The Sun's interview with violinist Nicola Benedetti was a masterclass in sexism

Why have words at all when you could use the space for derogatory comments and suggestive pictures?

Yesterday I stumbled across this "interview" with violinist Nicola Benedetti in the Scottish Sun, in which Matt Bendoris - ostensibly a grown man and not a fifteen year old Nuts columnist - gives a masterclass in female objectification.

In it, Bendoris tastefully focuses on Benedetti's appearance, not her music:

So I guess Nicola won’t be posing for the lads’ mags anytime soon. Pity, because she looks fit as a fiddle when we meet at Edinburgh’s plush Sheraton Hotel.

But Nicola doesn’t always take the bonniest photo — she’s beaky in pics sometimes, which is weird because in the flesh she’s an absolute knock-out.

The classical musician is wearing skinny jeans which show off her long legs. She’s also busty with a washboard flat tummy, tottering around 5ft 10in in her Dune platform wedges.

He also urges Benedetti's cellist boyfriend Leonard Elschenbroich to get her pregnant:

The one possession she never lets out of sight is her 1712 Earl Spencer Stradivarius — made by the legendary 18th Century Italian violin master Antonio Stradivari himself.

No wonder as it’s worth £2million and is on loan from American banker Jonathan Moulds.

Me: “Gie’s a shot.”

She gasps: “Absolutely not! No one gets to touch this baby.”

Talking of babies, she’d like those too.

Nicola says: “It’s eight years since I won Young Musician of the Year. In the next eight years I’d hope to be a better violinist and I’d like to have started a family. I’ll be in my early 30s so I would probably like a baby or two by then.”

Better get busy making sweet, sweet music, Leonard. Lucky boy...

After reading the article, I had a question for Mr Bendoris:

I guess there’s a certain skill in writing about a artist and focusing on their physical attributes instead of their art. It requires you to wilfully ignore all of that talent. Bendoris must have trained in the Sun’s cultural isolation chamber, watching endless streams of Big Brother repeats and reading nothing but his own previous columns. Two weeks later, he emerged sweating and crying, screaming “Art is dead”. He was ready.

It’s like interviewing David Hockney and writing about how long and thick his willy is, asking if viewers would enjoy "elitist" painting more if he’d tie a brush to his dick and shake it at a canvas. Except that wouldn’t actually happen cause, you know, every Sun reader knows willies are horrible - not like lovely boobies though, eh lads?

Why do they bother including words at all if they’re just pushing wank fantasy material? They’d get more suggestive pictures in without all that bloody text. There’s an irony in deriding classical music as "elitist" and then sexually objectifying one of its best modern proponents. It’s not the general public who are wrong for ignoring classical music; it’s Nicola Benedetti for arrogantly refusing to get her tits out and bringing it down to “their” level.

Bendoris’ retort was that he loved “folk who get outraged on someone else’s behalf” which is disingenuous. I’m personally outraged that someone would actually write this shit and try to sell it to me as news. I’m offended that a company thinks I am that stupid, misogynist and ignorant - and you should feel insulted, too. But you know, mostly I’m not offended. I’m just disappointed that in 2012 this passes for journalism and there are still numpties out there willing to defend it.

I don’t think most Sun readers are as lecherous and paleolithic as Matt Bendoris and his editor Simon Houston. I hope they vote with their wallet. Right, enough of this filth. Let’s have some nice classical music.

Alan Williamson is editor of Split Screen, where this post originally appeared. He tweets as @agbear.

Violinist Nicola Benedetti. Photograph: Getty Images
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What are the consequences of Brexit for the refugee crisis?

Politicians neglected the refugee crisis whilst campaigning – but they shouldn't now concede to the darker undertones of the debate.

In the chaotic aftermath of Brexit, the refugee crisis seems like a distant memory. Yet not even a year has passed since the body of a young Syrian boy washed up on a Turkish beach, shocking the world.

When campaigning for the EU referendum began, politicians neglected the crisis. Not because the situation had ameliorated, but because the issue had become strategically toxic. Nigel Farage's infamous poster aside, the Leave side preferred scare stories about economic migrants rather than refugees; the Remain side because the refugee crisis, more than anything else since its inception, highlighted the fragility of the ideals that underpin the European Union.

Many of the main issues aired in the course of the referendum debate were related to the refugee crisis, regardless of how little it impacted on them in reality; immigration, strain on public services, national identity. The refugee crisis became a proxy issue; implied, but not addressed, for fear of detrimental impact in the polls.

However, in his repugnant posters (it should be stressed, nothing to do with Leave campaign itself), Nigel Farage made explicit what he thought posed the greatest threat to the UK. Rightly, the posters have been condemned by both sides of the referendum debate, but the underlying suspicion of refugees it reflects has concerned many organisations.Their concern has only been exacerbated by the result of the referendum. The spike in hate crime compounds their fears.

Paul Dillane, head of UKLGIG, a charity that supports LGBTI asylum seekers to the UK, expressed unease at the reaction of his clients: “The asylum seekers I work with do not understand the decision that has been made – they feel vulnerable, they feel unwelcome. Yes the law hasn’t changed, and if they’re at risk of persecution, they will be protected. But they don’t feel like that now.”

Despite the troubling situation, the result of the referendum changes little when it comes to refugee law. “Refugee policy is shaped in London, not in Brussels”, said Stephen Hale, Chief Executive of Refugees Action. “The decision about how well we support refugees in terms of integration is a matter for the UK, not Brussels. The number of Syrian refugees we choose to resettle is a matter for the UK, not Brussels.”

Although the law may not have changed, from a diplomatic or political perspective, the same cannot be said. This does have the power to negatively impact legislation. Post-Brexit reaction in France surrounding the Touquet Treaty typifies this.

The Touquet Treaty, reached between the UK and France in 2003, permits each country to carry out passport checks on the other countries’ soil. It is what, according to French politicians in Calais, has accelerated the growth of the "Jungle", which currently accommodates close to 5,000 refugees.

Because the agreement was signed outside the auspices of the European Union, Brexit does not affect its legal legitimacy. However, for France, EU membership was crucial to the nature of the agreement. Speaking earlier this year, Harlem Desir, French Secretary of State for European Affairs, said the Touquet Treaty is “a bilaterial agreement. So, there will be no blackmail, nor threat, but it’s true that we cooperate more easily in both being members of the EU.”

Natacha Bouchart, mayor of Calais and a long-time critic of the treaty, has been vocal in her demands for legislative change since the result. Speaking to French broadcaster BGM TV, she said: “The British must take on the consequences of their choice. We are in a strong position to push, to press this request for a review and we are asking the President to bring his weight to the issue.” Some have adopted the slogan of the Leave campaign, telling them to now “take back control of your borders.”

Modification of the Touquet Treaty was branded part of ‘Project Fear’ by the Leave campaign. Because of this, change – if indeed it does happen – needs to be handled carefully by both the British and French governments.

The reaction of Natacha Bouchart is already a worrying sign for refugees. Firstly, it perpetuates the toxic narrative that casts refugees as an inconvenience. And secondly, any souring of relations between the UK and France over Brexit and the Touquet Treaty only increases the likelihood of refugees being used as political bargaining chips in the broader EU crisis over Schengen.

A divided government and disintegrating opposition do little to aid the situation. Furthermore, come October, how likely is a Brexit Tory cabinet – governing off the back of a manifesto predicated on reducing immigration – to extend the support networks offered to refugees? Even before the referendum, Theresa May, a supporter of the Remain campaign, said that Britain should withdraw from the European Convention on Human Rights, replacing it with the more questionable Bill of Rights.

Uncertainty of any kind is the most immediate danger to refugees. “Everyone is talking about it,” said Clare Mosesly, founder of Care4Calais. “But opinions on the impact are divided, which is creating yet more uncertainty.” Refugees, unsure whether Brexit will lead to increased fortification of the border, are prone to take ever more dangerous risks to reach the UK. Even economic uncertainty, seemingly distinct from issues such as the refugee crisis or immigration, has a negative impact. “The thing that worries me about a fragile economy”, said Paul Dillane, “is that when a country’s economy suffers, minorities suffer as well. Tolerance and inclusivity are undermined.”

The government must stress that the welcoming principles and legislation Britain had prior to Brexit remain in place. Andrej Mahecic, from the UNHCR, said “we will continue to rely on the UK’s strong support for humanitarian responses to refugee crises. Our work with the government on the UK’s asylum system and refugee resettlement schemes continues.”

The will from NGOs is there. The political will is less assured. In the aftermath of Brexit, the government must not concede to the darker side of the referendum debate.