In defence of Cameron's conservatism

The PM's modernisation project has been a political and a policy success.

Since the Budget, the Conservatives have suffered from a few bad headlines and a drop in the polls. Ukip have enjoyed a sudden surge in support. The disgruntled – who have loathed David Cameron’s centrism for years – have pounced: this proves, apparently, that the modernisation project has failed. Time to bin it.

Fortunately, as Oliver Letwin has said, senior ministers don’t believe in running government like a magazine. They “believe in running government like a government". Ignore occasional blips and unpopular patches, overall the Conservative modernisation project is in actual fact very successful, both politically and in regards to policy.

Cameron couldn’t even win a majority in 2010, they howl. Well, the party did gain more seats than at any election since 1931, and did receive a record swing of 5.1 per cent from Labour. Compare that to Thatcher in 1979, who received a swing from Labour of 5.3 per cent. The Conservatives must have been doing something right.

Even now, during a time of severe cuts to public spending, the Conservatives enjoy a relatively high poll rating. Cameron is popular and his party is more trusted than Labour on the economy.

As Professor Tim Bale shows, in a first-past-the-post system, the winning party is the one that hoovers up the most floater voters who sit in the middle of the political spectrum. Quite simply, the Conservative Party – as polling by Lord Ashcroft reveals – didn’t do enough – and still doesn’t do enough - to convince these centre-ground voters to secure a parliamentary majority. That’s the problem.

Still, there are complaints that Cameron is conceding too much ground to the Liberal Democrats and abandoning true Tory values by focusing on gay and green issues. But these are just part of a broad package, and are not incompatible with Tory sentiments on freedom and stewardship. Actually, the coalition government has a whole array of reforms that ought to be very pleasing to Tory activists: a reduction in public expenditure, the use of a veto in EU negotiations, welfare reform, the lowering of income and corporation tax, the dismantling of state control in education, greater control to front-line professionals in the NHS. The list goes on.

But still there is discontent, and threats of resignations to Ukip. And so it becomes clear what is at the heart of all this ill-feeling: doctrinaire libertarianism. Ukip is a party of libertarian purists – those who believe the state or multinational governments should basically have no role in telling institutions or individuals what to do.

Such pure libertarianism has some merits, but two key flaws. The first, and the most major, is that it refuses to acknowledge how culture and poverty in a system of entirely voluntary exchange restricts individual choice, and that the state can play a positive role in rectifying this to expand freedoms.

The second, and most relevant, is that it is rigid, ideological and extreme. These libertarians do not see society as an ecosystem of different – often conflicting - interests with the role of Government being to carefully balance them to achieve the optimum equilibrium between equity and efficiency. Rather, they believe everyone has their own interest which should they be able to pursue regardless of the externalities, except if it is criminal, and government should just get out of the way to allow them to do it.

The result then is that purist libertarians are never satisfied.  Never content until the UK pulls out of the EU altogether. Never happy until public services are entirely independent of state rules and control full stop. Never pleased until the government and the EU stops issuing directives that regulates individual behaviour, such as the smoking ban. No wonder they are perpetually dissatisfied with the Prime Minister.

Such a mind-set applies to their approach to politics, as with many other ideologues. They are not satisfied until conservatism – and their particular form of conservatism – triumphs in every decision and policy of government. Coalition, then, is abhorrent. Such tribalism, disappointingly, misses the fact that, as moral psychologist Jonathan Haidt says, “each team is composed of good people who have something important to say”.

Ironically, if they join Ukip, their only way of gaining real influence in government would be through a coalition. Better, surely to stay inside the party – a coalition in itself – to have real, long-lasting effect. Indeed, as a Conservative who values different perspectives around a table, I’d like those libertarians to stay.

Ryan Shorthouse is the Director of Bright Blue.

Tories who have loathed Cameron’s centrism for years have pounced. Photograph: Getty Images.

Ryan Shorthouse is the Director of Bright Blue, a think tank for liberal conservativism 

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Ariana and the Arianators: "We really are like a family"

The pop star provides her fans with a chance to express themselves joyfully - their targeting was grimly predictable.

Ariana Grande’s concert at Manchester Arena on 22 May began like any other. Children and teenagers streamed through the doors wearing pink T-shirts, rubber wristbands and animal ears (one of Grande’s signature looks). They screamed when she came on stage and they sang along with every song. It was only once the music had ended, and the 20,000-strong audience began to leave the venue, that the horror began – with a bomb detonated at the main entrance.

The show was just one date on Grande’s Dangerous Woman tour, which began in Phoenix, Arizona in February, moved across the United States and Europe, and had stops scheduled for South America, Japan, Australia and Hong Kong. (Since the Manchester attack, Grande has suspended the tour indefinitely.)

Since releasing her debut album in 2013, Grande has successfully transitioned from teen idol to fully fledged pop star (all three of her studio albums have sold over a million each) with a combination of baby-faced beauty and Mariah Carey-style, breathy vocals. Her most popular records are bubblegum pop with a Nineties R’n’B influence, a combination also expressed in her fashion choices: Nineties grunge meets pastel pinks.

She entered the limelight at 16 on the children’s TV programme Victorious, which ran on the Nickelodeon channel, pursuing her musical ambitions by performing the show’s soundtracks. Many of the young people who grew up watching her as the red-haired arts student Cat Valentine on Victorious would become fans of her pop career – or, as they call themselves, the Arianators.

As she outgrew her child-star status, Grande’s lyrics became more sexually suggestive. Recent songs such as “Side to Side” and “Everyday” are more explicit than any of her previous hits. She has repeatedly insisted that young women should be able to speak openly about sex and feel empowered, not objectified.

“Expressing sexuality in art is not an invitation for disrespect,” she tweeted in December. “We are not objects or prizes. We are QUEENS.”

Grande also has a reputation as something of a gay icon. She has advertised her records on the gay dating app Grindr, headlined shows at Pride Week in New York, and released a single and a lipstick to raise money for LGBTQ charities.

Cassy, a 19-year-old film student and fan, told me the fanbase is “made mostly of young women from 14-23, but I run into guys and non-binary fans all the time.”

“It’s pretty well known that Ariana has got a LGBTQ+ fan base. She’s so outspoken about it and that’s what draws us to her. Because she’s accepting of everyone, no matter who you are.”

Like many child actresses-turned-pop star, Grande has a fan base skewed towards the young and female: teenage and pre-teen girls are by far the majority of her most dedicated supporters. A writer on the Phoenix New Times described the typical Ariana Grande crowd as “pre-tween, tweens, teens, young gay (and fabulous) men, moms with cat ears, and multiple candidates for father of the year”. The Arianators form tight-knit groups on social media. I spoke to several over Twitter after the attack.

Arena concerts, which often have more relaxed age restrictions than nightlife venues, have long been a safe space for children, young people and teenage girls. They provide a secure place for concert-goers to dress up, experiment, play with burgeoning sexualities, dance, scream and cry: to flirt with an adult life still slightly out of reach. Glitter-streaked tears stream down the unapologetic faces of fans touched by an emotion bigger than themselves. It is appalling, if grimly predictable, to see children, teenage girls and young gay men targeted by agents of regressive ideologies for expressing themselves so joyfully. On 23 May, Isis claimed the attack.

Andréa, a 17-year-old fan from France, told me about her first experience of a Grande concert. “It was incredible,” she said. “Everyone was so kind, excited and happy. We really are like a family.”

The fans are devastated by Monday’s bombing. Thousands of messages appeared on social media to commemorate those who lost their lives. “As an Arianator,” Alexandre, aged 16, told me, “I’m really sad and I’m scared.”

“We’re all taking it really hard,” Cassy said. “We’re a family and we lost 22 members of that family last night.”

Ariana began her gig in Manchester with the song that has opened every night of her current tour: “Be Alright”. In it, she repeatedly reassures the crowd, “We’re gonna be all right.” It’s a phrase that her fans are clinging to after the attack. So, too, are the lyrics of “Better Days”, by Grande and her support act Victoria Monét, which was also performed the night of the explosion. “There’s a war right outside our window,” the words go. “I can hear the sirens . . ./I can hear the children crying . . ./I’m hoping for better days . . .”

“It’s hit us all very hard because we’ve lost some of our own,” said one Arianator who runs a popular Twitter account about the tour. “People we interacted with on a daily basis. People that just wanted to have a night of fun. These are dark times, but we are looking forward to better days.”

Anna Leszkiewicz is a pop culture writer at the New Statesman.

This article first appeared in the 25 May 2017 issue of the New Statesman, Why Islamic State targets Britain

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