When did the News of the World morph into Princess Diana?

Stop the mawkishness and sentimentality, says Mehdi Hasan.

I was rung up by BBC, Sky and al-Jazeera producers over the weekend and invited on air to discuss the demise of the News of the World. I declined.

I just don't care. About the NoW, that is. The brand. The paper. Before some of you start baying for my blood, I do, of course, care about the 200 or so people who've lost their jobs -- but Murdoch and Brooks are to blame for those job losses and not, as the Times's Roger Alton ludicrously argued on Channel 4 News last week, "the comfortable middle-class mothers of MumsNet", or the BBC, or the Guardian, blah blah blah. (On a side note, I can't help but notice that the NoW was one of the papers constantly calling for sackings and redundancies in the public sector.)

What's really annoyed me over the past 72 hours or so is the way in which people have been bleating on about the paper's demise as if someone's died. The outpouring of "emotion" for something that, let's be honest, most of us had little to do with, or little interest in, is reminiscent of those nauseating days and weeks after the death of Princess Diana in August 1997.

The most irritating claim, however, is that we should mourn the passing of the world's "greatest investigative paper". Really? Was the NoW behind the exposure of torture at Abu Ghraib? The failure to find WMDs in Iraq? The MPs' expenses scandal? Cash for questions? Thalidomide?

As for the Pakistani cricketing scandal, I mean, come on, Pakistani cricketers are corrupt, says News of the World. Shock! Horror!

Hats off, then, to Roy Greenslade (in the Guardian!) for calling on people to "put the handkerchiefs aside" and giving us some perspective (and facts!).

He writes:

The final edition of the News of the World yesterday unashamedly appealed to the emotions of its audience while casting itself as a victim of circumstances beyond its own control.

In the course of 48 pages celebrating its supposedly finest moments, it sought to play the hero while attempting to disguise its villainy. Indeed, some of the villainy was given a heroic gloss.

Greenslade continues:

Without wishing to dance on a dead newspaper's grave, especially while the body is still warm, it should not be allowed to get away with perpetuating yet more myths amid the cheap sentimentality of its farewell.

Put the handkerchiefs aside to consider the editorial that took up all of page 3: "We praised high standards, we demanded high standards but, as we are now only too painfully aware, for a period of a few years up to 2006, some who worked for us, or in our name, fell shamefully short of those standards."

. . . Yet this is the newspaper that was forced in 2008 to pay damages of £60,000 for a gross intrusion into the privacy of Max Mosley. Also in 2008, the paper paid damages to film star Rosanna Arquette for falsely claiming she had been a drug addict.

In 2009, it paid damages to the Unite leader Derek Simpson for falsely claiming he had breached union election rules. In 2010, it paid five-figure damages to Sheryl Gascoigne for libelling her over her relationship with her former husband. It was also in 2010 that the paper entrapped the world snooker champion John Higgins in a highly suspect sting operation.

This is a mere random selection from scores of the paper's post-2006 iniquities that resulted in it paying out thousands in damages. Were these the high standards to which the editorial refers?

Hear, hear! Oh, and remember the (non) plot to kidnap Victoria Beckham?

Mehdi Hasan is a contributing writer for the New Statesman and the co-author of Ed: The Milibands and the Making of a Labour Leader. He was the New Statesman's senior editor (politics) from 2009-12.

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Hillary Clinton can take down the Donald Trump bogeyman - but she's up against the real thing

Donald Trump still has time to transform. 

Eight years later than hoped, Hillary Clinton finally ascended to the stage at the Democratic National Convention and accepted the nomination for President. 

Like her cheerleaders, the Obamas, she was strongest when addressing the invisible bogeyman - her rival for President, Donald Trump. 

Clinton looked the commander in chief when she dissed The Donald's claims to expertise on terrorism. 

Now Donald Trump says, and this is a quote, "I know more about ISIS than the generals do"

No, Donald, you don't.

He thinks that he knows more than our military because he claimed our armed forces are "a disaster."

Well, I've had the privilege to work closely with our troops and our veterans for many years.

Trump boasted that he alone could fix America. "Isn't he forgetting?" she asked:

Troops on the front lines. Police officers and fire fighters who run toward danger. Doctors and nurses who care for us. Teachers who change lives. Entrepreneurs who see possibilities in every problem.

Clinton's message was clear: I'm a team player. She praised supporters of her former rival for the nomination, Bernie Sanders, and concluded her takedown of Trump's ability as a fixer by declaring: "Americans don't say: 'I alone can fix it.' We say: 'We'll fix it together.'"

Being the opposite of Trump suits Clinton. As she acknowledged in her speech, she is not a natural public performer. But her cool, policy-packed speech served as a rebuke to Trump. She is most convincing when serious, and luckily that sets her apart from her rival. 

The Trump in the room with her at the convention was a boorish caricature, a man who describes women as pigs. "There is no other Donald Trump," she said. "This is it."

Clinton and her supporters are right to focus on personality. When it comes to the nuclear button, most fair-minded people on both left and right would prefer to give the decision to a rational, experienced character over one who enjoys a good explosion. 

But the fact is, outside of the convention arena, Trump still controls the narrative on Trump.

Trump has previously stated clearly his aim to "pivot" to the centre. He has declared that he can change "to anything I want to change to".  In his own speech, Trump forewent his usual diatribe for statistics about African-American children in poverty. He talked about embracing "crying mothers", "laid-off factory workers" and making sure "all of our kids are treated equally". His wife Melania opted for a speech so mainstream it was said to be borrowed from Michelle Obama. 

His personal attacks have also narrowed. Where once his Twitter feed was spattered with references to "lying Ted Cruz" and "little Marco Rubio", now the bile is focused on one person: "crooked Hillary Clinton". Just as Clinton defines herself against a caricature of him, so Trump is defining himself against one of her. 

Trump may not be able to maintain a more moderate image - at a press conference after his speech, he lashed out at his former rival, Ted Cruz. But if he can tone down his rhetoric until November, he will no longer be the bogeyman Clinton can shine so brilliantly against.