The Last Champions

Leeds United’s title win of 1992 was the last of its kind in many ways.

November 1992. Éric Cantona joins Manchester United from Leeds United for £1.2m. In the previous season, the last of the old First Division, Howard Wilkinson’s Leeds had beaten Alex Ferguson’s Manchester United to the title, the arrival of tempestuous France striker Cantona in February supposedly being the catalyst for Leeds’ triumph. They clinched the honour when Manchester United lost 2-0 to Liverpool, after which Ferguson told the ITV cameras that “Leeds haven’t won the league. Manchester United have lost it.” The following season, Cantona became the creative centre of Ferguson’s United as they ended their 26-year run without a title. The narrative formed that Ferguson succeeded in handling Cantona, the difference between winning the league and losing it, where Wilkinson ultimately failed – the first of many managers seen off by Ferguson as his side dominated the new Premier League.

But is this fair? In his new book, The Last Champions: Leeds United and the Year That Football Changed Forever (published by Bantam Press), Dave Simpson busts the Cantona myth – he only scored three goals for Leeds in 1991-92, none of which changed matches – and breaks the mould in exploring team-building. The current fashion in football writing is to examine how managers built dynasties: Jonathan Wilson’s Inverting the Pyramid shows how Herbert Chapman won consecutive titles at Huddersfield Town and Arsenal, how Helenio Herrera made Internazionale into Italy’s leading club and how Valery Lobanovsky brought long-term success to Dynamo Kyiv, whilst Graham Hunter’s book on Barcelona praises the structural planning that made them the world’s most technically advanced club. Conversely, Simpson asks how Wilkinson achieved his singular success and why it has been so neglected within the history of English football, and even within that of Leeds United.

This was Leeds’ third (and, as it remains, last) championship. The previous two were won by Don Revie in 1969 and 1974, after which he became England manager and was replaced, infamously, by nemesis Brian Clough, whose 44-day reign was dramatised in David Peace’s dark, paranoid novel The Damned United. Revie turned Leeds from Second Division also-rans into a domestic and European force, changing their kit from blue and yellow to white to channel the spirit of Real Madrid, his club’s insularity infuriating Clough and others but proving central to their decade-long challenge for major honours.

Leeds’ long decline began in the mid-Seventies; the board appointed several former members of Revie’s team as managers in unsuccessful efforts to recapture the past. In 1982, under Revie favourite Allan Clarke, Leeds were relegated; he was replaced by another, Eddie Gray, and then Billy Bremner, neither of whom could return them to the First Division. Finally, in October 1988, with Leeds fighting demotion to the Third Division, Bremner was sacked. As we learn here, managing director Bill Fotherby, having already made an audacious effort to sign Diego Maradona, tried to persuade Bobby Robson to quit England for Leeds – Robson declined but recommended Sheffield Wednesday manager Howard Wilkinson, who agreed to step down a division, convinced that he could revitalise the former champions.

Wilkinson, a pragmatic and intelligent disciplinarian, succeeded where Clough failed in removing all Revie mementoes; he reorganised the board, demanding influence over all aspects of the club. Breaking up cliques, introducing harder training and dropping several players, ‘Sergeant Wilko’ quickly turned Leeds around, winning the Second Division in 1990 and finishing fourth in 1991 before his unexpected and unrepeated victory the season after.

Wilkinson signed a certain type of player to get Leeds out of the Second Division and another on promotion, making notorious ‘enforcer’ Vinnie Jones central to his midfield before replacing him with playmaker Gary McAllister. Jones was the first of Wilkinson’s buys to be dumped: a constant theme throughout, with so many interviews with ex-players closing with melancholic reflections on the brusque manner of their exits. (In this, there’s continuity with Simpson’s previous book, The Fallen, where he attempted to trace everyone who’d been in The Fall with the group’s only constant member, Mark E. Smith, who said that running it was like managing a football team: “sometimes you’ve got to replace the centre-forward”.)

In a manner seldom attempted, let alone achieved since, Wilkinson turned uncapped and unheralded players into champions: none of his first-choice centre-forwards, central defenders or his goalkeeper were internationals. In summer 1991, backed by millionaire socialist chairman Leslie Silver, Wilkinson spent heavily on England stars Steve Hodge, who never quite established himself, and Tony Dorigo, who did, as well as quick forward Rod Wallace (unlucky never to be capped) from Southampton for a club record £1.6m.

We don’t learn too much about Wilkinson’s tactics, which were dismissed as crudely direct, somewhat unfairly: he used goalkeeper John Lukic and overlapping full-backs Mel Sterland and Dorigo to get the ball into the box quickly and often, usually aiming for target man Lee Chapman, but also constructed a midfield of great power and guile, allowing Leeds to dictate play far more than basic long-ball sides. He was adaptable, using 22 players throughout the season (during Aston Villa’s similarly unanticipated title win of 1980-81, Ron Saunders picked just 14). In his greatest single tactical move, he responded to winger Speed’s injury before the Aston Villa game by introducing an extra defender, using Chris Fairclough to mark Villa’s main threat, England winger Tony Daley, out of the match. Leeds dominated, and won 4-1.

Clearly written by a fan, Simpson has most affection for those players taken from non-League clubs, with Carl Shutt, who began with Spalding United and who frequently scored crucial goals after coming off the bench, emerging as his favourite. Touchingly, Shutt and Simpson seem to have limitless time for each other, with ‘Shutty’, who was ‘always one of us’ and who now works as a travel agent, accompanying Simpson to Morrison’s to continue their interview after his digital recorder runs out of battery.

This is less true of Cantona, Shutt’s polar opposite, to whom Simpson manages to pose a single question about Leeds at a press conference where the footballer-turned-actor appears alongside Pelé in Manchester. Perhaps predictably, Cantona remains enigmatic, providing little insight into his inability to fit into the club’s culture. (Sadly, neither he nor Simpson recall that after Cantona expressed his love of French Symbolist poet Arthur Rimbaud, Leeds fans flooded Cantona’s house with Sylvester Stallone videos.)

Too many of Wilkinson’s squad peaked in 1992, and changes besides Rupert Murdoch’s £304m television deal triggered their decline. The new back-pass rule prevented Wilkinson from using Lukic as a playmaker; his inability to handle the shift of power from managers to players resulted in the loss of Cantona, around whom he might have rebuilt, far earlier than necessary. It was this loss, and Leeds’ failure to win an away match in the inaugural Premier League season or progress in the new Champions League, that overshadowed Wilkinson’s reputation. He recovered to secure two more top-five finishes and reached two League Cup finals, but this was not enough to escape from Revie’s shadow.

The academy that Wilkinson created produced a stunning array of talent, including England internationals Alan Smith, Paul Robinson, Jonathan Woodgate, James Milner and Aaron Lennon, but he couldn’t stay in the job long enough to see them into the side, he and his club failing to adapt to the new culture, being sacked in September 1996 after a 4-0 loss to Manchester United. Retaining players such as Jon Newsome on £400 per week was no longer possible – soon Leeds were shelling out £20,000 per week – and the board’s attempts to float Leeds on the stock market were as disastrous as the expensive signing of Sweden star Tomas Brolin, who soon fell out with Wilkinson, leaving an overweight shadow of the player who lit up the 1994 World Cup (and whose name, strangely, doesn’t feature in Simpson’s book).

Certainly, Ferguson coped far better with the sweeping changes to football culture, building a dynasty and controlling the memory of his 1991-92 failure: The Last Champions is a welcome reclamation of Wilkinson’s success, however transient it proved to be. Perhaps the narratives produced in the dominance of a small clique of hyper-rich clubs with superstar players provide intrigue for global television audiences, with their ceaseless stories of revenge, but the triumphs of teams like Wilkinson’s offered interest for fans of provincial teams without stars, suggesting that well-organised units could succeed without the kind of money that later came into English football from Sky TV and then the US, Russia and the Middle East. As Simpson so wistfully explains, we shall probably never see their like again.

 

Wilkinson turned uncapped and unheralded players into champions. Photograph: Getty Images

Juliet Jacques is a freelance journalist and writer who covers gender, sexuality, literature, film, art and football. Her writing can be found on her blog at and she can be contacted on Twitter @julietjacques.

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I can’t follow Marie Kondo's advice – even an empty Wotsits packet “sparks joy” in me

I thought I’d give her loopy, OCD theories a go, but when I held up an empty Wotsits bag I was suffused with so many happy memories of the time we’d spent together that I couldn’t bear to throw it away.

I have been brooding lately on the Japanese tidying freak Marie Kondo. (I forgot her name so I typed “Japanese tidying freak” into Google, and it was a great help.) The “Japanese” bit is excusable in this context, and explains a bit, as I gather Japan is more on the case with the whole “being tidy” thing than Britain, but still.

Apart from telling us that we need to take an enormous amount of care, to the point where we perform origami when we fold our underpants, which is pretty much where she lost me, she advises us to throw away anything that does not, when you hold it, “spark joy”. Perhaps I have too much joy in my life. I thought I’d give her loopy, OCD theories a go, but when I held up an empty Wotsits bag I was suffused with so many happy memories of the time we’d spent together that I couldn’t bear to throw it away.

After a while I gave up on this because I was getting a bit too happy with all the memories, so then I thought to myself, about her: “This is someone who isn’t getting laid enough,” and then I decided that was a crude and ungallant thought, and besides, who am I to wag the finger? At least if she invites someone to her bedroom no one is going to run screaming from it, as they would if I invited anyone to my boudoir. (Etym: from the French “bouder”, to sulk. How very apt in my case.) Marie Kondo – should bizarre circumstance ever conspire to bring her to the threshold – would run screaming from the Hovel before she’d even alighted the stairs from the front door.

I contemplate my bedroom. As I write, the cleaning lady is in it. To say that I have to spend half an hour cleaning out empty Wotsits packets, and indeed wotnot, before I let her in there should give you some idea of how shameful it has got. And even then I have to pay her to do so.

A girlfriend who used to be referred to often in these pages, though I think the term should be a rather less flippant one than “girlfriend”, managed to get round my natural messiness problem by inventing a game called “keep or chuck”.

She even made up a theme song for it, to the tune from the old Spiderman TV show. She would show me some object, which was not really rubbish, but usually a book (it may not surprise you to learn that it is the piles of books that cause most of the clutter here), and say, “Keep or chuck?” in the manner of a high-speed game show host. At one point I vacillated and so she then pointed at herself and said, “Keep or chuck?” I got the message.

These days the chances of a woman getting into the bedroom are remote. For one thing, you can’t just walk down the street and whistle for one much as one would hail a cab, although my daughter is often baffled by my ability to attract females, and suspects I have some kind of “mind ray”. Well, if I ever did it’s on the blink now, and not only that – right now, I’m not even particularly bothered that it’s on the blink. Because, for another thing, I would frankly not care to inflict myself upon anyone else at the moment.

It was all a bit of a giggle eight years ago, when I was wheeled out of the family home and left to my own devices. Of course, when I say “a bit of a giggle”, I mean “terrifying and miserable”, but I had rather fewer miles on the clock than I do now, and a man can, I think, get away with a little bit more scampish behaviour, and entertain a few more illusions about the future and his own plausibility as a character, when he is squarely in his mid-forties than when he is approaching, at speed, his middle fifties.

Death has rather a lot to do with it, I suppose. I had not actually seen, or touched, a dead body until I saw, and touched, my own father’s a few weeks ago. That’s what turns an abstract into a concrete reality. You finally put that to one side and gird up your loins – and then bloody David Bowie snuffs it, and you find yourself watching the videos for “Blackstar” and “Lazarus” over and over again, and reach the inescapable conclusion that death is not only incredibly unpleasant, it is also remorseless and very much nearer than you think.

And would you, dear reader, want to be involved with anyone who kept thinking along those lines? I mean, even if he learned how to fold his undercrackers into an upright cylinder, like a napkin at a fancy restaurant, before putting them in his drawer? When he doesn’t even have a drawer?

Nicholas Lezard is a literary critic for the Guardian and also writes for the Independent. He writes the Down and Out in London column for the New Statesman.

This article first appeared in the 05 February 2015 issue of the New Statesman, Putin's war