Readers are the real reason British papers won't publish the naked Prince Harry photos

The stock of the royal family is at such a high that newspapers fear a reader backlash more than the regulators.

Isn’t the internet a wonderful thing? Now, thanks to the miracle of modern connectivity, we can have a peep at Prince Harry’s dangly bits from the comfort of our own laptops, should we so desire.

The justification for the photos – has the Prince embarrassed his family, by playing "strip billards"? How many other soldiers get a couple of months off to watch the Olympics then swan around whale suites in Las Vegas? What is strip billiards anyway? – is a figleaf no better than the cupped hands of the Prince himself as he struggles to contain his dignity.

The simple truth is, the blurry phone photos of Harry’s shame make money because we’re curious. Nothing more, nothing less. There might be pubic interest, but no public interest. Ahem.

One man who will be able to sympathise with Harry Windsor is his old chap, the Prince of Wales. For back in 1994, it was Prince Charles who’d been snapped letting his heir down (ho ho) by a paparazzo with a long lens. Described as "hunky" and "like Michelangelo's David", the Prince came out of the affair with his reputation unsullied, and if anything, enhanced.

The grainy photos were published in German tabloid Bild first, but made it across to Britain, where a a strategically placed set of, er, crown jewels, spared Chuck’s blushes. You can still find them with a couple of clicks today, though I’d have a long think if you’re going to leave that search history on your work PC.

Those were different times, though: the royals were in a slump of popularity; long-lens photos were seen as fair game, in the wake of the "toe-sucking" shots that had embarrassed the former Duchess of York, Sarah Ferguson; and, perhaps most importantly, Princess Diana was yet to be killed after fleeing photographers in Paris.

Now, it’s not the verminous paparazzi who are most likely to obtain a nudey scoop but friends and hangers-on taking surreptitious snaps using camera phones – or even the subjects themselves unwisely leaving risqué photos on their hardware, as Christina Hendricks and Scarlett Johannson have recently discovered.

In a post-hacking media landscape, how will the tabloids react to the opportunity to show off very nearly all of the nation’s favourite red-top? So far, no-one has blinked. They’ve all mentioned the pictures, but they’ve been coy about showing them, even with strategically placed billiard balls. No news website has even dared link to TMZ.

Perhaps it has something to do with the Leveson Inquiry. The statement of the Mail’s online editor Martin Clarke, for example, says that operators like the Mail are going to struggle if they are hamstrung by a regulatory framework, while other sites (such as TMZ) aren’t. There could be a sense in which our "old news" dinosaurs are worried about the ramifications of publishing, whereas new media bloggers (for example, the one who promotes himself so much that I needn’t detain you by mentioning his name) can happily go ahead, publish and be damned.

I’d say, though, that if British papers did step back from publishing pictures of Harry in the buff, it wouldn’t be fear of regulators but fear of their own readers that might prevent them from doing so. The stock of the royal family is at a high, and young royals like Harry Windsor are more popular than ever before. They are celebrities, like others, but untouchable ones.

It might seem a brave new era, this world in which you can peek at a prince’s penis, but in reality it’s not so different from the world experienced by Harry’s dad. All that has changed is the popularity of the royal family – which might explain, better than any chilling effect of Leveson, why our old media are so coy about showing you the photos that everyone’s talking about.

 

Prince Harry, sans dangly bits (sorry). Photograph: Getty Images
Patrolling the murkier waters of the mainstream media
John Moore
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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.