What would Rhodes Boyson make of David Cameron's Conservative Party?

It’s safe to say he would not recognise Cameron's Conservatives.

Sir Rhodes Boyson, who died today at 87, was the archetypal eccentric Tory backbencher for nearly three decades. His mutton-chop sideburns, bald head and narrow squint even gave him the appearance of a Dickensian overseer. That he spoke and seemed to think like one made him the complete package.

Sir Rhodes, a former headmaster, defender of caning, Section 28 and pretty much every other reactionary measure of the age, earned the nickname "Colossus", from that great ironist, the late Norman St. John Stevas.

Nevertheless, it’s safe to say he would not recognise David Cameron’s Conservative Party, a charge many in the party not even of Sir Rhodes’s vintage regularly make. Despite the Tories (sort of) winning the last election, Conservative Britain has failed to bloom; that much is now clear. There is no sense that Cameron has spawned an age of hegemony in the way Thatcher or Blair both did. Even on the deficit, the grip of TINA ("There Is No Alternative") seems to weaken every day, with economic voices deserting the government and a clamour for a change of course – and even of chancellor.

Meanwhile, the NHS reforms, perhaps the government’s most overtly ideological move, puts commissioning of local services into the hands of local GPs. Those same people said to be responsible for a soft line in signing-off patients on to incapacity benefit. It is doubtful Sir Rhodes, who once said that crime had risen in "parallel with the number of social workers," would approve of do-gooding doctors being put in charge.

More traditional Tory fare, in the shape of privatisation and big tax cuts are off the menu for now. Osborne's decision to shave 5p off the top rate of tax did little to promote the popular capitalism that Sir Rhodes approved of. The whispered comparison with Ted Heath’s one-term government swirls around the Prime Minister’s head. Like Heath, Cameron governs a fractious nation hobbled by serious national and international economic problems that show little sign of ending soon. Unlike Heath, he has more voices both inside and outside his party to keep happy; dancing to the Lib Dem’s tune on issues like proportional representation and House of Lords reform, while keeping his belligerent backbenchers happy. It’s not going well.

"It may have been right to create a coalition after the election," warned Tory backbencher Brian Binley yesterday, "but the current set-up isn’t working". The Lib Dems have achieved a level of influence "not remotely justified by the level of their electoral support," he harrumphed. Cameron, he added, needs to act like a Conservative prime minister, not a "chamber-maid". Meanwhile, former Tory environment minister Tim Yeo, hitherto best known for his scandalous resignation from John Major’s government (over what we used to call a "love child") pointedly asked if Cameron was "a man or mouse" for not backing a third runway at Heathrow.

It is doubtful whether Sir Rhodes, a quintessential plain-speaking Lancastrian, would have been quite so insolent. However, like Binley and Yeo, he would have wanted the firm smack of prime ministerial leadership. And not just because he supported corporal punishment.

Kevin Meagher is associate editor of Labour Uncut.

Former Conservative minister Sir Rhodes Boyson, who has died at the age of 87.

Kevin Meagher is associate editor of Labour Uncut and a former special adviser at the Northern Ireland office. 

John Moore
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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.