Shortlist announced for the Forward Prizes for Poetry 2012

A variety of both new and well-established talents are selected for a potential £16 000 prize in October.

 The shortlists for the prestigious Forward Prizes for Poetry were announced on Tuesday, paving the way for some of the most celebrated and original English-writing poets from around the world, as well as newly-arriving talents yet to find their voice, and their funding. The prizes were founded in 1992 by William Sieghart and the Forward Group and have been running for the past 21 years, rewarding only the best in contemporary poets. Among the nominees for this year's prize for Best First Collection sponsored by Felix Dennis is 81 Austerities by Sam Riviere, winner in 2007 of an Eric Gregory Award and co-editor of the anthology series Stop Sharpening Your Knives, whose poems have featured previously in the New Statesman.

The Best First Collection prize is one of three prizes sponsored by the Forward Arts Foundation, worth £5 000, second to the Best Collection prize for £10 000. The third prize is Best Single Poem in memory of Michael Donaghy, worth £1000. At a possible total of £16 000, it is one of the UK's most valuable prizes for poetry, and leaves little truth in war poet Robert Graves' poignant line “there's no money in poetry, but then there's no poetry in money”. Previous winners of the Best Collection prize include Seamus Heaney, Carol Ann Duffy and Ted Hughes, while only one poet, Robin Robertson, has won all three prizes. This year, the nominees for the Best Collection prize include Australian poet Barry Hill, whose collection has been drawn from paintings by Lucian Freud, Oxford Professor of Poetry Geoffrey Hill, who was also shortlisted under the same category last year, and Jorie Graham, described by the Poetry Foundation as “perhaps the most celebrated poet of the American post-war generation”. Other highlights include, for obvious reasons, Selima Hill's collection titled People Who Like Meatballs.

This year, the judging panel will once again be chaired by Leonie Rushforth, who commented on the variety of submissions, saying she was “especially delighted by the standard of this year's first collections.” She added that, excluding the recurrence of the surname Hill, “there was no obvious route to the shortlists”. The prizes will be awarded on the eve of National Poetry Day, Wednesday 3 October, in Somerset House. 

The winners will be announced at Somerset House on 3rd October. Photo: Getty Images
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The most dangerous show on TV: is The Jump becoming a celebrity Hunger Games?

Will it take a life-threatening injury, or worse, before the madness ends?!

First they came for former EastEnders actor Louis Lytton. Then, they came for former EastEnders actor Sid Owen. Then, they came for former Holby City actor Tina Hobley. But now, the third season of Channel 4’s The Jump has moved on from retired soap stars to claim a new set of victims: Britain’s top athletes, including Rebecca Adlington, Beth Tweddle and Linford Christie.

The winter sports reality show The Jump takes your average collection of D-list celebrities, with a few sports personalities mixed in for good measure, and asks them to compete in a series of alpine challenges – skeleton, bobsleigh, snowboarding and, of course, ski jumping – while Davina McCall says things like, “Look at that jump. Just look at it. Are you nervous?”

It sounds fairly mild, but Sir Steve Redgrave, Ola Jordan, Sally Bercow and Melinda Messenger have all withdrawn from the programme after injuries in the past.

Riskier than I’m a Celebrity, Splash! and Dancing on Ice mixed together, the third season of The Jump is fast turning into a dystopian celebrity harm spectacle, a relentless conveyor belt of head injuries and fractured bones.

So far, seven out of the competition’s 12 contestants have sustained injuries. First, Lytton tore a ligament in her thumb, before being rushed to hospital after a training incident at the end of last month. Then, Owen fell on his leg during the first episode having previously complained of “a bad crash during training” for the skeleton.

Adlington (who openly wept with fear when she first gazed upon the titular ski jump, described as being the “height of three double decker buses”) was hospitalised and withdrew from the show after a televised fall left her with a dislocated shoulder: she said the pain was “worse than childbirth”. Hobley soon followed with a dislocated elbow.

Tweddle suffered a particularly bad accident during rehearsals, and now remains in hospital after having her spine fused together, which involved having a piece of bone taken from her hip. On Monday, Christie became the fourth contestant to be hospitalised in the space of two weeks, pulling his hamstring. As of today, Made in Chelsea cast member Mark Francis is the fourth contestant to withdraw, after fracturing his ankle.

In response to criticisms, Channel 4 reminded viewers that 46 of their celebrity participants have so far emerged unscathed across the three series, which seems like a remarkably low bar to set for a major reality TV series: “no one’s been seriously hurt so far” is not much of a safety procedure.

Judge Eddie the Eagle implied that contestents were injuring themselves through their own laziness and coffee obsessions. He wrote in the Daily Mail:

“Those competitors should be up and down the steps relentlessly – jump and go back, jump and go back. Instead too many will have a couple of goes before going off for a coffee and forgetting to return because they're feeling tired.”

But as the celebrity casualty list approaches double figures and more than 12 viewers have officially complained, the channel has begun an urgent safety review of the show, after one insider reportedly labelled it “the most dangerous show on television”.

It all seemed like fun and games when we were watching reality TV stars rolling around in the snow in embarrassing lurid lyrca suits. But will it take a life-threatening injury, or worse, before the madness ends?! Pray for Brian McFadden. Pray for Sarah Harding. Pray for Tamara Beckwith. Pray for the end of The Jump.

Anna Leszkiewicz is a pop culture writer at the New Statesman.