Did the Guardian try to rewrite history over Joshua Treviño?

Joshua Treviño is "not a correspondent", says the paper, which days earlier had released a press release to that effect.

This is an odd little story. For some days now, the journalist Ali Abunimah has been raising concerns about the hiring of Joshua Treviño by the Guardian's US team, partially due to this tweet from June 2011:

As Abunimah noted yesterday in on Al Jazeera:

Among the passengers, whose killing by Israel Treviño endorsed, were poet and author Alice Walker, elderly Holocaust survivor Hedy Epstein and several journalists, including Joseph Dana on assignment for The Nation.

Treviño responded with a blog post "clarifying" his tweet, expressing his horror that anyone would have thought he "urged the Israeli Defense Force to shoot Americans participating in the second incarnation of the Gaza flotilla". Because he didn't urge that. He was just cool with that if it happened. 

But here's where the story gets bizarre. After Abunimah's story went live, the Guardian US press office contacted him, telling him:

Josh Trevino is not a correspondent for the Guardian. He is a freelance writer on contract to write opinion pieces. His articles will appear on the Guardian’s Comment is Free section of the site (http://www.guardian.co.uk/commentisfree/us-edition) along with articles from many other freelance writers. Thank you in advance for making this correction.

Except: one problem. As this screen capture shows, the Guardian edited its original press release. This is the new one:

Today the Guardian announced the addition of Josh Treviño to its commentary team in the United States. Formerly of the Texas Public Policy Foundation, Treviño will be the newest commentator for the Guardian's growing US politics team through his column On Politics & Persuasion which launches on Monday 20 August.

And this is the old one:

Today the Guardian announced the addition of Josh Treviño to their editorial team. Formerly of the Texas Public Policy Foundation, Treviño will be the newest Correspondent for the Guardian’s growing US politics team through his column “On Politics & Persuasion” which launches on Monday, August 20.

Now, there's chutzpah: silently editing your own press release, then asking for a "correction" to reflect the new information.

As Abunimah points out, the current press release still gives the Guardian's US press officer as a contact for "bookings" for Treviño, which they don't do for any old Cif contributor (full disclosure: I am any old Cif contributor).

It also ignores the fact that Treviño has written for the Guardian before: in February 2011, March 2012 and August 2012, according to his author page. It would be odd to press release "Person Who Has Written For Us Before is Still Writing".

 

So what's going on? I contacted the Guardian, and a spokesperson told me "this really was just a straightforward error, albeit an unfortunate one", adding:

I can confirm that there has been no change in Josh Trevino's terms of employment - the contract has not been altered and he has most certainly not been "demoted" as some articles have suggested. In fact, a simple mistake was made in the press release and this was later corrected. It was clumsy but there is no change to Josh's position.

A woman stands at the dock in Gaza City, July 2011. Photo: Getty

Helen Lewis is deputy editor of the New Statesman. She has presented BBC Radio 4’s Week in Westminster and is a regular panellist on BBC1’s Sunday Politics.

Felipe Araujo
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Hull revisited: What happens when a Brexit stronghold becomes City of Culture?

We report from Hull, to find out if you can replace the kind of nostalgia that led to a Leave vote with cultural investment.

At 75 metres long, the offshore wind turbine blade erected across Queen Victoria Square, in the heart of Hull, is a sculpture intended to mark a new chapter in the city’s history. For the next 12 months, Hull, a city of more than a quarter of a million people in the northeast of England, will be the UK’s City of Culture.

The 28-tonne blade hails from the local Siemens plant. The German technology company employs around 1,000 people in the area, making it Hull’s biggest single employer.

Seen up close in this context – laid dormant in the middle of a town square instead of spinning up in the air generating energy – the structure is meant to remind passersby of a giant sea creature. It is also, I’m told, an allusion to Hull’s rich maritime history.


All photos: Felipe Araujo

Nostalgia is a big thing in this part of the country. At one point, Hull was the UK’s third largest port but technology and privatisation drastically changed that. The battle over cod fishing with Iceland in the waters of the North Sea 40 years ago has also dealt a major blow to a region with a long and proud trawling tradition.

People here still talk about a bygone era when the fishing industry provided jobs for everyone and there was enough money to go around.

Fast forward to 2017, and the country’s new capital of culture is the same city that voted 67 per cent in favour of leaving the EU last June. Its new-found prestige, it seems, is not enough to erase years of neglect by a political class “too busy for commoners like us”, as one resident puts it.

“More than a message to Brussels, it [the Brexit vote] was a message to Westminster,” Paul Leeson-Taylor, a filmmaker born and bred in Hull, tells me. “For the first time in a long time people in Hull felt like they had the chance to change something, and they took it.”

But while speaking to people on the high street and hanging out with locals at the Community Boxing Club in Orchard Park, one of the city’s most deprived areas, there is one word that consistently popped up in conversation – more than any specific policy from Westminster or the much-hated rules “dictated” by Brussels. Foreigners.

According to official figures, Hull’s population is 89.1 per cent white British. Still, immigration is big on people’s minds here.

During my two-day stay in the city, I find myself being the only black person in most places I visit – I’m certainly the only black guy at the boxing club. So when someone begins a sentence with “I’m not racist but…”, I know a tirade on immigrants is about to ensue.

“There are just too many of them,” Nick Beach, an estate agent whose Polish clientele is a big part of his business, tells me as he is about to teach a boxing class to local children. Beach was born in Shepherd’s Bush, in West London, but has been living in Hull for the last 20 years.

“When I go down there these days and go into Westfield shopping centre, it is very rare you get an English person serving you now,” he says. “I just find it disappointing that you go into your capital city and you are a minority there.”

These are the much-discussed “left behind”, a white working-class community that has gained particular prominence in a time of Brexit and Donald Trump. Under economic pressure and facing social change, they want to have their say in running a country they claim to no longer recognise.

For Professor Simon Lee, a senior politics lecturer at the University of Hull, immigration is only a superficial layer when it comes to explaining the resentment I witness here. For him, the loss of the empire 70 years ago is still something that as a country Britain hasn’t come to terms with.

“The reason for us to be together as a United Kingdom has gone, so what is the project?”

As destiny would have it, a foreign company will now play a major role on Hull’s economic future, at least in the short term. In the wake of the Brexit vote, there were widespread fears Siemens would pull out of the region and take its factory elsewhere. With the massive blade looming large in the background, Jason Speedy, director of the blade factory in Hull, assures me that isn’t the case.

“The Brexit decision has made no difference. We have made our investment decision, so Siemens, together with the Association of British Ports, has put in £310m. It’s all full steam ahead.”

As Hull becomes the country’s cultural hub for the next few months, the hope is that its residents stop looking back and start looking forward.

For Professor Lee, though, until there is a complete change in the power structures that run the country, the north-south divide will remain – with or without the EU. “The way you kill nostalgia is to have something new,” he said. “The reason why people here are nostalgic is because there is nothing to replace it with.”

Felipe Araujo is a freelance journalist based in London. He writes about race, culture and sports. He covered the Rio Olympics and Paralympics on the ground for the New Statesman. He tweets @felipethejourno.