Leon Knight, ex-footballer and noted misogynist, suspended from Twitter

His "Slag Alert Pictures" stunt backfired.

Leon Knight was a footballer. At the age of 29, he finds himself without a club, after he was released from Glentoran after allegedly making homophobic comments on Twitter.

Until yesterday, though, there was a place where Leon Knight still had an audience: Twitter.  As @leonknight82, he had 102,800 followers, who enjoyed such banterous tweets as "Hoes have to know 80% of men have a sat nav hoe alert device programmed into our brains you can't fool us lol #beat&delete". A month ago, he went after Jamie O'Hara, claiming that his wife Danielle was a "hoe" and trying to provoke both of them into responding to his increasingly obscene tweets. (I made a Storify of that here; it's pretty unpleasant).

Anyway, for the last couple of days, Knight has been trailing "Slag Alert Pictures", his latest brave foray into the world of "exposing" women who've sent dirty pictures to their boyfriends. He even created a hashtag, #SAP. The plan was to tweet compromising pictures of these women, to shame them - and entertain his fans. The stunt added tens of thousands of followers

Now, I'm not going to detain you with amateur psychology on Leon Knight, who seems to veer between common or garden misogyny and "person you'd cross the continent on avoid". I just wanted to make a record of exactly how this went down.

First, Knight tweeted about the #SAP idea, and published an email address for people to send pictures to.

He claimed that someone had sent the following email, and he'd therefore decided to have mercy on them:

 

 

Then he published an image of a chalk board with the Twitter handles of the women he planned to target. Clearly, a fair proportion of his 102,000 fans then got in touch with the women to taunt them about their upcoming public vilification, because you see messages like this:

 

 

Not everyone was cowed, though:

 

 

Rather heartwarmingly, one of the targeted women's timeline simply contained "thank you" after "thank you", as she showed her gratitude to all the people who'd got in touch to say how horrific they found the whole idea.

That angered Leon Knight, who started tweeting that he was going to "ruin her whole life". (I've blanked out her name.)

 

 

Tragically, nothing was going to stop Leon Knight. I missed his initial flurry of tweets, and by the time that I checked, the photos he'd posted had disappeared. Here he claims that "Twitter" had deleted them.

 

By the end of the evening, one of the women said that she was receiving death threats and tweeted a photo of herself apparently in a police station, where she claimed to be reporting the crime. (I've been unable to find any credible report of Knight's arrest, although the rumour has been swirling on blogs and social networking sites). Another one of the Twitter handles from Knight's "blackboard of shame" appeared to show that the account had been deleted. 

And this morning, I checked for Leon Knight's account and found this:

Now, I don't think there are any grand conclusions to be drawn from this - apart from the fact that misogynists have fan clubs. It was a man who tipped me off about Knight's latest rampage, and for every witless idiot cheering him on, there was someone else disgusted by the flagrant bullying and slut-shaming. 

But it is worth recording. Because this stuff happens, and ignoring it won't stop it happening. Staffordshire police looked into Knight's earlier tweets to Jamie and Danielle O'Hara, and yet there he was last night, moving on to a new target. As our lives get more and more networked, those of us who use public spaces are going to have to decide how to deal with the Leon Knights of this world. 

Or, as This Is My England put it:

Digital technologies: changing faster than we get get our heads around the risks which come along with the useful functionalities. So let's be careful out there.

Update 2.30pm I've just contacted Staffordshire Police's press office, who confirm that Knight was cautioned last month over the tweets to the O'Haras. But they haven't received a new complaint.   

Leon Knight, who has been suspended from Twitter, in the shirt of his former club, Swansea. Photo: Getty

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

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The view from Google Earth is magnificent - but there's a problem

Google Earth is spectacular - but it can give a misleading impression of the planet and the threats we face from climate change. 

 

Google Earth wants you to “get lost” in its updated interactive map. Collaborations with new media partners mean you can now climb Mount Everest, swim with sharks or visit Afghanistan with Zari the purple muppet. No, really:


Source: Google Earth

Yet as Trump slashes support for the science behind satellite imaging, is Google’s emphasis on spectacle leading us down the wrong path?

Google Earth's new look all starts well enough. Opening the new site on your browser takes you to an image of a blue earth floating through the blackness of space. Back in the 1970s, similar images taken from the Apollo space missions helped kickstart the modern environmental movement. As the astronomer Sir Fred Hoyle put it: “Once a photograph of the Earth, taken from the outside, is available, a new idea as powerful as any in history will be let loose.”


Source: GETTY and Google Earth

And it gets better. Enter a destination in the search bar and you are greeted with the option to link directly out to the Wikipedia page: nerds of the world, rejoice! 

A guided tour from NASAearth is also on hand for anyone whose nerdery is in need of a prompt: “Geostationary satellites in geosynchronous orbits. Greenhouse gases and global warming. Glaciers... going, going, gone,” says the Bob Dylan-esque entry on its "ABCs from Space".

You can then choose to orbit your landmark of choice in 3D. And let’s face it - who doesn’t want to glide around the top of Mont Blanc, pretending to be an eagle? It’s almost as good as the BBC’s actual eagle-cam

But then it hits you. This is no soaring eagle, buffeted by wind currents and having to constantly adjust its flightpath in the face of real-world obstacles. This is a world surveyed at a safe and sanitising distance. Tourism for the Trump age – focused on providing “a consumption experience”. Certainly it is the opposite of “getting lost”.

In fact if anything has been lost or downplayed, it is the principles of scientific enquiry. The program is littered with human choices. Local versions of Google Maps, for instance, have shown different national borders depending on where in the world you log in. And while new, open-data imagery from America's Landsat 8 program is helping bring many regions up to date, other high-resolution imagery comes from commercial providers, such as Digital Globe. And as this Google 'help' page implies, there are issues of time-lag to face. 

You can’t even be sure what you’re looking at still exists. In 2015, Bolivia’s second largest lake vanished - a combination of climate change, El Nino, and irrigation withdrawal caused 2,700 square kilometres of water to evaporate into a dry salt pan. (It has not recovered, and seems unlikely to do so.) Yet on the new version of Google Earth the lake is still a healthy green:


Source: GoogleEarth

The much lauded film clips from the BBC’s Planet Earth II are similarly short on context. As I've argued before, David Attenborough's latest TV series did little to explain the stories behind the spectacle – there was no mention, for instance, of the arctic anthrax outbreak which caused thousands of reindeer to be culled, nor the role of climate change in worsening locust swarms. 

Finally, the new update actually shows you less of the world than it did before. Gone is the “Historical Imagery” tool that allowed you to see how a place had changed through time. Now, the Citadel of Aleppo in Syria is only visible as a bombed-out ruin. A surreal street-view reveals two women cheerily taking a selfie – with debris all around and their legs spliced out of shot:


Source: GoogleEarth

So why do these omissions matter? Because they take users further away from the evidence-based approach of earth science. It turns out that satellite images on their own are of limited use when it comes to quantifying change. Instead researchers must turn the raw pixels into numbers, which can then variously represent everything from forests to cities, glaciers and farms.

As Dr France Gerard at the UK’s Centre for Hydrology and Ecology explains, this process enables us to live in a better managed environment – be that by measuring air pollution or the impact of fertiliser on soil. The centre's landcover map, for instance, has been mapping British land use since 1990. Similar methods allow Sam Lavender’s company to provide Ugandans with a Drought and Flood Mitigation service, as part of the UK Space Agency’s International Partnership Programme.

Sadly, the need for public engagement has never been more urgent. Brexit and austerity have cast doubt over important projects in the UK. While in Donald Trump’s America, funds for earth monitoring are set to be slashed. Two missions already under the knife are PACE, a spacecraft set to track global ocean health, and CLARREO, which would have produced highly accurate climate records. Trump has also called for the earth-viewing instruments on the DSCOVR satellite to be turned off. Phil Larson, a former space advisor to President Obama, describes this decision as “baffling”.

So what can be done to reverse this trend? Experts I spoke to believe that collaboration is key. With government programs being squeezed, the earth monitoring industry may come to rely increasingly on the trend towards smaller, commercial satellites. These are great for increasing the quantity of data available but their accuracy needs to be constantly checked against the data from the larger and more reliable state-launched equipment.

There’s also still more data out there to share. As Bronwyn Agrios from Astro Digital points out, many countries have been gathering region-specific data – which could, in future, be made open source. “The neat thing about space is that there’s no border,” she concludes.

To help this process, Google Earth could do far more to raise public awareness of the science behind its special effects. Yet at least in one way it is already on the right path: its own new range of collaborations is impressively large. As well as the BBC, you can take interactive tours with The Ocean Agency, the Wildscreen Arkive, and the Jane Goodall Institute – all of whom put conservation up front. The Goodall journey to Tanzania’s Gombe National Park even describes the use of satellite imagery to measure conservation success.

 

More links with other citizen science projects around the world could turn the program into something truly ground-breaking. If it can incorporate these, then desktop-tourism may yet save the planet from Trump. 

India Bourke is an environment writer and editorial assistant at the New Statesman.

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