George Bush’s “all-time low”

He’s got to be joking, right? No, he isn’t.

It's been nearly two years since he left the White House with the lowest domestic and global approval ratings of any US president in living memory. But, it seems, we still can't get enough of George W Bush.

This morning's papers lead with extracts, snippets and lines from Bush's new memoir, Decision Points. The Times (£) is serialising the book and has an exclusive interview with "The Decider" himself. The Guardian's front page focuses on how Bush instructed the Pentagon "to draw up plans to attack Iran". The Indie, oddly, leads with a review of the book from the New York Timeschief literary critic, Michiko Kakutani.

One bit from the extracts of the book that stands out to me, and perhaps sums up both the ridiculous and odious nature of George Bush and his presidency, is the section on Hurricane Katrina and the fallout from it. The ex-president describes how upset and angry he was to hear, at the time, how the rapper Kanye West had told television viewers: "George Bush doesn't care about black people."

From the Guardian:

"Five years later, I can barely write these words without feeling disgusted. I am deeply insulted by the suggestion that we allowed American citizens to suffer because they were black . . . The more I thought about it, the angrier I felt. I was raised to believe that racism was one of the greatest evils in society," Bush writes. "I faced a lot of criticism as president. I didn't like hearing people claim I had lied about Iraq's weapons of mass destruction or cut taxes to benefit the rich. But the suggestion that I was a racist, because of the response to Katrina, represented an all-time low. I told Laura at the time that it was the worst moment of my presidency. I feel the same way today."

Hmm. So the botched response by the federal government to Hurricane Katrina itself, the costliest natural disaster in US history, which led to the deaths of 1,836 people, wasn't Bush's "all-time low", it was all the nasty name-calling afterwards.

And even "today", with the benefit of hindsight, the suggestion from a rapper that he might be a "racist" is considered by Dubbya as "the worst moment" of his presidency, not the failure to find weapons of mass destruction in Iraq; not the failure to prevent the terrorist attacks of 11 September 2001, which killed 3,000 people on American soil; not the torture and abuse at Abu Ghraib Prison; not the hundreds of thousands of people killed in Iraq and Afghanistan as a direct result of his so-called wars of liberation.

Words fail me . . .

Mehdi Hasan is a contributing writer for the New Statesman and the co-author of Ed: The Milibands and the Making of a Labour Leader. He was the New Statesman's senior editor (politics) from 2009-12.

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“Trembling, shaking / Oh, my heart is aching”: the EU out campaign song will give you chills

But not in a good way.

You know the story. Some old guys with vague dreams of empire want Britain to leave the European Union. They’ve been kicking up such a big fuss over the past few years that the government is letting the public decide.

And what is it that sways a largely politically indifferent electorate? Strikes hope in their hearts for a mildly less bureaucratic yet dangerously human rights-free future? An anthem, of course!

Originally by Carly You’re so Vain Simon, this is the song the Leave.EU campaign (Nigel Farage’s chosen group) has chosen. It is performed by the singer Antonia Suñer, for whom freedom from the technofederalists couldn’t come any suñer.

Here are the lyrics, of which your mole has done a close reading. But essentially it’s just nature imagery with fascist undertones and some heartburn.

"Let the river run

"Let all the dreamers

"Wake the nation.

"Come, the new Jerusalem."

Don’t use a river metaphor in anything political, unless you actively want to evoke Enoch Powell. Also, Jerusalem? That’s a bit... strong, isn’t it? Heavy connotations of being a little bit too Englandy.

"Silver cities rise,

"The morning lights,

"The streets that meet them,

"And sirens call them on

"With a song."

Sirens and streets. Doesn’t sound like a wholly un-authoritarian view of the UK’s EU-free future to me.

"It’s asking for the taking,

"Trembling, shaking,

"Oh, my heart is aching."

A reference to the elderly nature of many of the UK’s eurosceptics, perhaps?

"We’re coming to the edge,

"Running on the water,

"Coming through the fog,

"Your sons and daughters."

I feel like this is something to do with the hosepipe ban.

"We the great and small,

"Stand on a star,

"And blaze a trail of desire,

"Through the dark’ning dawn."

Everyone will have to speak this kind of English in the new Jerusalem, m'lady, oft with shorten’d words which will leave you feeling cringéd.

"It’s asking for the taking.

"Come run with me now,

"The sky is the colour of blue,

"You’ve never even seen,

"In the eyes of your lover."

I think this means: no one has ever loved anyone with the same colour eyes as the EU flag.

I'm a mole, innit.