The age of the social sonogram - where does the oversharing end?

The only way to cure the "too much information" epidemic is... too much information.

We all have different ways of breaking special news. Some of us get straight on the phone to our mums; some of us go for civilised dinners with other halves and best friends; some of us crack out the city’s best cornershop cava. However you want to share the news of that promotion, pregnancy or personal pride, you can be sure that the big bad world now offers a million and one ways to do it - and by the big bad world, we mean the internet.

There’s no denying that the internet is more real than reality these days: Facebook has more photos of you than your parents’ baby albums; hundreds of people on Twitter who you can socialise with daily will only ever exist for you in cyberspace; and the power of Skype has meant that many a long distance relationship has been brought closer by high-definition wanking. Problem is, what if the nature of your social network changes? Nothing illustrated this more than when reports started coming in that Facebook was showing private messages sent between friends from 2007 and 2008, prompting an (online) uproar about privacy. In fact, the issue was just that we’d all forgotten how candid we used to be when Facebook was merely a fledgling chick rather than a huge, gold-plated turkey. Back when you only had 15 friends, "got laid last night, lol" seemed totes fine to post on your best mate’s wall. But now your friend list is pushing 500, your relationship status links back to your boyfriend, and you’re applying for that ultra prestigious civil service job, that one night of WKD-fuelled passion (yep, you drank that back then) doesn’t feel like something you want recorded anymore. Reality bites.

We’ve found out about more than our fair share of weddings and baby-makings through social media, in increasingly crass ways (3D sonogram as a profile pic, anyone?) We were even fortunate to come across a T-shirt in a shop window the other day, surely a strong contender for "creepiest piece of attire in the world" (alongside lederhosen) which showed a blurry sonogram reproduction with the caption "Daddy’s little girl". We hadn’t realised that it was possible to act pervy about a foetus, but there you go.

So in this age of social sonograms and pregnancy apps, we come to the inevitable question: how much have we fucked up the kids this time? Jezebel concurred with the New York Times this week that we should take fewer pictures of our children, after journalist and psychologist David Zweig noticed that his 3-year-old daughter requested nonstop photos and was becoming constantly aware of her looks. By school age, we may as well resign ourselves to the fact that she’ll be pinning her own first paintings on a Pinterest board. Which would all be totally cool, if we weren’t using most of our imagery in the media nowadays for evil.

"Celebrity mag" culture has led us all to comment on K-Middy’s breasts, Lady Gaga’s arse in fishnets and Kylie’s sweat patches with startling regularity. And while men undoubtedly suffer from this scrutiny too, women are usually in the front line for a spraying of spite-filled glossy pink bullets. Constant awareness, a la Zweig’s 3-year-old, is necessary to survive in a world where an iPhone might be whipped out and used against you at any moment. Meanwhile, you must guard your online persona fiercely: as your finger hovers over a more truthful "like" on the page ("Lily likes Canesten" - the lifesaver of your Saturday thrush!), you turn regretfully towards something that will set you up for a bit more online kudos and social media approval ("Lily likes Neutral Milk Hotel.")

And yet, the rigidly guarded social media persona is giving way to a new kind of internet twattery: what the kids call TMI, or Too Much Information. It has to be a dystopian mash-up of celebrity culture and reality TV that’s done it - there is now an assumption that people give a toss about the insignificant minutiae of your everyday life: what you had for breakfast, and, by extension, the contents of your womb. In other words, Facebook has become like Heat magazine, the trash rag in which nothing is sacred, except now it’s comprised entirely of your mates, former colleagues, and people you once shared a fag with outside Revolution in Manchester, all telling you about their hangover poo.

What’s terrifying is that the TMI is getting worse. The vogue for scanned sonograms has by now given way to iPhone photos of pregnancy tests showing a positive result, and it’s only a matter of time before it becomes commonplace to upload a birthing video or live tweet your girlfriend’s labour: "Stacey is 4cm dilated and just shat herself #epidural?"

We stand on the brink of this terrifying potential and there is only one solution. We have to beat these internet bellends at their own game. Whether it’s uploading a picture of your diaphragm alongside a winky emoticon ("getting lucky tonight!"), or posting the status update "not pregnant AGAIN! Woo!" alongside a smartphone photo of your Tampax Ultra, we need it to be (genital) warts and all oversharing. Just opened your clap clinic results? Get that chlamydia reaction video on YouTube, pronto. Recently had a colonoscopy? Excellent, whack it up there. Only once your online friends are confronted by the realities of your parasitic bowel will they take a step back and realise the implications of their behaviour. Before you know it you’ll be Mayor of the BPAS clinic on FourSquare, your repeat custom having ousted ring-wing fundamentalist nutjobs Fortydaysforlife, and your vagina will have its own Twitter account ("Just saw some tortellini shaped like Naomi Wolf and don’t think I’ll ever write again").

Meanwhile, your dullard acquaintances will resist papping their brunch and consign their baby photos to where they belong: offline, meaning the children of the future can be raised happy and free from constant monitoring. It’s high time their idiot parents learned their lessons - and only you, dear reader, can be the one to teach them.

Photograph: Geoff Livingston on Flickr

Rhiannon Lucy Cosslett and Holly Baxter are co-founders and editors of online magazine, The Vagenda.

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Let's face it: supporting Spurs is basically a form of charity

Now, for my biggest donation yet . . .

I gazed in awe at the new stadium, the future home of Spurs, wondering where my treasures will go. It is going to be one of the architectural wonders of the modern world (football stadia division), yet at the same time it seems ancient, archaic, a Roman ruin, very much like an amphitheatre I once saw in Croatia. It’s at the stage in a new construction when you can see all the bones and none of the flesh, with huge tiers soaring up into the sky. You can’t tell if it’s going or coming, a past perfect ruin or a perfect future model.

It has been so annoying at White Hart Lane this past year or so, having to walk round walkways and under awnings and dodge fences and hoardings, losing all sense of direction. Millions of pounds were being poured into what appeared to be a hole in the ground. The new stadium will replace part of one end of the present one, which was built in 1898. It has been hard not to be unaware of what’s going on, continually asking ourselves, as we take our seats: did the earth move for you?

Now, at long last, you can see what will be there, when it emerges from the scaffolding in another year. Awesome, of course. And, har, har, it will hold more people than Arsenal’s new home by 1,000 (61,000, as opposed to the puny Emirates, with only 60,000). At each home game, I am thinking about the future, wondering how my treasures will fare: will they be happy there?

No, I don’t mean Harry Kane, Danny Rose and Kyle Walker – local as well as national treasures. Not many Prem teams these days can boast quite as many English persons in their ranks. I mean my treasures, stuff wot I have been collecting these past 50 years.

About ten years ago, I went to a shareholders’ meeting at White Hart Lane when the embryonic plans for the new stadium were being announced. I stood up when questions were called for and asked the chairman, Daniel Levy, about having a museum in the new stadium. I told him that Man United had made £1m the previous year from their museum. Surely Spurs should make room for one in the brave new mega-stadium – to show off our long and proud history, delight the fans and all those interested in football history and make a few bob.

He mumbled something – fluent enough, as he did go to Cambridge – but gave nothing away, like the PM caught at Prime Minister’s Questions with an unexpected question.

But now it is going to happen. The people who are designing the museum are coming from Manchester to look at my treasures. They asked for a list but I said, “No chance.” I must have 2,000 items of Spurs memorabilia. I could be dead by the time I finish listing them. They’ll have to see them, in the flesh, and then they’ll be free to take away whatever they might consider worth having in the new museum.

I’m awfully kind that way, partly because I have always looked on supporting Spurs as a form of charity. You don’t expect any reward. Nor could you expect a great deal of pleasure, these past few decades, and certainly not the other day at Liverpool when they were shite. But you do want to help them, poor things.

I have been downsizing since my wife died, and since we sold our Loweswater house, and I’m now clearing out some of my treasures. I’ve donated a very rare Wordsworth book to Dove Cottage, five letters from Beatrix Potter to the Armitt Library in Ambleside, and handwritten Beatles lyrics to the British Library. If Beckham and I don’t get a knighthood in the next honours list, I will be spitting.

My Spurs stuff includes programmes going back to 1910, plus recent stuff like the Opus book, that monster publication, about the size of a black cab. Limited editions cost £8,000 a copy in 2007. I got mine free, as I did the introduction and loaned them photographs. I will be glad to get rid of it. It’s blocking the light in my room.

Perhaps, depending on what they want, and they might take nothing, I will ask for a small pourboire in return. Two free tickets in the new stadium. For life. Or longer . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 16 February 2017 issue of the New Statesman, The New Times