Turning 100

The creation of Stewart’s spinning wheels is an incredibly involved process, with each of its many p


The stamp on the wood identifies the maker, and in the centre of the stamp is printed its number: 100. Stewart Thomson turns the spinning wheel carefully with his hands, explaining what each part does, and how it is made. This particular one, beautifully constructed from spotted sycamore, is the hundredth that he has built.

Around the room are six or seven other wheels, made from sycamore, beech, walnut, and one from Columbian pine. "Any sort of semi-hardwood is fine," says Stewart. "Those two there are made out of an old shop window frame. And the Columbian Pine came from the building of Burkl" (a house on the isle). "We don’t throw away anything here," he laughs.

Each wheel is marked and individually numbered. The oldest – number one – sits in the corner. It was built about 1968 from a piece of mahogany Stewart found on the shore. "I used to make them out of driftwood" he explains, "but there’s not so much of that going now."

Originally from Unst, Stewart married Annie, a Fair Islander, and they have lived together on the isle for many years. Their two sons and daughter still stay here, while their grandchildren and great-grandchildren are spread from Fair Isle to Shetland and beyond. One grandson now makes a living building fiddles; another makes guitars in Glasgow. Stewart’s eldest son builds straw-backed chairs. The skills have clearly passed down through the generations.

The creation of Stewart’s spinning wheels is an incredibly involved process, with each of its many parts individually constructed from wood, metal or leather. “Everything is homemade,” Stewart says, and points at the free-iron, the wheel’s axle, which is formed of two distinct sections: “You wouldn’t believe they started off as one big, rusty bolt.”

This use of solely hand-crafted parts means that each wheel is unique, and very time-consuming. In total, Stewart will spend about 200 hours on every one, and the amazing attention to detail is part of what makes the wheels so beautiful. But despite their visual appeal, these are very much working models. “I don’t make them for ornaments” he emphasises. “If folk want them for ornaments I won’t do it. The work I put into them is to make them spin properly.”

Stewart himself is always the first to test his own wheels, bringing them in from his workshop to the house, where he ensures that every part is working smoothly and correctly. He finds spinning relaxing, and obviously enjoys experimenting with new and unusual materials. Around the room are some of the stranger things that he has tried, including silk, muskox and alpaca, as well blue-faced Leicester, Norwegian blue and Navajo sheep. There are even ultra-soft fibres taken from bamboo cane.

But of all the materials that he has spun, Stewart still prefers natural Fair Isle wool. It is strong and soft, in an incredible variety of colours. “No two fleeces are the same” he says.

As he demonstrates the wheel, it looks so natural and easy. The wool twists and turns constantly as his foot presses down on the pedal. The tufts and lumps between his fingers disappear, and the wool is transformed. I resist the temptation to try for myself, fearing that some of the wheel’s magic will be lost in my clumsy, ignorant hands.

Wheel number 100 was made for one of our neighbours: a keen spinner. Others have been ordered by people from all over the world. As we sit down to look over the half dozen that are currently in his room, Stewart claims that now this one is complete, he is taking a break. He will perhaps make one or two more, but perhaps not.

A few moments later, however, and this uncertainty seems to be gone. “I love making them,” he tells me, the wool held between his fingers. “And I wish it was warmer weather so I could get down to the workshop again. I just hate sitting around doing nothing.”

Photos by Dave Wheeler

Malachy Tallack is 26 and lives in Fair Isle. He is a singer-songwriter, journalist, and editor of the magazine Shetland Life.
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What I learnt when my wife and I went to Brexit: the Musical

This week in the media, from laughing as the world order crumbles to what Tristram Hunt got wrong – and Leicester’s big fall.

As my wife and I watched Brexit: the Musical, performed in a tiny theatre above a pub in London’s Little Venice, I thought of the American novelist Lionel Shriver’s comment on Donald Trump’s inauguration: “A sense of humour is going to get us through better than indignation.” It is an entertaining, engaging and amusing show, which makes the point that none of the main actors in the Brexit drama – whether supporters of Leave or Remain – achieved quite what they had intended. The biggest laugh went to the actor playing Boris Johnson (James Sanderson), the wannabe Tory leader who blew his chance. The mere appearance of an overweight man of dishevelled appearance with a mop of blond hair is enough to have the audience rolling in the aisles.

The lesson we should take from Brexit and from Trump’s election is that politicians of all shades, including those who claim to be non-political insurgents, have zero control of events, whether we are talking about immigration, economic growth or the Middle East. We need to tweak Yeats’s lines: the best may lack all conviction but the worst are full not so much of passionate intensity – who knows what Trump or Johnson really believe? – as bumbling incompetence. The sun will still rise in the morning (as
Barack Obama observed when Trump’s win became evident), and multi­national capital will still rule the world. Meanwhile, we may as well enjoy the show.

 

Danger of Donald

Nevertheless, we shouldn’t deny the risks of having incompetents in charge. The biggest concerns Trump’s geopolitical strategy, or rather his lack of one. Great power relations since 1945 have been based on mutual understanding of what each country wants to achieve, of its red lines and national ambitions. The scariest moments come when one leader miscalculates how another will react. Of all figures in recent history, the Soviet leader Nikita Khrushchev, with his flamboyant manner and erratic temperament, was probably the most similar to Trump. In 1962, he thought President Kennedy, inexperienced and idealistic, would tolerate Soviet missiles in Cuba. He was wrong and the world only narrowly avoided nuclear war.

How would Trump respond to a Russian invasion of the Baltic states? Will he recognise Taiwan as an independent country? Will he scrap Obama’s deal with Iran and support a pre-emptive strike against its nuclear ambitions? Nobody knows, probably not even Trump. He seems to think that keeping your options open and your adversaries guessing leads to “great deals”. That may work in business, in which the worst that can happen is that one of your companies goes bankrupt – an outcome of which Americans take a relaxed view. In international relations, the stakes are higher.

 

Right job, wrong time

I rather like Tristram Hunt, who started contributing to the New Statesman during my editorship. He may be the son of a life peer and a protégé of Peter Mandelson, but he is an all-too-rare example of a politician with a hinterland, having written a biography of Engels and a study of the English Civil War and presented successful TV documentaries. In a parallel universe, he could have made an inspirational Labour leader,
a more thoughtful and trustworthy version of Tony Blair.

No doubt, having resigned his Stoke-on-Trent Central seat, he will make a success of his new job as director of the Victoria and Albert Museum. If nothing else, he will learn a little about the arts of management and leadership. But isn’t this the wrong way round? Wouldn’t it be better if people first ran museums or other cultural and public institutions and then carried such experience into parliament and government?

 

Pointless palace

When the Palace of Westminster was largely destroyed by fire in 1834, thousands gathered to enjoy the spectacle. Thomas Carlyle noted that the crowd “whew’d and whistled when the breeze came as if to encourage it” and that “a man sorry I did not anywhere see”.

Now, with MPs reportedly refusing to move out to allow vital renovation work from 2023, we can expect a repeat performance. Given the unpopularity of politicians, public enthusiasm may be even greater than it was two centuries ago. Yet what is going through MPs’ minds is anyone’s guess. Since Theresa May refuses them a vote on Brexit, prefers the Foreign Office’s Lancaster House as the location to deliver her most important speech to date and intends to amend or replace Brussels-originated laws with ministerial orders under “Henry VIII powers”, perhaps they have concluded that there’s no longer much point to the place.

 

As good as it gets

What a difference a year makes. In January 2016, supporters of Leicester City, my home-town team, were beginning to contemplate the unthinkable: that they could win football’s Premier League. Now, five places off the bottom, they contemplate the equally unthinkable idea of relegation.

With the exception of one player, N’Golo Kanté (now at Chelsea), the team is identical to last season’s. So how can this be? The sophisticated, mathematical answer is “regression to the mean”. In a league where money, wages and performance are usually linked rigidly, a team that does much better than you’d predict one season is likely to do much worse the next. I’d suggest something else, though. For those who won last season’s title against such overwhelming odds, life can never be as good again. Anything short of winning the Champions League (in which Leicester have so far flourished) would seem an anti­climax. In the same way, the England cricket team that won the Ashes in 2005 – after the Australians had dominated for 16 years – fell apart almost as soon as its Trafalgar Square parade was over. Beating other international teams wouldn’t have delivered the same adrenalin surge.

Peter Wilby was editor of the Independent on Sunday from 1995 to 1996 and of the New Statesman from 1998 to 2005. He writes the weekly First Thoughts column for the NS.

This article first appeared in the 19 January 2017 issue of the New Statesman, The Trump era