Guilty pleasures

The trials and tribulations of knitting a gansey

Okay, so I gave in to temptation. I admit it. But what’s wrong with that, tell me? What shame in that? After all, it’s only a jumper.

Yes, after some days of deliberation, hesitation and procrastination, I finally sat down at the knitting machine and made myself a jumper. And I have to say, I’m rather pleased with myself. And it.

I had forgotten how much work was involved in the creation of a garment. All that measuring, counting, reducing, grafting, making mistakes, fixing mistakes, taking long rests; I was quite worn out by the end of it.

I admit that I did have some help with the more difficult bits. In fact I had quite a lot of help with quite a lot of the bits. Actually, it is probably stretching the truth somewhat to say that I really made the jumper myself. But I was certainly involved in the making of it. And more so than I am involved in the making of most jumpers.

I have been proudly sporting this new jumper (gansey is the Shetland word) all around the isle, showing it off to anyone who is interested. Which unfortunately is nobody. But still, my pride is undimmed, and I have not taken it off in 12 days. I just can’t wait to get the chance to show it off to a wider public. There, I am sure, it will find an appreciative audience.

The more observant and knowledgeable amongst you will have noticed from the picture that I have been very sensible in choosing to use only two colours, instead of the standard plethora of tones. This was partly for reasons of fashion and good taste, and partly because it made my job a huge amount easier. Mainly it was the second reason. The constant changing of wool colours is what makes Fair Isle knitting so much more time-consuming than a plain or two-tone pattern. It also vastly increases your chances of making mistakes. So two colours was plenty for me.

In the course of this task I have discovered that there is something very satisfying about making a piece of clothing for yourself. Like catching your own fish or growing your own vegetables, an involvement with the process increases enormously the pleasure in the result. And believe me, I am very pleased.

Not that I’m thinking of taking up knitting more regularly of course. I certainly am not. This will undoubtedly be the first, last and only jumper I ever make for myself. The knitting machine has been packed up and given back to its rightful owner now, and I shall not be allowing it back in the house again. Even if it asks very nicely. One jumper is quite enough for any man, after all.

I have been wondering about crochet though.

Malachy Tallack is 26 and lives in Fair Isle. He is a singer-songwriter, journalist, and editor of the magazine Shetland Life.
John Moore
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The man who created the fake Tube sign explains why he did it

"We need to consider the fact that fake news isn't always fake news at the source," says John Moore.

"I wrote that at 8 o'clock on the evening and before midday the next day it had been read out in the Houses of Parliament."

John Moore, a 44-year-old doctor from Windsor, is describing the whirlwind process by which his social media response to Wednesday's Westminster attack became national news.

Moore used a Tube-sign generator on the evening after the attack to create a sign on a TfL Service Announcement board that read: "All terrorists are politely reminded that THIS IS LONDON and whatever you do to us we will drink tea and jolly well carry on thank you." Within three hours, it had just fifty shares. By the morning, it had accumulated 200. Yet by the afternoon, over 30,000 people had shared Moore's post, which was then read aloud on BBC Radio 4 and called a "wonderful tribute" by prime minister Theresa May, who at the time believed it was a genuine Underground sign. 

"I think you have to be very mindful of how powerful the internet is," says Moore, whose viral post was quickly debunked by social media users and then national newspapers such as the Guardian and the Sun. On Thursday, the online world split into two camps: those spreading the word that the sign was "fake news" and urging people not to share it, and those who said that it didn't matter that it was fake - the sentiment was what was important. 

Moore agrees with the latter camp. "I never claimed it was a real tube sign, I never claimed that at all," he says. "In my opinion the only fake news about that sign is that it has been reported as fake news. It was literally just how I was feeling at the time."

Moore was motivated to create and post the sign when he was struck by the "very British response" to the Westminster attack. "There was no sort of knee-jerk Islamaphobia, there was no dramatisation, it was all pretty much, I thought, very calm reporting," he says. "So my initial thought at the time was just a bit of pride in how London had reacted really." Though he saw other, real Tube signs online, he wanted to create his own in order to create a tribute that specifically epitomised the "very London" response. 

Yet though Moore insists he never claimed the sign was real, his caption on the image - which now has 100,800 shares - is arguably misleading. "Quintessentially British..." Moore wrote on his Facebook post, and agrees now that this was ambiguous. "It was meant to relate to the reaction that I saw in London in that day which I just thought was very calm and measured. What the sign was trying to do was capture the spirit I'd seen, so that's what I was actually talking about."

Not only did Moore not mean to mislead, he is actually shocked that anyone thought the sign was real. 

"I'm reasonably digitally savvy and I was extremely shocked that anyone thought it was real," he says, explaining that he thought everyone would be able to spot a fake after a "You ain't no muslim bruv" sign went viral after the Leytonstone Tube attack in 2015. "I thought this is an internet meme that people know isn't true and it's fine to do because this is a digital thing in a digital world."

Yet despite his intentions, Moore's sign has become the centre of debate about whether "nice" fake news is as problematic as that which was notoriously spread during the 2016 United States Presidential elections. Though Moore can understand this perspective, he ultimately feels as though the sentiment behind the sign makes it acceptable. 

"I use the word fake in inverted commas because I think fake implies the intention to deceive and there wasn't [any]... I think if the sentiment is ok then I think it is ok. I think if you were trying to be divisive and you were trying to stir up controversy or influence people's behaviour then perhaps I wouldn't have chosen that forum but I think when you're only expressing your own emotion, I think it's ok.

"The fact that it became so-called fake news was down to other people's interpretation and not down to the actual intention... So in many interesting ways you can see that fake news doesn't even have to originate from the source of the news."

Though Moore was initially "extremely shocked" at the reponse to his post, he says that on reflection he is "pretty proud". 

"I'm glad that other people, even the powers that be, found it an appropriate phrase to use," he says. "I also think social media is often denigrated as a source of evil and bad things in the world, but on occasion I think it can be used for very positive things. I think the vast majority of people who shared my post and liked my post have actually found the phrase and the sentiment useful to them, so I think we have to give social media a fair judgement at times and respect the fact it can be a source for good."

Amelia Tait is a technology and digital culture writer at the New Statesman.