When did the News of the World morph into Princess Diana?

Stop the mawkishness and sentimentality, says Mehdi Hasan.

I was rung up by BBC, Sky and al-Jazeera producers over the weekend and invited on air to discuss the demise of the News of the World. I declined.

I just don't care. About the NoW, that is. The brand. The paper. Before some of you start baying for my blood, I do, of course, care about the 200 or so people who've lost their jobs -- but Murdoch and Brooks are to blame for those job losses and not, as the Times's Roger Alton ludicrously argued on Channel 4 News last week, "the comfortable middle-class mothers of MumsNet", or the BBC, or the Guardian, blah blah blah. (On a side note, I can't help but notice that the NoW was one of the papers constantly calling for sackings and redundancies in the public sector.)

What's really annoyed me over the past 72 hours or so is the way in which people have been bleating on about the paper's demise as if someone's died. The outpouring of "emotion" for something that, let's be honest, most of us had little to do with, or little interest in, is reminiscent of those nauseating days and weeks after the death of Princess Diana in August 1997.

The most irritating claim, however, is that we should mourn the passing of the world's "greatest investigative paper". Really? Was the NoW behind the exposure of torture at Abu Ghraib? The failure to find WMDs in Iraq? The MPs' expenses scandal? Cash for questions? Thalidomide?

As for the Pakistani cricketing scandal, I mean, come on, Pakistani cricketers are corrupt, says News of the World. Shock! Horror!

Hats off, then, to Roy Greenslade (in the Guardian!) for calling on people to "put the handkerchiefs aside" and giving us some perspective (and facts!).

He writes:

The final edition of the News of the World yesterday unashamedly appealed to the emotions of its audience while casting itself as a victim of circumstances beyond its own control.

In the course of 48 pages celebrating its supposedly finest moments, it sought to play the hero while attempting to disguise its villainy. Indeed, some of the villainy was given a heroic gloss.

Greenslade continues:

Without wishing to dance on a dead newspaper's grave, especially while the body is still warm, it should not be allowed to get away with perpetuating yet more myths amid the cheap sentimentality of its farewell.

Put the handkerchiefs aside to consider the editorial that took up all of page 3: "We praised high standards, we demanded high standards but, as we are now only too painfully aware, for a period of a few years up to 2006, some who worked for us, or in our name, fell shamefully short of those standards."

. . . Yet this is the newspaper that was forced in 2008 to pay damages of £60,000 for a gross intrusion into the privacy of Max Mosley. Also in 2008, the paper paid damages to film star Rosanna Arquette for falsely claiming she had been a drug addict.

In 2009, it paid damages to the Unite leader Derek Simpson for falsely claiming he had breached union election rules. In 2010, it paid five-figure damages to Sheryl Gascoigne for libelling her over her relationship with her former husband. It was also in 2010 that the paper entrapped the world snooker champion John Higgins in a highly suspect sting operation.

This is a mere random selection from scores of the paper's post-2006 iniquities that resulted in it paying out thousands in damages. Were these the high standards to which the editorial refers?

Hear, hear! Oh, and remember the (non) plot to kidnap Victoria Beckham?

Mehdi Hasan is a contributing writer for the New Statesman and the co-author of Ed: The Milibands and the Making of a Labour Leader. He was the New Statesman's senior editor (politics) from 2009-12.

Getty
Show Hide image

Let's face it: supporting Spurs is basically a form of charity

Now, for my biggest donation yet . . .

I gazed in awe at the new stadium, the future home of Spurs, wondering where my treasures will go. It is going to be one of the architectural wonders of the modern world (football stadia division), yet at the same time it seems ancient, archaic, a Roman ruin, very much like an amphitheatre I once saw in Croatia. It’s at the stage in a new construction when you can see all the bones and none of the flesh, with huge tiers soaring up into the sky. You can’t tell if it’s going or coming, a past perfect ruin or a perfect future model.

It has been so annoying at White Hart Lane this past year or so, having to walk round walkways and under awnings and dodge fences and hoardings, losing all sense of direction. Millions of pounds were being poured into what appeared to be a hole in the ground. The new stadium will replace part of one end of the present one, which was built in 1898. It has been hard not to be unaware of what’s going on, continually asking ourselves, as we take our seats: did the earth move for you?

Now, at long last, you can see what will be there, when it emerges from the scaffolding in another year. Awesome, of course. And, har, har, it will hold more people than Arsenal’s new home by 1,000 (61,000, as opposed to the puny Emirates, with only 60,000). At each home game, I am thinking about the future, wondering how my treasures will fare: will they be happy there?

No, I don’t mean Harry Kane, Danny Rose and Kyle Walker – local as well as national treasures. Not many Prem teams these days can boast quite as many English persons in their ranks. I mean my treasures, stuff wot I have been collecting these past 50 years.

About ten years ago, I went to a shareholders’ meeting at White Hart Lane when the embryonic plans for the new stadium were being announced. I stood up when questions were called for and asked the chairman, Daniel Levy, about having a museum in the new stadium. I told him that Man United had made £1m the previous year from their museum. Surely Spurs should make room for one in the brave new mega-stadium – to show off our long and proud history, delight the fans and all those interested in football history and make a few bob.

He mumbled something – fluent enough, as he did go to Cambridge – but gave nothing away, like the PM caught at Prime Minister’s Questions with an unexpected question.

But now it is going to happen. The people who are designing the museum are coming from Manchester to look at my treasures. They asked for a list but I said, “No chance.” I must have 2,000 items of Spurs memorabilia. I could be dead by the time I finish listing them. They’ll have to see them, in the flesh, and then they’ll be free to take away whatever they might consider worth having in the new museum.

I’m awfully kind that way, partly because I have always looked on supporting Spurs as a form of charity. You don’t expect any reward. Nor could you expect a great deal of pleasure, these past few decades, and certainly not the other day at Liverpool when they were shite. But you do want to help them, poor things.

I have been downsizing since my wife died, and since we sold our Loweswater house, and I’m now clearing out some of my treasures. I’ve donated a very rare Wordsworth book to Dove Cottage, five letters from Beatrix Potter to the Armitt Library in Ambleside, and handwritten Beatles lyrics to the British Library. If Beckham and I don’t get a knighthood in the next honours list, I will be spitting.

My Spurs stuff includes programmes going back to 1910, plus recent stuff like the Opus book, that monster publication, about the size of a black cab. Limited editions cost £8,000 a copy in 2007. I got mine free, as I did the introduction and loaned them photographs. I will be glad to get rid of it. It’s blocking the light in my room.

Perhaps, depending on what they want, and they might take nothing, I will ask for a small pourboire in return. Two free tickets in the new stadium. For life. Or longer . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times