The Kate Middleton topless photos are the grossest invasion of privacy

If you buy into the worst kind of paparazzi antics, you are throwing away your own privacy too.

The royal boobs have apparently been seen. It might seem comical, or silly, or daft, a discussion that prompts sniggering and adolescent chortles. But with every fresh photo set there's a testing of boundaries going on and a new stripping away of privacy - not just of celebrities, but of all of us.

I haven't seen the photos. Why would I want to? Many media commentators have begun their discussion with a sadfaced confession: Yes, I have seen the royal breasts, I forced myself through professional necessity to look at them, like a surgeon inspecting a bundle of diseased organs.

Well no, not me. I have no interest in seeing sneaked photos of someone in private - the photographs of Kate were apparently taken while she and William were on holiday at Viscount Linley's chateau in France. Now, I don't go round on Weston Beach, say, gawping at other people's bodies, so why should I do so at home? If someone wants to walk around in their pants, so what? It's no business of mine. Let them live their lives.

Imagine walking around with a normal pocket camera, asking to take photos of someone on the beach. You wouldn't. Because you'd feel like a pervert. Because you would be. Add on a long lens and a hide, though, and suddenly this behaviour somehow becomes acceptable - acceptable enough for a magazine to pay for your dirty photos.

It's a slightly different situation from the Prince Harry pictures. He, the dozy fool, was mucking about in a Las Vegas suite the size of Blackpool, and got snapped by an onlooker. He, the buffoon (sorry, I mean the Brave Boy Battling the Taliban, having entirely coincidentally gone on a PR-boosting tour of duty since) may have been in a private space, but wasn't exactly acting in a way that didn't attract attention.

Kate, on the other hand, is not being drunk, not partying, not mucking about, but just standing there, I'm led to believe. What justification can there be for that? We all know human beings have holidays. This Kate incident has all the nasty hallmarks of the worst excesses of the paparazzi: the sneaking in bushes, the enormous long lenses, the grainy photos, the popular trashy press lapping it up.

Lapped up in France, at least. Closer magazine proudly declared that William and Kate were alone on a romantic holiday: "Well, almost. Closer was there!" Can you imagine a British magazine using such a jolly tone, post Diana?

In Britain, the dead-tree press have voluntarily agreed not to print photos of Kate other than at public engagements - not as a sop to the chilling effects of nasty Brian Leveson, by the way, but to keep things sweet with Buckingham Palace. So this is another example of national borders and old media being pretty meaningless when it comes to breaking stories.

For once, our press will be doing the right thing, though not just because it's the right thing to do. There's no public interest. There is no value other than curiosity and prurience. There is no reason for anyone to see those photos, which are a huge violation of privacy.

But how many of us are going to have a sneaky look at the photos? That's the telling factor. Searches for "Kate Middleton t*pless photos" are probably soaring into the stratosphere as I write this. People want to see. How soon before the lines get blurred again between "things people want to see" and "things which are genuinely in the public interest"? We may all claim the moral high ground, but how many of us can resist the temptation?

Royal flesh makes money. From Prince Charles's cock to Harry's bum and Kate's boobs, it seems we think we're entitled to a piece of them. I've written before about the expectations placed upon Kate, as the uterus on legs, with the maiden-aunt nation demanding she become pregnant immediately.

I don't think we are, because they're just people. Massively wealthy, privileged people, but people. So what if they have bodies, like every other person in the world? They don't belong to us.

One day it's Kate, the next it might be you with a lens hidden half a mile away taking pictures of what you're up to. If you buy into the celebrity photos, you're throwing away your own privacy.

A nice, non-invasive, picture of the Duchess of Cambridge. Photograph: Getty Images
Patrolling the murkier waters of the mainstream media
Photo: Getty
Show Hide image

The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

0800 7318496