Does dark matter exist?

After 80 years of agreement about the dark stuff, opinions may be changing.

The peasants are revolting. Last night the Flamsteed Astronomical Society met at the National Maritime Museum to hear a debate on the existence (or not) of dark matter. In a vote at the end, the audience decided it probably doesn’t exist.

The idea of dark matter has been around since 1933, when a Swiss astronomer called Fritz Zwicky found that centrifugal forces should have been tearing spinning galaxy clusters apart – but weren’t. The answer, he suggested, was that there was extra stuff in there, whose gravitational pull was holding everything together.
 
Astronomers now believe this stuff makes up around a quarter of the universe, if you take into account all the mass and energy in the cosmos. Ignore the pure energy, and dark matter accounts for 80 per cent of the universe’s mass. Which makes it a little embarrassing that we have never seen any.

Neither do we know what it looks like. We’ve been groping around for dark matter since about 1970. Various predictions have been made: in 1980, astronomer Vera Rubin said it would be found within 10 years. In 1990, astronomer royal Martin Rees said the dark matter mystery would be solved by the turn of the century. In 1999 Rees was aware he had been too hasty, and said we would know what dark matter is by 2004. Last January, CERN theoretical physicist and Gandalf lookalike John Ellis gave the physicists another decade.
 
But patience is starting to wear thin. At last night’s debate, Oxford physicist and co-presenter of The Sky at Night Chris Lintott made the case for dark matter; astronomy writer Stuart Clark argued that a modification to the laws of gravity, which are dictated by Einstein’s general relativity theory, held more promise for explaining the (apparently) missing mass. At the end of the evening, the audience sided with Clark and modifying gravity.
 
That’s not going to have dark matter astronomers quaking in their boots. But it is nonetheless indicative of a change of mood. Take what went on at the Cosmic Variance blog last week. Sean Carroll, the blog’s host, has always been bullishly pro dark matter. But it seems he has started to hedge a bit.
 
In a fascinating post, he published the trialogue he had been conducting with astronomer Stacey McGaugh, the original proponent of the modified gravity idea (it’s called MOND: modified Newtonian Dynamics) and German astrophysicist Rainer Plaga. Right at the top, Carroll concedes that “it may very well turn out that the behavior of gravity on large scales does not precisely match the prediction of ordinary general relativity”. In other words, he is saying, we might well have to modify gravity.
 
It’s worth pointing out a couple more reasons it’s OK to harbour doubts about the dark stuff. Last September, Durham astronomer Carlos Frenk admitted he was “losing sleep” over the results of his own computer simulations. His work had showed that the way simulated dwarf galaxies – mainly composed of dark matter – form in a halo around our own galaxy doesn’t tally with what we observe. His conclusion was that the standard theory of dark matter is almost certainly wrong, adding that searches for the stuff at the LHC in Geneva would therefore prove fruitless.
 
Then last month two groups of astronomers announced that dark matter wasn’t where it should be. The sun is meant to be surrounded by a halo of dark matter, and it isn’t.
 
If there really is no dark matter, that won’t be a mainstream view for decades to come. Once it’s got some momentum, it takes a lot of effort to change direction in science. But it does seem that, after 80 years, someone’s found the handbrake on the dark matter juggernaut.
 

Images of giant galaxy clusters, said to be mainly made up of dark matter. Photograph: Nasa/Getty Images

Michael Brooks holds a PhD in quantum physics. He writes a weekly science column for the New Statesman, and his most recent book is At the Edge of Uncertainty: 11 Discoveries Taking Science by Surprise.

ILONA WELLMANN/MILLENNIUM IMAGES, UK
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How the internet has democratised pornography

With people now free to circumvent the big studios, different bodies, tastes and even pubic hair styles are being represented online.

Our opinions and tastes are influenced by the media we consume: that much is obvious. But although it’s easy to have that conversation if the medium we are discussing is “safe for work”, pornography carries so much stigma that we only engage with it on simple terms. Porn is either “good” or “bad”: a magical tool for ­empowerment or a destructive influence on society. Many “pro-porn” campaigners shy away from nuanced critique, fearing it could lead to censorship. “Anti-porn” campaigners, convinced that porn is harmful by definition, need look no further than the mainstream tube sites – essentially, aggregators of clips from elsewhere – to gather examples that will back them up.

When we talk about the influence of porn, the emphasis is usually on a particular type of video – hardcore sex scenes featuring mostly slim, pubic-hairless women and faceless men: porn made for men about women. This kind of porn is credited with everything from the pornification of pop music to changing what we actually do in bed. Last year the UK government released a policy note that suggested porn was responsible for a rise in the number of young people trying anal sex. Although the original researcher, Cicely Marston, pointed out that there was no clear link between the two, the note prompted a broad debate about the impact of porn. But in doing so, we have already lost – by accepting a definition of “porn” shaped less by our desires than by the dominant players in the industry.

On the day you read this, one single site, PornHub, will get somewhere between four and five million visits from within the UK. Millions more will visit YouPorn, Tube8, Redtube or similar sites. It’s clear that they’re influential. Perhaps less clear is that they are not unbiased aggregators: they don’t just reflect our tastes, they shape what we think and how we live. We can see this even in simple editorial decisions such as categorisation: PornHub offers 14 categories by default, including anal, threesome and milf (“mum I’d like to f***”), and then “For Women” as a separate category. So standard is it for mainstream sites to assume their audience is straight and male that “point of view” porn has become synonymous with “top-down view of a man getting a blow job”. Tropes that have entered everyday life – such as shaved pubic hair – abound here.

Alongside categories and tags, tube sites also decide what you see at the top of their results and on the home page. Hence the videos you see at the top tend towards escalation to get clicks: biggest gang bang ever. Dirtiest slut. Horniest milf. To find porn that doesn’t fit this mould you must go out of your way to search for it. Few people do, of course, so the clickbait gets promoted more frequently, and this in turn shapes what we click on next time. Is it any wonder we’ve ended up with such a narrow definition of porn? In reality, the front page of PornHub reflects our desires about as accurately as the Daily Mail “sidebar of shame” reflects Kim Kardashian.

Perhaps what we need is more competition? All the sites I have mentioned are owned by the same company – MindGeek. Besides porn tube sites, MindGeek has a stake in other adult websites and production companies: Brazzers, Digital Playground, Twistys, PornMD and many more. Even tube sites not owned by MindGeek, such as Xhamster, usually follow the same model: lots of free content, plus algorithms that chase page views aggressively, so tending towards hardcore clickbait.

Because porn is increasingly defined by these sites, steps taken to tackle its spread often end up doing the opposite of what was intended. For instance, the British government’s Digital Economy Bill aims to reduce the influence of porn on young people by forcing porn sites to age-verify users, but will in fact hand more power to large companies. The big players have the resources to implement age verification easily, and even to use legislation as a way to expand further into the market. MindGeek is already developing age-verification software that can be licensed to other websites; so it’s likely that, when the bill’s rules come in, small porn producers will either go out of business or be compelled to license software from the big players.

There are glimmers of hope for the ethical porn consumer. Tube sites may dominate search results, but the internet has also helped revolutionise porn production. Aspiring producers and performers no longer need a contract with a studio – all that’s required is a camera and a platform to distribute their work. That platform might be their own website, a dedicated cam site, or even something as simple as Snapchat.

This democratisation of porn has had positive effects. There’s more diversity of body shape, sexual taste and even pubic hair style on a cam site than on the home page of PornHub. Pleasure takes a more central role, too: one of the most popular “games” on the webcam site Chaturbate is for performers to hook up sex toys to the website, with users paying to try to give them an orgasm. Crucially, without a studio, performers can set their own boundaries.

Kelly Pierce, a performer who now works mostly on cam, told me that one of the main benefits of working independently is a sense of security. “As long as you put time in you know you are going to make money doing it,” she said. “You don’t spend your time searching for shoots, but actually working towards monetary gain.” She also has more freedom in her work: “You have nobody to answer to but yourself, and obviously your fans. Sometimes politics comes into play when you work for others than yourself.”

Cam sites are also big business, and the next logical step in the trickle-down of power is for performers to have their own distribution platforms. Unfortunately, no matter how well-meaning your indie porn project, the “Adult” label makes it most likely you’ll fail. Mainstream payment providers won’t work with adult businesses, and specialist providers take a huge cut of revenue. Major ad networks avoid porn, so the only advertising option is to sign up to an “adult” network, which is probably owned by a large porn company and will fill your site with bouncing-boob gifs and hot milfs “in your area”: exactly the kind of thing you’re trying to fight against. Those who are trying to take on the might of Big Porn need not just to change what we watch, but challenge what we think porn is, too.

The internet has given the porn industry a huge boost – cheaper production and distribution, the potential for more variety, and an influence that it would be ridiculous to ignore. But in our failure properly to analyse the industry, we are accepting a definition of porn that has been handed to us by the dominant players in the market.

Girl on the Net writes one of the UK’s most popular sex blogs: girlonthenet.com

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times