Immigration, immigration, immigration: Mehdi Hasan on Cameron's speech

Cameron’s speech is lazy, ill-informed and inflammatory.

From Munich to Hampshire. David Cameron's speech in front of a Conservative audience later this morning will argue that immigration "threatens our way of life", in the non-inflammatory headline of the Torygraph. (You can read the full text by clicking here.)

There are (obvious? cynical? valid?) questions about the timing and tone of the speech. Is this a tactic to divert attention from the coalition's blunders on NHS reform and the nurses' attack on the hapless Health Secretary, Andrew Lansley? Did the Prime Minister's earlier denunciation of Oxford University's manifest failure to admit black students provide him with the requisite "cover" to take a potshot at immigrants? Is his (renewed) focus on forced marriages and English lessons a legitimate and proportionate intervention in a vital area of public policy or a crude dog-whistle to the Tory right and BNP-type voters? I'll leave you to make up your own minds (below the line?) but I can't help but note this tweet from ConservativeHome's Tim Montgomerie:

Increasingly nervous about core Tory vote, Cameron makes immigration speech

Hmm. That's very "responsible" of him. Perhaps the most frustrating and irritating claim that the PM makes in the speech is that Labour ministers "closed down discussion" of immigration. Yawn. As I noted in a post for Comment Is Free during the general election campaign last year:

One of the hardiest myths in British public life is that there is a conspiracy of silence on immigration. Liberals and leftists, it is alleged, have banded together to prevent debate or discussion of "mass immigration" into the UK, caused by Labour's "open-door" policies.

Really? Tell that to the Daily Mail, the Daily Express, the BBC, Channel 4, Michael Howard, Phil Woolas, MigrationWatch – the list is endless.

And in an excellent and informative post this morning, Sunder Katwala of the Fabians says:

The idea that debate about immigration has been silenced and closed down in Britain is a pervasive myth.

But, as a matter of fact, it can be easily disproved if one goes and looks at what politicians said and did throughout the period, or reviewing the endless noisy public debates about immigration, and volumes of legislation on immigration (broadly in a restrictive direction) under almost every postwar government, whether Conservative or Labour. I published a Comment Is Free post, "The Enoch myth", in 2008, offering chapter and verse, which proves beyond any reasonable doubt just how noisy these decades of supposed silenced debate always were. (Cameron, perhaps prey to the myth, says in his speech: "I remember when immigration wasn't a central political issue in our country – and I want that to be the case again." I wonder if he could cite any five- or ten-year postwar period which he has in mind when he claims that?)

It is interesting to reflect on the drivers of the sense of political disconnection which means that this is widely believed but that is a very different thing from the myth being true.

Cameron directly echoes Michael Howard's election posters in 2005, which proved somewhat less effective than the Conservatives hoped at the time, and which had the rather odd aim of starting a debate about immigration which will not be distracted by allegations of racism by starting a debate about racism and being silenced, rather more than to start a frank and rational public debate about immigration itself.

It was rather odd to claim that the other major party was treating all discussion of immigration as verboten – because I clearly recall that Labour had election posters in 2005 which proclaimed in bold, primary colours "Your Country's Border's Safe", and it would be to rewrite history rather spectacularly to claim that Labour home secretaries such as Jack Straw or David Blunkett did not speak about immigration.

But, let's be honest, or "frank", as the Prime Minister likes to say: this isn't about immigration. This is about Cameron.

As Anthony Painter notes over at LabourList:

David Cameron is in trouble. And when he's in trouble, he panics and presses the race, identity, welfare and immigration buttons.

Mehdi Hasan is a contributing writer for the New Statesman and the co-author of Ed: The Milibands and the Making of a Labour Leader. He was the New Statesman's senior editor (politics) from 2009-12.

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Ariana and the Arianators: "We really are like a family"

The pop star provides her fans with a chance to express themselves joyfully - their targeting was grimly predictable.

Ariana Grande’s concert at Manchester Arena on 22 May began like any other. Children and teenagers streamed through the doors wearing pink T-shirts, rubber wristbands and animal ears (one of Grande’s signature looks). They screamed when she came on stage and they sang along with every song. It was only once the music had ended, and the 20,000-strong audience began to leave the venue, that the horror began – with a bomb detonated at the main entrance.

The show was just one date on Grande’s Dangerous Woman tour, which began in Phoenix, Arizona in February, moved across the United States and Europe, and had stops scheduled for South America, Japan, Australia and Hong Kong. (Since the Manchester attack, Grande has suspended the tour indefinitely.)

Since releasing her debut album in 2013, Grande has successfully transitioned from teen idol to fully fledged pop star (all three of her studio albums have sold over a million each) with a combination of baby-faced beauty and Mariah Carey-style, breathy vocals. Her most popular records are bubblegum pop with a Nineties R’n’B influence, a combination also expressed in her fashion choices: Nineties grunge meets pastel pinks.

She entered the limelight at 16 on the children’s TV programme Victorious, which ran on the Nickelodeon channel, pursuing her musical ambitions by performing the show’s soundtracks. Many of the young people who grew up watching her as the red-haired arts student Cat Valentine on Victorious would become fans of her pop career – or, as they call themselves, the Arianators.

As she outgrew her child-star status, Grande’s lyrics became more sexually suggestive. Recent songs such as “Side to Side” and “Everyday” are more explicit than any of her previous hits. She has repeatedly insisted that young women should be able to speak openly about sex and feel empowered, not objectified.

“Expressing sexuality in art is not an invitation for disrespect,” she tweeted in December. “We are not objects or prizes. We are QUEENS.”

Grande also has a reputation as something of a gay icon. She has advertised her records on the gay dating app Grindr, headlined shows at Pride Week in New York, and released a single and a lipstick to raise money for LGBTQ charities.

Cassy, a 19-year-old film student and fan, told me the fanbase is “made mostly of young women from 14-23, but I run into guys and non-binary fans all the time.”

“It’s pretty well known that Ariana has got a LGBTQ+ fan base. She’s so outspoken about it and that’s what draws us to her. Because she’s accepting of everyone, no matter who you are.”

Like many child actresses-turned-pop star, Grande has a fan base skewed towards the young and female: teenage and pre-teen girls are by far the majority of her most dedicated supporters. A writer on the Phoenix New Times described the typical Ariana Grande crowd as “pre-tween, tweens, teens, young gay (and fabulous) men, moms with cat ears, and multiple candidates for father of the year”. The Arianators form tight-knit groups on social media. I spoke to several over Twitter after the attack.

Arena concerts, which often have more relaxed age restrictions than nightlife venues, have long been a safe space for children, young people and teenage girls. They provide a secure place for concert-goers to dress up, experiment, play with burgeoning sexualities, dance, scream and cry: to flirt with an adult life still slightly out of reach. Glitter-streaked tears stream down the unapologetic faces of fans touched by an emotion bigger than themselves. It is appalling, if grimly predictable, to see children, teenage girls and young gay men targeted by agents of regressive ideologies for expressing themselves so joyfully. On 23 May, Isis claimed the attack.

“I went to my very first Ariana concert on 9 April,” Cassy tells me. “It was one of the warmest places I’ve ever been. People were so happy, smiles just beaming from their faces. People were being themselves – if that meant showing up in drag, they did. It was such an amazing place to be.”

Andréa, a 17-year-old fan from France, told me about her first experience of a Grande concert. “It was incredible,” she said. “Everyone was so kind, excited and happy. We really are like a family.”

The fans are devastated by Monday’s bombing. Thousands of messages appeared on social media to commemorate those who lost their lives. “As an Arianator,” Alexandre, aged 16, told me, “I’m really sad and I’m scared.”

“We’re all taking it really hard,” Cassy said. “We’re a family and we lost 22 members of that family last night.”

Ariana began her gig in Manchester with the song that has opened every night of her current tour: “Be Alright”. In it, she repeatedly reassures the crowd, “We’re gonna be all right.” It’s a phrase that her fans are clinging to after the attack. So, too, are the lyrics of “Better Days”, by Grande and her support act Victoria Monét, which was also performed the night of the explosion. “There’s a war right outside our window,” the words go. “I can hear the sirens . . ./I can hear the children crying . . ./I’m hoping for better days . . .”

“It’s hit us all very hard because we’ve lost some of our own,” said one Arianator who runs a popular Twitter account about the tour. “People we interacted with on a daily basis. People that just wanted to have a night of fun. These are dark times, but we are looking forward to better days.”

Anna Leszkiewicz is a pop culture writer at the New Statesman.

This article first appeared in the 25 May 2017 issue of the New Statesman, Why Islamic State targets Britain

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