Does dark matter exist?

After 80 years of agreement about the dark stuff, opinions may be changing.

The peasants are revolting. Last night the Flamsteed Astronomical Society met at the National Maritime Museum to hear a debate on the existence (or not) of dark matter. In a vote at the end, the audience decided it probably doesn’t exist.

The idea of dark matter has been around since 1933, when a Swiss astronomer called Fritz Zwicky found that centrifugal forces should have been tearing spinning galaxy clusters apart – but weren’t. The answer, he suggested, was that there was extra stuff in there, whose gravitational pull was holding everything together.
 
Astronomers now believe this stuff makes up around a quarter of the universe, if you take into account all the mass and energy in the cosmos. Ignore the pure energy, and dark matter accounts for 80 per cent of the universe’s mass. Which makes it a little embarrassing that we have never seen any.

Neither do we know what it looks like. We’ve been groping around for dark matter since about 1970. Various predictions have been made: in 1980, astronomer Vera Rubin said it would be found within 10 years. In 1990, astronomer royal Martin Rees said the dark matter mystery would be solved by the turn of the century. In 1999 Rees was aware he had been too hasty, and said we would know what dark matter is by 2004. Last January, CERN theoretical physicist and Gandalf lookalike John Ellis gave the physicists another decade.
 
But patience is starting to wear thin. At last night’s debate, Oxford physicist and co-presenter of The Sky at Night Chris Lintott made the case for dark matter; astronomy writer Stuart Clark argued that a modification to the laws of gravity, which are dictated by Einstein’s general relativity theory, held more promise for explaining the (apparently) missing mass. At the end of the evening, the audience sided with Clark and modifying gravity.
 
That’s not going to have dark matter astronomers quaking in their boots. But it is nonetheless indicative of a change of mood. Take what went on at the Cosmic Variance blog last week. Sean Carroll, the blog’s host, has always been bullishly pro dark matter. But it seems he has started to hedge a bit.
 
In a fascinating post, he published the trialogue he had been conducting with astronomer Stacey McGaugh, the original proponent of the modified gravity idea (it’s called MOND: modified Newtonian Dynamics) and German astrophysicist Rainer Plaga. Right at the top, Carroll concedes that “it may very well turn out that the behavior of gravity on large scales does not precisely match the prediction of ordinary general relativity”. In other words, he is saying, we might well have to modify gravity.
 
It’s worth pointing out a couple more reasons it’s OK to harbour doubts about the dark stuff. Last September, Durham astronomer Carlos Frenk admitted he was “losing sleep” over the results of his own computer simulations. His work had showed that the way simulated dwarf galaxies – mainly composed of dark matter – form in a halo around our own galaxy doesn’t tally with what we observe. His conclusion was that the standard theory of dark matter is almost certainly wrong, adding that searches for the stuff at the LHC in Geneva would therefore prove fruitless.
 
Then last month two groups of astronomers announced that dark matter wasn’t where it should be. The sun is meant to be surrounded by a halo of dark matter, and it isn’t.
 
If there really is no dark matter, that won’t be a mainstream view for decades to come. Once it’s got some momentum, it takes a lot of effort to change direction in science. But it does seem that, after 80 years, someone’s found the handbrake on the dark matter juggernaut.
 

Images of giant galaxy clusters, said to be mainly made up of dark matter. Photograph: Nasa/Getty Images

Michael Brooks holds a PhD in quantum physics. He writes a weekly science column for the New Statesman, and his most recent book is At the Edge of Uncertainty: 11 Discoveries Taking Science by Surprise.

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Clickbaiting terror: what it’s like to write viral news after a tragedy

Does the viral news cycle callously capitalise on terrorism, or is it allowing a different audience to access important news and facts?

On a normal day, Alex* will write anywhere between five to ten articles. As a content creator for a large viral news site, they [Alex is speaking under the condition of strict anonymity, meaning their gender will remain unidentified] will churn out multiple 500-word stories on adorable animals, optical illusions, and sex. “People always want to read about sexuality, numbers of sexual partners, porn habits and orgasms,” says Alex. “What is important is making the content easily-digestible and engaging.”

Alex is so proficient at knowing which articles will perform well that they frequently “seek stories that fit a certain template”. Though the word “clickbait” conjures up images of cute cat capers, Alex says political stories that “pander to prejudices” generate a large number of page views for the site. Many viral writers know how to tap into such stories so their takes are shared widely – which explains the remarkably similar headlines atop many internet articles. “This will restore your faith in humanity,” could be one; “This one weird trick will change your life…” another. The most cliché example of this is now so widely mocked that it has fallen out of favour:

You’ll never believe what happened next.

When the world stops because of a tragedy, viral newsrooms don’t. After a terrorist attack such as this week’s Manchester Arena bombing, internet media sites do away with their usual stories. One day, their homepages will be filled with traditional clickbait (“Mum Sickened After Discovery Inside Her Daughter’s Easter Egg”, “This Man’s Blackhead Removal Technique Is A Complete And Utter Gamechanger”) and the next, their clickbait has taken a remarkably more tragic tone (“New Footage Shows Moment Explosion Took Place Inside Manchester Arena”, “Nicki Minaj, Rihanna, Bruno Mars and More React to the Manchester Bombing”).

“When a terrorist event occurs, there’s an initial vacuum for viral news,” explains Alex. Instead of getting reporters on the scene or ringing press officers like a traditional newsroom, Alex says viral news is “conversation-driven” – meaning much of it regurgitates what is said on social media. This can lead to false stories spreading. On Tuesday, multiple viral outlets reported – based on Facebook posts and tweets – that over 50 accompanied children had been led to a nearby Holiday Inn. When BuzzFeed attempted to verify this, a spokesperson for the hotel chain denied the claim.

Yet BuzzFeed is the perfect proof that viral news and serious news can coexist under the same roof. Originally famed for its clickable content, the website is now home to a serious and prominent team of investigative journalists. Yet the site has different journalists on different beats, so that someone writes about politics and someone else about lifestyle or food.

Other organisations have a different approach. Sam* works at another large viral site (not Buzzfeed) where they are responsible for writing across topics; they explains how this works:  

“One minute you're doing something about a tweet a footballer did, the next it's the trailer for a new movie, and then bam, there's a general election being called and you have to jump on it,” they say.

Yet Sam is confident that they cover tragedy correctly. Though they feel viral news previously used to disingenuously “profiteer” off terrorism with loosely related image posts, they say their current outlet works hard to cover tragic news. “It’s not a race to generate traffic,” they say, “We won't post content that we think would generate traffic while people are grieving and in a state of shock, and we're not going to clickbait the headlines to try and manipulate it into that for obvious reasons.”

Sam goes as far as to say that their viral site in fact has higher editorial standards than “some of the big papers”. Those who might find themselves disturbed to see today’s explosions alongside yesterday’s cats will do well to remember that “traditional” journalists do not always have a great reputation for covering tragedy.

At 12pm on Tuesday, Daniel Hett tweeted that over 50 journalists had contacted him since he had posted on the site that his brother, Martyn, was missing after the Manchester attack. Hett claimed two journalists had found his personal mobile phone number, and he uploaded an image of a note a Telegraph reporter had posted through his letterbox. “This cunt found my house. I still don't know if my brother is alive,” read the accompanying caption. Tragically it turned out that Martyn was among the bomber's victims.

Long-established newspapers and magazines can clearly behave just as poorly as any newly formed media company. But although they might not always follow the rules, traditional newspapers do have them. Many writers for viral news sites have no formal ethical or journalistic training, with little guidance provided by their companies, which can cause problems when tragic news breaks.

It remains to be seen whether self-policing will be enough. Though false news has been spread, many of this week’s terror-focused viral news stories do shed light on missing people or raise awareness of how people can donate blood. Many viral news sites also have gigantic Facebook followings that far outstrip those of daily newspapers – meaning they can reach more people. In this way, Sam feels their work is important. Alex, however, is less optimistic.

“My personal view is that viral news does very little to inform people at times like this and that trending reporters probably end up feeling very small about their jobs,” says Alex. “You feel limited by the scope of your flippant style and by what the public is interested in.

“You can end up feeding the most divisive impulses of an angry public if you aren’t careful about what conversations you’re prompting. People switch onto the news around events like this and traffic rises, but ironically it’s probably when trending reporters go most into their shells and into well-worn story formats. It’s not really our time or place, and to try and make it so feels childish.”

Amelia Tait is a technology and digital culture writer at the New Statesman.

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