Let's celebrate the Games Makers on the fourth plinth

The anti-Paxmans in purple deserve public recognition.

The purple people. They were quite simply one of the big sensations of this London 2012 extravaganza.

Games Makers came in all shapes and sizes, and looked like us; just normal people, but with an extra dash of cheeriness harking back to the days of Dick Van Dyke in Mary Poppins, but without his insane accent.

So let’s do something to honour their contribution by placing a statue on that fourth plinth in Trafalgar Square where so many thousands of them gathered this week for the London 2012 parade.

We really should remember those purple volunteers. What they brought with them was a sense of fun, and a rather unbritish ability to talk to strangers and bounce throughout the day.

These were the anti-Paxmans. They didn’t have an ounce of British irony, they weren’t the masters of sarcasm we have come to believe we are and they really, really wanted us all to have a great day.

So all hail the purple people. They have shown us it can be British to be friendly in a public place, and to show a touch of enthusiasm. And it doesn’t have to come with a spoonful of Disneyified slush.

In fact the volunteers have a whole bunch of lessons for us. They have taught us (in case we had forgotten/or never known) that it can be fun to do something for someone else. They have shown us we can enjoy being part of something rather than sniping from the sidelines.

They helped transform London into a place where people do speak to each other on trains and buses. And, yes, there was always a purple person on hand to chat to about the day’s highlights, and share some excitement about the events of the night before.

During London’s summer of loving itself a little bit more than it did before, the purple people were there to help.

And the mayor of London and the city’s burghers should do something to recognize that contribution, by creating a statue to stand on that plinth.

Out on Fleet Street yesterday filming interviews with the public about wanted they wanted to see as a legacy to this heady period, people just wanted to talk about keeping the friendliness and spirit alive.  One interviewee wanted less negative stories in the media, another wanted to encourage more volunteering but said: “It’s about us, not the government, making it happen.”

The volunteers we spoke to for the film for the thinktank British Future wanted to keep on volunteering, and were enthusing about their experiences, the people they had worked with and what they might do next. One Games Maker told us at great length about the human resources manager at Stratford who had co-ordinated  the volunteers, and told us she would definitely make a great legacy leader.

Then when the floats went by, the athletes were as enthusiastic about waving to their volunteers as the crowds were at waving back, a sign of their recognition for all the efforts of those who wore the purple uniforms.

The volunteers may not have got any jazzy medals to show for it; and I doubt they will be receiving anything in the New Year’s list, so let’s do something creative to show our appreciation.

Boris should unveil a statue of the Games Makers on the fourth plinth before Christmas and invite all of them along to help celebrate; give them a proper party that’s just for them as recognition of just how much they have done to help cheer up this country.

Rachael Jolley is editorial director at thinktank British Future.

Games Makers waiting for Team GB on the Mall. Photograph: Getty Images
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Fears over Notting Hill Carnival reveal more about racism than reality

Statistically, the event is about as safe as Glastonbury.

Notting Hill carnival is terrifying. As soon as the sun sets, gangs emerge ready to prey on unsuspecting attendees with Red Stripe cans fashioned into knives. Children barter for drugs. Dancing is punctuated by ceremonial burials for those killed in between every dancehall tune. And that's just on the kids’ day.

Except, it's not true. Statistically, the event is about as safe as Glastonbury - if not safer, judging by the number of arrests. In 2015, Glasto was praised for its low arrest rate (75 arrests for a crowd of 135,000), but in the same year carnival had ten times the capacity and fewer than ten times the offences.

Despite these statistics, the police, MPs and newspapers seem desperate to paint carnival as a gang-run danger zone. The Met Police recently tweeted about a kilo of heroin seized in the run up to carnival, despite not even knowing whether the perpetrators were going to the event. MPs, such as former Kensington MP Victoria Borwick, are happy to fuel this fire, claiming to be concerned about the supposed “year on year increase in violence and physical harm to our police officers and members of the public”. Newspapers revel in publishing large spreads about the raids in the run up to the two days, despite lacking evidence they’re even connected. Break this down and it’s clear: this dislike towards carnival roots itself in racism - the presumption that a festival celebrating black, West Indian culture, frequented by a higher proportion of black British punters, must inevitably, be violent.

I have been attending carnival since the age of six, when my parents moved to the area (90s gentrification alert). I used to sell Ribena for a markup on my street, took part in the float my primary school ran and every year witnessed the incredible recontextualisation of the area. Gone is the whitewashing for a moment: the streets and houses become splattered in neon paint, jerk chicken boxes and Red Stripe cans. It is one of the best things to happen to the area, and its vast cultural value exceeds the bougie cafes and boutique clothing stalls that span the area.

And yet, every year, I have to dodge questions from relatives and friends about how dangerous it supposedly is. “Ooh, Notting Hill carnival. Bit scary, isn't it? Lots of angry youth who can get quite violent I hear. Didn't someone get stabbed last year?” Perhaps a viable question to ask anyone going to a crowded event. Except, why weren’t they asking me this when I flew to Amsterdam this year to go to a music festival?

There's another side of critiquing carnival that is equally infuriating, and that's that the fact that the event in some ways stands as a consolation prize to the original tenants of the area. In the middle of the 20th Century, Notting Hill was far from the Russian oligarch haven it is today. It was the Windrush Era, when black immigrants began arriving from the Caribbean. They came not out of some overwhelming desire to be freezing for 11 months, but because Britain was struggling after the Second World War, and desperately needed a labour force. Despite the demand, the West Indians were met with hostility and racism, forced to live in the worst areas of London. One of those places was Notting Hill.

Imagine, then, the audacity of shaming carnival. Imagine being forced by racism into a rundown neighbourhood, turning it into something fashionable, and then being priced out by middle-class white people. Imagine on top of that, having your legacy celebration degraded under the guise of safety concerns.

This year will feel different. It will be the first year ever under a Labour MP. It will also come two months and a half months after the Grenfell fire, where many of its residents and victims will have taken part in the event. Whilst there’s something defiant in these parades, it will be hard for the collective joy not to be marred by a knowledge that somewhere in this borough, bodies are being buried because of our council.

We need to see carnival for what it is: a celebration of a culture struggling to stay afloat in the area. Kensington continues to edge out those who may not be living in £2.5m homes - whether it’s with rising house prices, creating anxiety around an event or even putting lives at risk due to sheer disregard and greed. If you’re worried about going, I would avoid all large, crowded events in general, because there’s no use believing the vacuous and racist hype. Beyond getting splattered with paint and dancing too enthusiastically to Bashment, there’s nothing to fear.