The Sun's interview with violinist Nicola Benedetti was a masterclass in sexism

Why have words at all when you could use the space for derogatory comments and suggestive pictures?

Yesterday I stumbled across this "interview" with violinist Nicola Benedetti in the Scottish Sun, in which Matt Bendoris - ostensibly a grown man and not a fifteen year old Nuts columnist - gives a masterclass in female objectification.

In it, Bendoris tastefully focuses on Benedetti's appearance, not her music:

So I guess Nicola won’t be posing for the lads’ mags anytime soon. Pity, because she looks fit as a fiddle when we meet at Edinburgh’s plush Sheraton Hotel.

But Nicola doesn’t always take the bonniest photo — she’s beaky in pics sometimes, which is weird because in the flesh she’s an absolute knock-out.

The classical musician is wearing skinny jeans which show off her long legs. She’s also busty with a washboard flat tummy, tottering around 5ft 10in in her Dune platform wedges.

He also urges Benedetti's cellist boyfriend Leonard Elschenbroich to get her pregnant:

The one possession she never lets out of sight is her 1712 Earl Spencer Stradivarius — made by the legendary 18th Century Italian violin master Antonio Stradivari himself.

No wonder as it’s worth £2million and is on loan from American banker Jonathan Moulds.

Me: “Gie’s a shot.”

She gasps: “Absolutely not! No one gets to touch this baby.”

Talking of babies, she’d like those too.

Nicola says: “It’s eight years since I won Young Musician of the Year. In the next eight years I’d hope to be a better violinist and I’d like to have started a family. I’ll be in my early 30s so I would probably like a baby or two by then.”

Better get busy making sweet, sweet music, Leonard. Lucky boy...

After reading the article, I had a question for Mr Bendoris:

I guess there’s a certain skill in writing about a artist and focusing on their physical attributes instead of their art. It requires you to wilfully ignore all of that talent. Bendoris must have trained in the Sun’s cultural isolation chamber, watching endless streams of Big Brother repeats and reading nothing but his own previous columns. Two weeks later, he emerged sweating and crying, screaming “Art is dead”. He was ready.

It’s like interviewing David Hockney and writing about how long and thick his willy is, asking if viewers would enjoy "elitist" painting more if he’d tie a brush to his dick and shake it at a canvas. Except that wouldn’t actually happen cause, you know, every Sun reader knows willies are horrible - not like lovely boobies though, eh lads?

Why do they bother including words at all if they’re just pushing wank fantasy material? They’d get more suggestive pictures in without all that bloody text. There’s an irony in deriding classical music as "elitist" and then sexually objectifying one of its best modern proponents. It’s not the general public who are wrong for ignoring classical music; it’s Nicola Benedetti for arrogantly refusing to get her tits out and bringing it down to “their” level.

Bendoris’ retort was that he loved “folk who get outraged on someone else’s behalf” which is disingenuous. I’m personally outraged that someone would actually write this shit and try to sell it to me as news. I’m offended that a company thinks I am that stupid, misogynist and ignorant - and you should feel insulted, too. But you know, mostly I’m not offended. I’m just disappointed that in 2012 this passes for journalism and there are still numpties out there willing to defend it.

I don’t think most Sun readers are as lecherous and paleolithic as Matt Bendoris and his editor Simon Houston. I hope they vote with their wallet. Right, enough of this filth. Let’s have some nice classical music.

Alan Williamson is editor of Split Screen, where this post originally appeared. He tweets as @agbear.

Violinist Nicola Benedetti. Photograph: Getty Images
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What Labour MPs who want to elect the shadow cabinet are forgetting

The idea is to push Jeremy Corbyn to build an ideologically broad team, but it distracts from the real hurdle – management.

Labour MPs who have been critical of Jeremy Corbyn are pushing to vote for shadow cabinet members – rather than having all the posts appointed by the leader.

Most of the parliamentary Labour party who are not Corbyn loyalists believe this should be the “olive branch” he offers them, in order to put his recent words about “unity” and “wiping the slate clean” into action.

Corbyn and his allies have refused to consider such an idea outside of a “wider” democratisation of the party – saying that Labour members should also get a say in who’s on the frontbench. It’s also thought Corbyn is reluctant due to the shadow cabinet having three representatives on the National Executive Committee. He wouldn’t want his opponents voting for those, tipping the balance of the Committee back towards centrists.

Shadow cabinet elections were a longstanding convention for Labour in opposition until Ed Miliband urged the party to vote against them in 2011. Labour MPs on different wings of the party believe a return to the system would avoid Labour’s frontbench being populated solely by Corbyn’s ideological wing.

But there is a complication here (aside from the idea of a party leader having to run an effective opposition with their opponents in key shadow cabinet positions).

Proponents of shadow cabinet elections say they would help to make Labour a broad church. But really they could put those in the “make-it-work” camp who initially helped form Corbyn’s team in a difficult position. Initially conciliatory MPs like Thangam Debonnaire and Heidi Alexander have since left their posts, revealing frustration more at Corbyn’s management style than policy direction. Chi Onwurah MP, who remains a shadow minister, has also expressed such concerns.

One senior Labour MP points out that the problem with shadow cabinet elections lies in those who left Corbyn’s shadow cabinet but had wanted to cooperate – not in bringing ideological opponents into the fold.

“There were lots of people on his team who actually liked Jeremy, and wanted to make policy with him,” they tell me. “And many of them eventually felt they had to leave because of how difficult it was to work with him. They wanted to stay but couldn’t. If people like that couldn’t stay, will they go back? It will be much harder for him to show them he can work differently.”

One of the “make-it-work” faction voices their concern about returning to the shadow cabinet via elections for this reason. “A lot of us [who left] are still really interested in our policy areas and would be happy to help if they asked,” they say. “But it was too difficult to be taken seriously when you were actually in those shadow cabinet meetings.”

My source describes a non-collegiate approach in meetings around the shadow cabinet table, where Corbyn would read out pre-written opening statements and responses when they delivered their ideas. “It was like he wasn’t really listening.”

The plan to reintroduce shadow cabinet elections barely left the ground in a meeting of Labour’s National Executive Committee on Saturday night, on the eve of Labour conference.

This is in spite of Labour MPs urging the NEC to make a decision on the matter soon. Jon Ashworth, an NEC member and shadow minister, told me shortly after Corbyn’s victory speech that this would be “a good way of bringing people back” in to the team, and was determined to “get some resolution on the issue” soon.

It doesn’t look like we’ll get that yet. But for some who have already tried serving on the frontbench, it’s a distraction from what is for them a management – rather than an ideological – problem.

Anoosh Chakelian is deputy web editor at the New Statesman.