Actors over athletes

Beneath the Cultural Olympiad, the Criterion theatre will show the funny side of the Olympics in two new plays.

The build-up to the sport explosion that looms over London is heightening, but the Olympics bring more than just inspiration to exercise in logo-coated vests. Since 2008 London has borne witness to the “Cultural Olympiad”, which triangulates various expressions of culture in the form of theatre productions, festivals and workshops. The Olympiad boasts more than 8 300 past workshops with a total attendance of 169 000 people, and over 16 million people have seen an offical London 2012 cultural performance. But, slightly outside the official team's monopoly on cultural events, London holds a number of theatrical sparks beneath the Olympic radar.

Coinciding with the Olympic dates, the Criterion Theatre in Piccadilly Circus will be holding a programme titled Playing the Games. The series of events is technically part of the Olympiad in the London 2012 Festival, but being London's only independent West End theatre and with a humble capacity of 588, it falls slightly under the array of official events. Playing the Games holds an opportunity to see both up-and-coming and well-established talents in the form of comedians, musicians, playwrights and Olympians. With the aim to bring together sport and culture, encompassing the attempts of the London 2012 Olympics itself, the programme holds two new Olympic-related plays. Taking Part by Adam Brace strings together all the relevant spirits of self-belief and opportunism, and not excluding the timely Olympic tradition of things going wrong. The story follows a Congolese security guard training as an Olympic swimmer to compete in the London Games. His Russian coach doesn't have much hope for him, but unlike the audience watching real underdogs competing in the real Games, the audience will support his determination and optimism to the end. Alternatively, for the less sporty types, the Criterion will also be showing Serge Cartwright's After the Party. This follows Sean and Ray, two 30-ish-year-old former DJs trying to shove their feet back in the heavy doors of the music industry. With the world flocking around their Statford homes for London 2012 they have their last chance at a musical career, and the audience has yet another opportunity for Olympic merriment.

If your cultural aim this summer is to avoid the Olympic theme altogether, Playing the Games will also hold performances aimed at the less athletic audience, or at those poor Londoners afflicted with Olympic-bitterness. The renowned and skilled arts group, Paper Cinema, will be showing for one day only a version of Homer's the Oddysey using hand-drawn paper puppets. In what the Times has called “ingeniously effective”, Paper Cinema will use their skilled puppet masters and riveting live musicians to bring cardboard cut-outs to life. For a more informal theatrical experience, the Criterion is also holding a number of lunchtime interviews by such comedy personalities as Stephen Fry and Alan Davies, and sporting inspirations as Edwin Moses and Haile Gebrselassie.

The Criterion will not be the only theatre to bring drama to the Olympics. At Headlong, Citizens Theatre and Watford Palace Theatre, a new opportunity to see the classic Euripides tragedy Medea will come to light. Mike Bartlett has audaciously written a modern version in association with the Warwick Arts Centre that makes the ancient drama even more horrifying in contemporary context. Or, on the lighter side, you could see a play about a man in labour. Birthday by Joe Penhall at the Royal Court Theatre tells a more comic story about a world with artificial wombs and truly equal partnership in childbirth. Arriving into the world kicking and screaming, Birthday will be showing throughout the summer and shows the wide variety of entertainment available to London in place of sweaty Olympic crowds.

Obi Abili plays an amateur Congolese Olympic swimmer in a new production at the Criterion theatre. Photograph: Bill Knight
Screenshot of Black Mirror's Fifteen Million Merits.
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How likely are the plots of each Black Mirror episode to happen?

As the third series is on its way, how realistic is each instalment so far of the techno-dystopian drama? We rate the plausibility of every episode.

What if horses could vote? What if wars were fought using Snapchat? What if eggs were cyber?

Just some of the questions that presumably won’t be answered in the new series of Charlie Brooker’s dystopian anthology series Black Mirror, somewhere between The Twilight Zone with an app and The Thick Of It on acid.

A typical instalment takes an aspect of modern technology, politics, or life in general and pushes it a few steps into the future – but just how plausible has each episode been so far?

Series 1 (2011)

Episode 1: The National Anthem

Premise: A member of the Royal Family is kidnapped and will only be released unharmed if the Prime Minister agrees to have sexual intercourse with a pig on live television.

Instead of predicting the future, Black Mirror’s first episode unwittingly managed to foreshadow an allegation about the past: Charlie Brooker says at the time he was unaware of the story surrounding David Cameron and a pig-based activity that occurred at Oxford university. But there’s absolutely no evidence that the Cameron story is true, and real political kidnappings tend to have rather more prosaic goals. On the other hand, it’s hard to say that something akin to the events portrayed could NEVER happen.

Plausibility rating: 2 out of 5

Episode 2: Fifteen Million Merits

Premise: Sometime in the future, most of the population is forced to earn money by pedalling bikes to generate electricity, while constantly surrounded by unskippable adverts. The only hope of escape is winning an X-Factor-style game show.

In 2012, a Brazilian prison announced an innovative method of combating overcrowding. Prisoners were given the option to spend some of their time on electricity-producing bikes; for every 16 hours they spent on the bike, a day would be knocked off their sentence.

The first step to bicycle-dystopia? Probably not. The amount of electricity a human body can produce through pedalling (or any other way, for that matter) is pretty negligible, especially when you take account of the cost of the food you’d have to eat to have enough energy to pedal all day. Maybe the bike thing is a sort of metaphor. Who can say?

Plausibility rating: 0 out of 5

Episode 3: The Entire History of You

Premise: Everyone has a device implanted in their heads that records everything that happens to them and allows them to replay those recordings at will.

Google Glasses with a built-in camera didn’t work out, because no one wanted to walk around looking like a creepy berk. But the less visibly creepy version is coming; Samsung patented “smart” contact lenses with a built-in camera earlier this year.

And there are already social networks and even specialised apps that are packaging up slices of our online past and yelling them at us regardless of whether we even want them: Four years ago you took this video of a duck! Remember when you became Facebook friends with that guy from your old work who got fired for stealing paper? Look at this photo of the very last time you experienced true happiness!

Plausibility rating: 5 out of 5

Series 2 (2013)

Episode 1: Be Right Back

Premise: A new service is created that enables an artificial “resurrection” of the dead via their social media posts and email. You can even connect it to a robot, which you can then kiss.

Last year, Eugenia Kuyda, an AI entrepreneur, was grieving for her best friend and hit upon the idea of feeding his old text messages into one of her company’s neural network-based chat bots, so that she and others could, in a way, continue to talk to him. Reaction to this was, unsurprisingly, mixed – this very episode was cited by those who were disturbed by the tribute. Even the robot bit might not be that far off, if that bloke who made the creepy Scarlett Johansson android has anything to say about it.

Plausibility rating: 4 out of 5

Episode 2: White Bear

Premise: A combination of mind-wiping technology and an elaborately staged series of fake events are used to punish criminals by repeatedly giving them an experience that will make them feel like their own victims did.

There is some evidence that it could be possible to selectively erase memories using a combination of drugs and other therapies, but would this ever be used as part of a bizarre criminal punishment? Well, this kind of “fit the crime” penalty is not totally unheard of – judges in America have been to known to force slum landlords to live in their own rental properties, for example. But, as presented here, it seems a bit elaborate and expensive to work at any kind of scale.

Plausibility rating: 1 out of 5

Episode 3: The Waldo Moment

Premise: A cartoon bear stands as an MP.

This just couldn’t happen, without major and deeply unlikely changes to UK election law. Possibly the closest literal parallel in the UK was when Hartlepool FC’s mascot H'Angus the Monkey stood for, and was elected, mayor – although the bloke inside, Stuart Drummond, ran under his own name and immediately disassociated himself from the H’Angus brand to become a serious and fairly popular mayor.

There are no other parallels with grotesque politicians who may as well be cartoon characters getting close to high political office. None.

Plausibility rating: 0 out of 5

Christmas special (2015)

Episode: White Christmas

Premise 1: Everyone has a device implanted in their eyes that gives them constant internet access. One application of this is to secretly get live dating/pick-up artistry advice.

As with “The Entire History of You”, there’s nothing particularly unfeasible about the underlying technology here. There’s already an app called Relationup that offers live chat with “relationship advisers” who can help you get through a date; another called Jyst claims to have solved the problem by allowing users to get romantic advice from a community of anonymous users. Or you could, you know, just smile and ask them about themselves.

Plausibility rating: 4 out of 5

Premise 2: Human personalities can be copied into electronic devices. These copies then have their spirits crushed and are forced to become the ultimate personalised version of Siri, running your life to your exact tastes.

The Blue Brain Project research group last year announced they’d modelled a small bit of rat brain as a stepping stone to a full simulation of the human brain, so, we’re getting there.

But even if it is theoretically possible, using an entire human personality to make sure your toast is always the right shade of brown seems like overkill. What about the risk of leaving your life in the hands of a severely traumatised version of yourself? What if that bathwater at “just the right” temperature turns out to be scalding hot because the digital you didn’t crack in quite the right way?

Plausibility rating: 1 out of 5

Premise 3: There’s a real-life equivalent of a social media block: once blocked, you can’t see or hear the person who has blocked you. This can also be used as a criminal punishment and people classed as sex offenders are automatically blocked by everyone.

Again, the technology involved is not outrageous. But even if you have not worried about the direct effect of such a powerful form of social isolation on the mental health of criminals, letting them wander around freely in this state is likely to have fairly unfortunate consequences, sooner or later. It’s almost as if it’s just a powerful image to end a TV drama on, rather than a feasible policy suggestion.

Plausibility rating: 2 out of 5

Series 3 of Black Mirror is out on Friday 21 October on Netflix.