The story of Lukki Minnie

Malachy shares a piece of Fair Isle folklore introducing us to the Trow.

For centuries – perhaps even for millennia, no-one is entirely sure – Shetland has been home to a very special creature. It is rarely seen these days, but it nevertheless inhabits a special place in Shetland culture and history. It is the trow.

Similar in many ways to Scandinavian trolls or Irish leprechauns, the most significant difference between Shetland trows and their folkloric cousins is that trows really exist.

Most places in Shetland have their own trow stories, but while many of them involve trickery, mischievous behaviour, and even the occasional kidnapping, few are quite as sinister as the tale of Fair Isle’s most famous trow: Lukki Minnie.

The story of Lukki Minnie’s downfall is known to all Fair Islanders, and although everybody’s version differs slightly, the essence of all of them is the same. As I remember it, the story goes like this . . .

A young boy – possibly named Willie – was out playing one afternoon on the hill called Malcolm’s Head, in the south-west of the island. He was rolling a large bannock (similar to a scone) that his mother had baked, pushing it down the steep slope and racing after it towards home.

Suddenly, the bannock disappeared, and the boy stopped dead. He saw at once that it had fallen down a hole, but he wasn’t quite sure what kind of hole it was. It was bigger than a rabbit hole, but was well hidden amongst the grass and heather. In fact, it was just big enough for him to squeeze through, which is exactly what he did. But he very quickly regretted it.

Something had grabbed hold of his shoulders and was hauling him in. He tried to pull himself back out again but he couldn’t manage, and all at once he found himself lying on the floor of a small dark room, like a cave. The only light in the room came from a peat fire in the centre, but even in that flickering gloom he could see at once that the horrible creature in front of him was Lukki Minnie.

He wanted to run but there was nowhere to go. He wanted to shout but there was no-one to hear him. He was completely stuck.

Lucki Minnie grabbed hold of the boy and she stuffed him roughly inside a sack, which she then hung up close to the fire. He could feel the heat of the flames as he hung there, and he knew she was planning to eat him.

Later that night, when everything was quiet, Willie took his chance to escape. He drew his penknife out from his pocket and quickly cut through the sack. He climbed out and ran towards the hole in the ceiling, through which he’d first arrived. But before he could get away, he heard Lukki Minnie returning home. He had to think quickly.

Willie grabbed hold of the little dog which had been sleeping by the fire, and he shoved it inside the sack, along with some crockery from the sideboard. He tied it up and hung it on the hook again, and then hid behind the door to wait.

Lukki Minnie came in with her pockets filled with potatoes and carrots. She was ready for her dinner.

“A’m gyaan ta aet dee noo” she shouted. “Bit furst A’m gyaan ta mak dee gud and saft.”

She took out a big, heavy stick from beside the fire and started to beat the sack as hard as she could. The plates inside began to crack.

“Ah can hear dy banes brackin,” she shouted.

Behind the door the boy was giggling quietly to himself. Inside the bag, the dog was yelping.

“Ah can hear dee yowlin, boy” said the trow, with a big grin on her face.

Willie was so pleased with his trick that he couldn’t help himself. He laughed and laughed so loudly that Lukki Minnie finally heard him. She spun around, her eyes blazing with anger. She knew at once what had happened.

Willie recovered quickly and darted up and out of the hole, back on to the hill he knew so well. In the pale light of the evening he could still make out the shape of his house, less than half a mile away. But the trow was close behind.

“A’m gyaan ta git dee” she screamed, as he fled down the hill towards safety. He didn’t dare to turn around.

When he reached the burn that runs along the bottom of Malcolm’s Head, Willie jumped. He sailed through the air and landed on the opposite bank, panting heavily. A second later, Lukki Minnie jumped after him. But trows’ legs are short, and she didn’t make it.

Lukki Minnie landed in the burn and was swept downstream towards the sea at Hesti Geo. Willie stood and watched her disappear, until he was sure she was gone. Then he turned and ran back home to tell the tale.

Today, when the wind blows strong from the south-west, Hesti Geo fills with thick, dirty-white scum, that blows up and over the land at the bottom of the hill. “Lukki Minnie’s still in there, churning her butter,” people say. And perhaps she is.

Malachy Tallack is 26 and lives in Fair Isle. He is a singer-songwriter, journalist, and editor of the magazine Shetland Life.
ELLIE FOREMAN-PECK FOR NEW STATESMAN
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Craig Oliver, Cameron's attack dog, finally bites

A new book reveals the spiteful after life of Downing Street's unlikely spin doctor.

It must be hard being a spin doctor: always in the shadows but always on-message. The murky control that the role requires might explain why David Cameron’s former director of communications Craig Oliver has rushed out his political memoirs so soon after his boss left Downing Street. Now that he has been freed from the shackles of power, Oliver has chosen to expose the bitterness that lingers among those on the losing side in the EU referendum.

The book, which is aptly titled Unleashing Demons, made headlines with its revelation that Cameron felt “badly let down” by Theresa May during the campaign, and that some in the Remain camp regarded the then home secretary as an “enemy agent”. It makes for gripping reading – yet seems uncharacteristically provocative in style for a man who eschewed the sweary spin doctor stereotype, instead advising Cameron to “be Zen” while Tory civil war raged during the Brexit campaign.

It may be not only politicians who find the book a tough read. Oliver’s visceral account of his side’s defeat on 24 June includes a description of how he staggered in a daze down Whitehall until he retched “harder than I have done in my life. Nothing comes up. I retch again – so hard, it feels as if I’ll turn inside out.”

It’s easy to see why losing hit Oliver – who was knighted in Cameron’s resignation honours list – so hard. Arguably, this was the first time the 47-year-old father-of-three had ever failed at anything. The son of a former police chief constable, he grew up in Scotland, went to a state school and studied English at St Andrews University. He then became a broadcast journalist, holding senior posts at the BBC, ITV and Channel 4.

When the former News of the World editor Andy Coulson resigned as No 10’s communications director in January 2011 because of unceasing references in the press to his alleged involvement in the phone-hacking scandal, Oliver was not the obvious replacement. But he was seen as a scandal-free BBC pen-pusher who exuded calm authority, and that won him the job. The Cameron administration, tainted by its association with the Murdoch media empire, needed somebody uncontroversial who could blend into the background.

It wasn’t just Oliver’s relative blandness that recommended him. At the BBC, he had made his name revamping the corporation’s flagship News at Ten by identifying the news angles that would resonate with Middle England. The Conservatives then put this skill to very good use during their 2015 election campaign. His broadcast expertise also qualified him to sharpen up the then prime minister’s image.

Oliver’s own sense of style, however, was widely ridiculed when he showed up for his first week at Downing Street looking every inch the metropolitan media male with a trendy man bag and expensive Beats by Dre headphones, iPad in hand.

His apparent lack of political affiliation caused a stir at Westminster. Political hacks were perplexed by his anti-spin attitude. His style was the antithesis of the attack-dog mode popularised by Alastair Campbell and Damian McBride in the New Labour years. As Robert Peston told the Daily Mail: “Despite working closely with Oliver for three years, I had no clue about his politics or that he was interested in politics.” Five years on, critics still cast aspersions and question his commitment to the Conservative cause.

Oliver survived despite early wobbles. The most sinister of these was the allegation that in 2012 he tried to prevent the Daily Telegraph publishing a story about expenses claimed by the then culture secretary, Maria Miller, using her links to the Leveson inquiry as leverage – an accusation that Downing Street denied. Nevertheless, he became indispensable to Cameron, one of a handful of trusted advisers always at the prime minister’s side.

Newspapers grumbled about Oliver’s preference for broadcast and social media over print. “He’s made it clear he [Oliver] doesn’t give a s*** about us, so I don’t really give a s*** about him,” a veteran correspondent from a national newspaper told Politico.

Yet that approach was why he was hired. There was the occasional gaffe, including the clumsy shot of a stern-looking Cameron, apparently on the phone to President Obama discussing Putin’s incursion into Ukraine, which was widely mocked on Twitter. But overall, reducing Downing Street’s dependence on print media worked: Scotland voted against independence in 2014 and the Tories won a majority in the 2015 general election.

Then came Brexit, a blow to the whole Cameroon inner circle. In his rush to set the record straight and defend Cameron’s legacy – as well as his own – Oliver has finally broken free of the toned-down, straight-guy persona he perfected in power. His memoir is spiteful and melodramatic, like something straight from the mouth of Malcolm Tucker in The Thick of It. Perhaps, with this vengeful encore to his mild political career, the unlikely spin doctor has finally fulfilled his potential. 

This article first appeared in the 29 September 2016 issue of the New Statesman, May’s new Tories