From Boris to the Murdochs

What can Guto Harri do for News International?

“He never struck me as that remarkable,” a former colleague of Guto Harri's told me as rumours spread that he was set to leave City Hall for News International. “But I guess he must have something going for him.”
 
The key thing that Harri has going for him is his close relationship with Boris Johnson, who Private Eye recently described as the man “fast becoming the Digger’s favourite politician”. Under Harri’s guidance, Johnson has remained consistently and vocally loyal to the Murdochs, despite most other political allies remaining quiet or deserting them altogether.
 
When the Guardian first reported on phone hacking at News International, the Mayor publicly dismissed the story as “a load of codswallop cooked up by the Labour party.” And as the Met began their investigations, his policing deputy repeatedly tried to persuade them to scale back their inquiries.
 
“The caravan should move on,” insisted Boris as yet more revelations emerged. “Real people are so apathetic about the Leveson business,” he repeated again in the Telegraph last week. “In all its lavish coverage of Murdoch, hacking and BSkyB, the BBC never properly explains the reasons why other media organisations – including the BBC – want to shaft a free-market competitor.”
 
As the election approached you might have expected Boris to keep his distance from NI. But just one day after Rebekah Brooks was arrested in a dawn raid, Boris met with the Sun's editors for lunch. Following their meeting, the paper lavished extensive coverage on the Mayor, describing him as fighting hard for “White Van Man”, a claim based on his policy of extending free parking on some London roads by ten minutes. His opponent Ken Livingstone meanwhile was described simply as a “villain”.
 
Harri too has remained loyal to his old contacts. “He is known to be in constant contact with Andy Coulson,” explains one biography (now outdated). Such constant contact seems to have paid off with Harri freely admitting that his new appointment will be seen as "part of an irresistible geometrical pattern" between the Conservatives and News International. But what does Harri have to offer the company, aside from his loyalty?
 
His time as Director of Communications at City Hall will chiefly be remembered for his policy of limiting access to the mayor to all but the most unquestioning members of the media. Shortly after Boris’s election, Guto cancelled the regular City Hall press conferences. Out went the dry reports and question and answer sessions of the Livingstone years and in came an endless series of celebrity-backed ribbon-cutting events where the likes of Kelly Brook, Barbara Windsor and Peter Andre all posed grinning with the Mayor.

Questions from journalists were strictly limited at these events and Harri has consistently kept Boris away from any interviewer who cannot be relied upon to play nice. Chief among the “awkward squad” is BBC London’s political editor Tim Donovan who has repeatedly been refused interviews with the Mayor on the channel's weekend politics show. When Donovan dared to report on Boris’s links with News International, he earned a sweary on-air rant from the mayor. Boris has since gone on to attack BBC London as his “chief opponent" during the election campaign.

Other journalists have been submitted to more underhand attacks. When Boris’s former colleague Sonia Purnell set out to write his biography, “sources close to the Mayor” privately briefed that Purnell was a spurned and embittered admirer of Johnson, a smear that was hinted at in much of the coverage of her excellent book.
 
Along the way Harri has gathered a number of critics on the right. Rather than being a straightforward Murdoch appeaser, they accuse him of actually spending far too much time trying to win over people who will not support the mayor no matter what happens. Despite Boris’s public grumbles about the left-wing media, Harri invited over a hundred journalists from the BBC and the Guardian to the Mayor’s media reception at City Hall last year. The Sun, by contrast, received just six invites.
 
What Harri understands is that in a left-leaning city, Boris needs to appeal well beyond his own party. Under his guidance, Johnson has fought against Labour’s stereotype of him as a swivel-eyed Tory, backing measures such as the Living Wage and an immigrant amnesty.
 
Harri yesterday accused Boris’s campaign manager Lynton Crosby of nearly wrecking his re-election by only appealing to core voters: “That was almost the danger of the campaign, that he became more Tory at a time when being Tory seemed to be more of a liability than an asset.”
 
Despite his unassuming and amiable exterior, Harri is an effective and formidable operator. In four years he has transformed Boris Johnson’s image from national joke to a serious contender for the Tory leadership and Number Ten. This is a remarkable feat.

Transforming the image of News International and the Murdochs will be a far harder task, but if anyone can do it, then perhaps Guto Harri can.

Photograph: Getty Images

Adam Bienkov is a blogger and journalist covering London politics and the Mayoralty. He blogs mostly at AdamBienkov.com

John Moore
Show Hide image

The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.