Life is short... but only if you're boring

Martha Gill's Irrational Animals column.

Three years ago I went skydiving. It’s hard to remember how I convinced myself to do this, but it probably had parallels with how I get up in the mornings, exercise, or start going out with people: blurrily pretending it’s not happening until far too late.

But from the moment major fear kicked in, as I sat on the rattling edge between the inside of a plane and my dangling, sky-surrounded legs, my recall is near perfect.

The plane was dark pink. I was strapped to an instructor, who had the parachute, but there was also a pale green handle attached to my left side, just under my hand.

“Is this the cord that releases the parachute?”

“No, that’s the handle that separates you from me.”

I let go of the handle, the straps and my own sleeves, and spent the fall in the uncomplicated pose of Coyote from Looney Tunes, after he’s already hit the ground. It was extremely cold, I couldn’t really see, and the G-forces toyed with me like lint in a Dyson.

After exactly 20 minutes of this, the parachute opened.  “Wow, that was amazing,” I said, “really, really amazing.”

“Stop panicking – we’re nearly done.”

We were. The whole thing was over in four minutes  - the free-fall bit had been a matter of seconds. But my memory of it plays out as a full 20-minute narrative.

Physicists tell us that time can speed up, warp and shoot off in odd directions, but we never seem to feel these changes. Our inner clock usually records time passing in a manner that is fairly well synced to our wristwatches. In certain situations, though, especially those inspired by fear, our minds seem to be able to stretch time out like a wet jumper.

An experiment conducted by David Eagleman at the Baylor College of Medicine aimed to work out whether this odd illusion was experienced in the moment of fear itself, or after.  Do we, like characters in the Matrix, see time passing at a slower rate as we experience it (low pitched bullets droning past, water droplets suspended like jellies) or do we make it all up afterwards?

He persuaded a number of brave participants to SCAD-jump – drop 150 unsupported feet into a net. This was terrifying enough to bring out the slow-motion effect: afterwards, on average, the subjects overestimated the length of their fall by 36 per cent.

He gave everyone a chronometer, a watch that flashes numbers a little too fast to see. If the fallers experienced time-slowing, he reckoned they just might be able to see the numbers on their way down.

This turned out not to be the case, and he concluded that the time mistake happened in the memory. The slowed effect, he suggested, had been a function of hyper fast brain activity. The amygdala (seat of emotion and memory) had been jolted into recording every last detail of the experience. Rolled out afterwards, the bulked-up memory seemed to stretch far longer than would be accurate.

Live fast, live long

Time for us, then, depends a little on sensation. The days may indeed go faster as we get older and more emotionally stable, but expand again when we do something exciting.

So perhaps my conclusion should be “live fast: live long” – cramming our days with adrenaline highs might be the best way to slow the vertiginous pace of time. Interesting, but also, in some ways, very much whatevs. I’m not skydiving again.

Skydiving. Photograph: Getty Images

Martha Gill writes the weekly Irrational Animals column. You can follow her on Twitter here: @Martha_Gill.

ILONA WELLMANN/MILLENNIUM IMAGES, UK
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How the internet has democratised pornography

With people now free to circumvent the big studios, different bodies, tastes and even pubic hair styles are being represented online.

Our opinions and tastes are influenced by the media we consume: that much is obvious. But although it’s easy to have that conversation if the medium we are discussing is “safe for work”, pornography carries so much stigma that we only engage with it on simple terms. Porn is either “good” or “bad”: a magical tool for ­empowerment or a destructive influence on society. Many “pro-porn” campaigners shy away from nuanced critique, fearing it could lead to censorship. “Anti-porn” campaigners, convinced that porn is harmful by definition, need look no further than the mainstream tube sites – essentially, aggregators of clips from elsewhere – to gather examples that will back them up.

When we talk about the influence of porn, the emphasis is usually on a particular type of video – hardcore sex scenes featuring mostly slim, pubic-hairless women and faceless men: porn made for men about women. This kind of porn is credited with everything from the pornification of pop music to changing what we actually do in bed. Last year the UK government released a policy note that suggested porn was responsible for a rise in the number of young people trying anal sex. Although the original researcher, Cicely Marston, pointed out that there was no clear link between the two, the note prompted a broad debate about the impact of porn. But in doing so, we have already lost – by accepting a definition of “porn” shaped less by our desires than by the dominant players in the industry.

On the day you read this, one single site, PornHub, will get somewhere between four and five million visits from within the UK. Millions more will visit YouPorn, Tube8, Redtube or similar sites. It’s clear that they’re influential. Perhaps less clear is that they are not unbiased aggregators: they don’t just reflect our tastes, they shape what we think and how we live. We can see this even in simple editorial decisions such as categorisation: PornHub offers 14 categories by default, including anal, threesome and milf (“mum I’d like to f***”), and then “For Women” as a separate category. So standard is it for mainstream sites to assume their audience is straight and male that “point of view” porn has become synonymous with “top-down view of a man getting a blow job”. Tropes that have entered everyday life – such as shaved pubic hair – abound here.

Alongside categories and tags, tube sites also decide what you see at the top of their results and on the home page. Hence the videos you see at the top tend towards escalation to get clicks: biggest gang bang ever. Dirtiest slut. Horniest milf. To find porn that doesn’t fit this mould you must go out of your way to search for it. Few people do, of course, so the clickbait gets promoted more frequently, and this in turn shapes what we click on next time. Is it any wonder we’ve ended up with such a narrow definition of porn? In reality, the front page of PornHub reflects our desires about as accurately as the Daily Mail “sidebar of shame” reflects Kim Kardashian.

Perhaps what we need is more competition? All the sites I have mentioned are owned by the same company – MindGeek. Besides porn tube sites, MindGeek has a stake in other adult websites and production companies: Brazzers, Digital Playground, Twistys, PornMD and many more. Even tube sites not owned by MindGeek, such as Xhamster, usually follow the same model: lots of free content, plus algorithms that chase page views aggressively, so tending towards hardcore clickbait.

Because porn is increasingly defined by these sites, steps taken to tackle its spread often end up doing the opposite of what was intended. For instance, the British government’s Digital Economy Bill aims to reduce the influence of porn on young people by forcing porn sites to age-verify users, but will in fact hand more power to large companies. The big players have the resources to implement age verification easily, and even to use legislation as a way to expand further into the market. MindGeek is already developing age-verification software that can be licensed to other websites; so it’s likely that, when the bill’s rules come in, small porn producers will either go out of business or be compelled to license software from the big players.

There are glimmers of hope for the ethical porn consumer. Tube sites may dominate search results, but the internet has also helped revolutionise porn production. Aspiring producers and performers no longer need a contract with a studio – all that’s required is a camera and a platform to distribute their work. That platform might be their own website, a dedicated cam site, or even something as simple as Snapchat.

This democratisation of porn has had positive effects. There’s more diversity of body shape, sexual taste and even pubic hair style on a cam site than on the home page of PornHub. Pleasure takes a more central role, too: one of the most popular “games” on the webcam site Chaturbate is for performers to hook up sex toys to the website, with users paying to try to give them an orgasm. Crucially, without a studio, performers can set their own boundaries.

Kelly Pierce, a performer who now works mostly on cam, told me that one of the main benefits of working independently is a sense of security. “As long as you put time in you know you are going to make money doing it,” she said. “You don’t spend your time searching for shoots, but actually working towards monetary gain.” She also has more freedom in her work: “You have nobody to answer to but yourself, and obviously your fans. Sometimes politics comes into play when you work for others than yourself.”

Cam sites are also big business, and the next logical step in the trickle-down of power is for performers to have their own distribution platforms. Unfortunately, no matter how well-meaning your indie porn project, the “Adult” label makes it most likely you’ll fail. Mainstream payment providers won’t work with adult businesses, and specialist providers take a huge cut of revenue. Major ad networks avoid porn, so the only advertising option is to sign up to an “adult” network, which is probably owned by a large porn company and will fill your site with bouncing-boob gifs and hot milfs “in your area”: exactly the kind of thing you’re trying to fight against. Those who are trying to take on the might of Big Porn need not just to change what we watch, but challenge what we think porn is, too.

The internet has given the porn industry a huge boost – cheaper production and distribution, the potential for more variety, and an influence that it would be ridiculous to ignore. But in our failure properly to analyse the industry, we are accepting a definition of porn that has been handed to us by the dominant players in the market.

Girl on the Net writes one of the UK’s most popular sex blogs: girlonthenet.com

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times