the Board, and in particular the Chairman of the Board, the Chairman of the Risk Committee and the senior non-executive director, failed in the case of Northern Rock to ensure that it remained liquid as well as solvent, to provide against the risks that it was taking and to act as an effective restraining force on the strategy of the executive members."

So Dr Ridley’s track record of dealing with the risks facing a business hardly gives cause for confidence in his expert advice about managing the global threat of climate change. Even more disconcerting is Dr Ridley’s affiliation to the Global Warming Policy Foundation, the pressure group set up by Nigel Lawson to campaign against the government’s climate and energy policies. Dr Ridley is a member of the Foundation’s Academic Advisory Committee, and wrote a report for it which hyped the potential of shale gas.

Dr Ridley has been a very enthusiastic promoter of shale gas, but has been prone to exaggerating its contribution to recent falls in greenhouse gas emissions by the United States. He also hates wind power with a passion. In a recent polemic for the Spectator, Boris Johnson’s former stomping ground, Dr Ridley falsely alleged that wind farms may increase greenhouse gas emissions. He then went on to announce that he was offering £8,500 a year from his personal wealth, not to compensate those who were left out of pocket by the Northern Rock fiasco, but instead to sponsor a new award, administered by the magazine, for "environmental heresy".

Not only is Dr Ridley profoundly opposed to some, if not all, of the renewable technologies that might help London reduce its greenhouse gas emissions, but he also plays down the risks that climate change poses. For instance, in a Times column (£) last month, he suggested that global warming has so far had relatively little impact on the UK. But he failed to acknowledge that seven of the warmest years on record have all occurred since 2001, or that by the time we can statistically detect the effect on extreme weather, it would be very difficult, if not impossible, to reduce the elevated concentrations of greenhouse gases in the atmosphere that are responsible. It seems Dr Ridley does not realise that a responsible and effective approach to managing risks requires action in advance to avoid the most damaging consequences.

At the very least, Johnson is missing a massive opportunity to stimulate public debate about how London might lead on climate change, which his strategy seeks to deliver. At the worst, it is a sign that the Mayor is in thrall to a very small band of climate change "sceptics", who could fill his head with inaccurate and misleading nonsense. Dr Ridley’s recruitment as a keynote speaker is not the only sign of this. Last month, the Mayor used his Telegraph column to promote the views of his friend Piers Corbyn, who has a small business offering weather forecasts. Corbyn is also a staunch climate change "sceptic", who denies that greenhouse gases are causing global warming.

London is home to many businesses and academic institutions that host genuinely world-class experts on climate change. Why is the Mayor not seeking their counsel instead of a fringe group of "sceptics"?

Boris Johnson: in thrall to a very small band of climate change "sceptics"? Photograph: Getty Images.

Bob Ward is policy and communications director of the Grantham Research Institute on Climate Change and the Environment at London School of Economics and Political Science.

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Ariana and the Arianators: "We really are like a family"

The pop star provides her fans with a chance to express themselves joyfully - their targeting was grimly predictable.

Ariana Grande’s concert at Manchester Arena on 22 May began like any other. Children and teenagers streamed through the doors wearing pink T-shirts, rubber wristbands and animal ears (one of Grande’s signature looks). They screamed when she came on stage and they sang along with every song. It was only once the music had ended, and the 20,000-strong audience began to leave the venue, that the horror began – with a bomb detonated at the main entrance.

The show was just one date on Grande’s Dangerous Woman tour, which began in Phoenix, Arizona in February, moved across the United States and Europe, and had stops scheduled for South America, Japan, Australia and Hong Kong. (Since the Manchester attack, Grande has suspended the tour indefinitely.)

Since releasing her debut album in 2013, Grande has successfully transitioned from teen idol to fully fledged pop star (all three of her studio albums have sold over a million each) with a combination of baby-faced beauty and Mariah Carey-style, breathy vocals. Her most popular records are bubblegum pop with a Nineties R’n’B influence, a combination also expressed in her fashion choices: Nineties grunge meets pastel pinks.

She entered the limelight at 16 on the children’s TV programme Victorious, which ran on the Nickelodeon channel, pursuing her musical ambitions by performing the show’s soundtracks. Many of the young people who grew up watching her as the red-haired arts student Cat Valentine on Victorious would become fans of her pop career – or, as they call themselves, the Arianators.

As she outgrew her child-star status, Grande’s lyrics became more sexually suggestive. Recent songs such as “Side to Side” and “Everyday” are more explicit than any of her previous hits. She has repeatedly insisted that young women should be able to speak openly about sex and feel empowered, not objectified.

“Expressing sexuality in art is not an invitation for disrespect,” she tweeted in December. “We are not objects or prizes. We are QUEENS.”

Grande also has a reputation as something of a gay icon. She has advertised her records on the gay dating app Grindr, headlined shows at Pride Week in New York, and released a single and a lipstick to raise money for LGBTQ charities.

Cassy, a 19-year-old film student and fan, told me the fanbase is “made mostly of young women from 14-23, but I run into guys and non-binary fans all the time.”

“It’s pretty well known that Ariana has got a LGBTQ+ fan base. She’s so outspoken about it and that’s what draws us to her. Because she’s accepting of everyone, no matter who you are.”

Like many child actresses-turned-pop star, Grande has a fan base skewed towards the young and female: teenage and pre-teen girls are by far the majority of her most dedicated supporters. A writer on the Phoenix New Times described the typical Ariana Grande crowd as “pre-tween, tweens, teens, young gay (and fabulous) men, moms with cat ears, and multiple candidates for father of the year”. The Arianators form tight-knit groups on social media. I spoke to several over Twitter after the attack.

Arena concerts, which often have more relaxed age restrictions than nightlife venues, have long been a safe space for children, young people and teenage girls. They provide a secure place for concert-goers to dress up, experiment, play with burgeoning sexualities, dance, scream and cry: to flirt with an adult life still slightly out of reach. Glitter-streaked tears stream down the unapologetic faces of fans touched by an emotion bigger than themselves. It is appalling, if grimly predictable, to see children, teenage girls and young gay men targeted by agents of regressive ideologies for expressing themselves so joyfully. On 23 May, Isis claimed the attack.

Andréa, a 17-year-old fan from France, told me about her first experience of a Grande concert. “It was incredible,” she said. “Everyone was so kind, excited and happy. We really are like a family.”

The fans are devastated by Monday’s bombing. Thousands of messages appeared on social media to commemorate those who lost their lives. “As an Arianator,” Alexandre, aged 16, told me, “I’m really sad and I’m scared.”

“We’re all taking it really hard,” Cassy said. “We’re a family and we lost 22 members of that family last night.”

Ariana began her gig in Manchester with the song that has opened every night of her current tour: “Be Alright”. In it, she repeatedly reassures the crowd, “We’re gonna be all right.” It’s a phrase that her fans are clinging to after the attack. So, too, are the lyrics of “Better Days”, by Grande and her support act Victoria Monét, which was also performed the night of the explosion. “There’s a war right outside our window,” the words go. “I can hear the sirens . . ./I can hear the children crying . . ./I’m hoping for better days . . .”

“It’s hit us all very hard because we’ve lost some of our own,” said one Arianator who runs a popular Twitter account about the tour. “People we interacted with on a daily basis. People that just wanted to have a night of fun. These are dark times, but we are looking forward to better days.”

Anna Leszkiewicz is a pop culture writer at the New Statesman.

This article first appeared in the 25 May 2017 issue of the New Statesman, Why Islamic State targets Britain

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