Yes, Giles Coren is absurdly thin-skinned, but aren't most writers?

The restaurant critic's Twitter "flounce" is typical - writers are just terribly insecure people.

We’ve all been there. You’re merrily pottering away on Twitter, minding your own business, laughing at hilarious Essex lion parodies, when all of a sudden something rather smelly turns up in the @-mentions column.

What happens next? Depending on your mood, you can simply ignore it, write something polite in response, write something angry in response that you’ll regret, or "do a flounce". The web flounce is a time-honoured tradition of pretending you’re so upset you’re going to leave, getting lots of people to tell you you’re lovely and you shouldn’t leave, then leaving... and sheepishly popping your head back around the door a while later, like someone who’s stormed out of a pub but forgotten their coat.

Poor old Giles Coren. The “what I had for dinner” correspondent says he didn’t flounce, and accidentally deleted his account – but he did get a wee bit angry when someone called him (and steel yourselves for a truly abominable insult that will have you reaching for the smelling salts) a “numpty”.

Despite not really liking anything he’s ever written, presented or done, I do have a lot of sympathy for him. Who can say they haven’t misread the tone of what someone else said, overreacted or written something they shouldn’t have done? I know I have; you probably have too.

Then again, Giles hasn’t exactly trodden a delicate path through the lawn without squashing any daisies along the way. He once looked back on his early career, saying: “I wasn’t happy unless jobs were lost, reputations were ruined and ‘closed’ notices were up in the window by the end of the week. I remember reading an interview in the Financial Times with the owner of a restaurant I’d just panned, in which he declared that ‘Giles Coren’s review cost me £150,000,’ and thinking, ‘Is that all?’”

Sounds like some of us can dish out out but can’t take it, then. Giles was so devastated when a sub-editor weakened a feeble joke some years back he sent a stinging missive of petulant complaint which has since passed into legend. One of the first things you learn as a journalist is not to upset the subs – they might wreck one of your weaker jokes, but 19 times out of 20 they’ll save you from looking like a tool. Giles, however, decided to ignore that rule and go nuclear – and guess what? He ended up looking like a tool.

What is it, then, about writers that makes us mimophants – slightly bizarre beings who go trampling into an argument like a rampaging elephant, but curl up like a shy, sensitive little mimosa when we’re subjected to the slightest bit of criticism?

I don’t think it’s just writers, by the way, but creative people in general. Some of them even search for their own name on Twitter, and end up fizzing off expletive-laden tweetbombs at hapless proles – cuddly Simon Pegg, of "used to be funny" fame, couldn’t resist a peek the other night, with disastrous results. When has searching for your own name ever had a happy ending? So you have to wonder, why do they do it, these fragile types?

I think writers (including columnists, and especially bloggers) are the caricature of stand-up comedians: representing a strong persona when they’re up there holding court (on stage or in print), but terribly needy at other times. Most writers have the thinnest of rice-paper-thin skins when it comes to writing a headline, or changing a single word of text; from scribblers at the crappiest little parish pump newsletter to the biggest publications in the world, we are deeply sad individuals who desire constant praise, and magnify even the mildest criticism to a gigantic scale of enormity.

Take comments, for example: most writers don’t read them, unless there’s a gun pointed at their head. Why not? We just can’t take it. The right thing to do is to engage with your readers and try to keep a lively debate going, while encouraging the right kind of commenters who really add something to the discussion... but the easy option is to publish, then run away and hide in a dark corner, waiting for it all to go away. It probably goes to the heart of why we became writers in the first place: the need to communicate to others in a mediated way, because we were too shy, or too awkward, or too introverted, to be able to manage it effectively face to face.

So, I think we should cut Giles a bit of slack. He was a bit rude, I’m sure he’s said sorry (he has said sorry, hasn’t he?) and now he’s back, after having accidentally deleted his Twitter account. It’s not his fault; it’s just that writers are terribly insecure folk, on the whole. RT IF YOU AGREE!

 

Giles Coren's Twitter page.
Patrolling the murkier waters of the mainstream media

How Jim Murphy's mistake cost Labour - and helped make Ruth Davidson

Scottish Labour's former leader's great mistake was to run away from Labour's Scottish referendum, not on it.

The strange revival of Conservative Scotland? Another poll from north of the border, this time from the Times and YouGov, shows the Tories experiencing a revival in Scotland, up to 28 per cent of the vote, enough to net seven extra seats from the SNP.

Adding to the Nationalists’ misery, according to the same poll, they would lose East Dunbartonshire to the Liberal Democrats, reducing their strength in the Commons to a still-formidable 47 seats.

It could be worse than the polls suggest, however. In the elections to the Scottish Parliament last year, parties which backed a No vote in the referendum did better in the first-past-the-post seats than the polls would have suggested – thanks to tactical voting by No voters, who backed whichever party had the best chance of beating the SNP.

The strategic insight of Ruth Davidson, the Conservative leader in Scotland, was to to recast her party as the loudest defender of the Union between Scotland and the rest of the United Kingdom. She has absorbed large chunks of that vote from the Liberal Democrats and Labour, but, paradoxically, at the Holyrood elections at least, the “Unionist coalition” she assembled helped those parties even though it cost the vote share.

The big thing to watch is not just where the parties of the Union make gains, but where they successfully form strong second-places against whoever the strongest pro-Union party is.

Davidson’s popularity and eye for a good photo opportunity – which came first is an interesting question – mean that the natural benefactor in most places will likely be the Tories.

But it could have been very different. The first politician to hit successfully upon the “last defender of the Union” routine was Ian Murray, the last Labour MP in Scotland, who squeezed both the  Liberal Democrat and Conservative vote in his seat of Edinburgh South.

His then-leader in Scotland, Jim Murphy, had a different idea. He fought the election in 2015 to the SNP’s left, with the slogan of “Whether you’re Yes, or No, the Tories have got to go”.  There were a couple of problems with that approach, as one  former staffer put it: “Firstly, the SNP weren’t going to put the Tories in, and everyone knew it. Secondly, no-one but us wanted to move on [from the referendum]”.

Then again under different leadership, this time under Kezia Dugdale, Scottish Labour once again fought a campaign explicitly to the left of the SNP, promising to increase taxation to blunt cuts devolved from Westminster, and an agnostic position on the referendum. Dugdale said she’d be open to voting to leave the United Kingdom if Britain left the European Union. Senior Scottish Labour figures flirted with the idea that the party might be neutral in a forthcoming election. Once again, the party tried to move on – but no-one else wanted to move on.

How different things might be if instead of running away from their referendum campaign, Jim Murphy had run towards it in 2015. 

Stephen Bush is special correspondent at the New Statesman. His daily briefing, Morning Call, provides a quick and essential guide to British politics.

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