Samantha Brick, Carole Malone: rewarded for “saying the unsayable”

There is a place for divisive opinions, but it is unpalatable to express horrible thoughts and get p

The columnist Carole Malone has been causing controversy this week. It's seen her upset a bereaved family, be vilified on Twitter and have her profile considerably raised — so, all in all, job done.

Yes yes, the bereaved family, blah blah blah, but can't you see the big picture? The phone will be melting soon as calls come flooding in to be a talking head on future discussion programmes. If you've got a deadline, you need someone to say something deliberately controversial and/or outrageous — and David Starkey is for some reason uncontactable — you now need look no further than Malone.

Some columnists seem little more than paid trolls, rewarded for the bravery of "saying the unsayable" — or, as the rest of us might call it, expressing thoroughly disgusting thoughts in a way that creates as much of a buzz as possible.

Do they know what they're saying? Malone was talking on live TV, where there is a huge impetus to fill the silence with something — anything — that comes into your head. Perhaps we might be generous and imagine that the words were poorly chosen on the spur of the moment, and that she didn't mean to be so crass and insensitive in the wake of such a family tragedy. But it is so hard to tell.

You suspect that some happen to be deeply sociopathic individuals whose casual misanthropy, vacuum of empathy and disregard for the feelings of other human beings happen to coincide perfectly with their chosen profession.

Others have to be a little more cold and calculating, confecting extreme outlying "contrarian" positions on the issues of the day not because they even believe what they're saying, but simply to annoy the people they know will react with the most anger. The very best, perhaps, if you can use the word best, are a combination of the two.

Whatever it is, you can't argue that if you make waves, you get rewarded. Samantha Brick is the Daily Mail's Aunt Sally du jour, having driven a huge torrent of traffic to Mail Online with her recent article about how beautiful she is. It must have been like writing the follow-up to Sergeant Pepper ever since for poor Samantha, but this week's column has a familiar ring, as she's doing the "Some people have been mean to me" one (as well as the "Ooh, look at her!" one).

Says Brick:

Since I wrote a piece for this newspaper expressing how difficult life can be when you are beautiful, my popularity has plummeted to an all-time low in the rural village where I live. Yes, I have received hate mail from women around the world, but none of it as vicious as that from French women. Much of their condemnation is unprintable and I have been stunned at their choice of language.

Sound familiar? This is fast becoming a trope for columnists: say something controversial; get some abuse for it; focus solely on the most extreme examples of abuse you get; write a column in which you make yourself out to be the victim; repeat until the cheques run out.

Now, I'm not saying that anyone deserves to be abused, but the "My hell at the hands of the evil Twitter mob" column from a handsomely paid columnist is fast writing itself. Want to raise your profile as a writer? Why bother with reasoned arguments when you can go for broke, "do a Moir" and see if the fruit machine's going to pay out on that particular day? You've just got to hope that the useful angry liberals on Twitter aren't busy getting annoyed by someone else when you fly your brightly coloured kite.   

Brick's column is familiar in another way, too. It's reminiscent of the Mail's Liz Jones, who wrote about her "faintly Amish" neighbours and then expressed shock that they were annoyed about it.  You have to wonder if Jones and Brick might fight for supremacy as Top Pro Troll at the Mail any time soon, but the message is clear: write without fear, without shame, without thinking of the consequences, and you will be rewarded.

I'm sure Malone will do very nicely out of this incident. She was on the programme to stir things up a bit in the first place, and that's what she went and did. It's the reason why you see people like Starkey, Malone, Kelvin MacKenzie and friends on television; their kind of opinion-spouting makes for more exciting fare than someone who's going to umm and ahh and agonise about what they're going to say.

At the time of writing, Malone's Wikipedia entry had quote marks around the word "journalist". There's a place for fierce opinions in journalism, divisive opinions, maybe even sickening and appalling opinions, if they're sincerely held. No one wants a world in which only those in broad agreement dominate debate. On the other hand, though, some of us might think it's a little bit unpalatable to express horrible thoughts and get paid for it.

Patrolling the murkier waters of the mainstream media

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Quiz: Can you identify fake news?

The furore around "fake" news shows no sign of abating. Can you spot what's real and what's not?

Hillary Clinton has spoken out today to warn about the fake news epidemic sweeping the world. Clinton went as far as to say that "lives are at risk" from fake news, the day after Pope Francis compared reading fake news to eating poop. (Side note: with real news like that, who needs the fake stuff?)

The sweeping distrust in fake news has caused some confusion, however, as many are unsure about how to actually tell the reals and the fakes apart. Short from seeing whether the logo will scratch off and asking the man from the market where he got it from, how can you really identify fake news? Take our test to see whether you have all the answers.

 

 

In all seriousness, many claim that identifying fake news is a simple matter of checking the source and disbelieving anything "too good to be true". Unfortunately, however, fake news outlets post real stories too, and real news outlets often slip up and publish the fakes. Use fact-checking websites like Snopes to really get to the bottom of a story, and always do a quick Google before you share anything. 

Amelia Tait is a technology and digital culture writer at the New Statesman.