The daft sentimentality of the British sports fan

Why do the British love a charismatic loser so much?

We Brits have a very strange attitude to our sporting heroes. Andy Murray’s face doesn’t fit with the British public - and not just because it rarely breaks into a smile. Murray threw us all last week because he succeeded in reaching the Wimbledon final. Not through fluke or guile or an improbable defiance of the odds. He succeeded simply by being brilliant at what he does. Which, according to the public, was a little bit dull and annoying. I hosted a phone in on a national sports radio station straight after the semi final last Friday where 90 per cent of callers said they’d be supporting Roger Federer in the final. Why? “Murray’s a bit miserable and scruffy” was the general response.

This is a quintessential characteristic of the British sports fans. We are immersed in sentiment, preoccupied with personality and yearn less for cold, efficient victory than we do for the dramatic romance of defeat.

Every British sports fan is forever waiting for that Gazza moment: the emergence of a maverick figure, rendered great by instinctive talent not methodical coaching, and driven by volatile emotion not clear-eyed will to win.  But what really immortalized Gazza was that he often wore comedy fake breasts and sometimes cried. The images of him doing so were captured forever and held dear to every football fan’s hearts. The loveable fool, the genius man-child, the wide-eyed idiot savant, stealing emotional collapse from the jaws of a glorious triumph. This is the sporting narrative that has obsessed the British public ever since.

But the truth is that Gazza was a failure. He showed glimpses of what he might have become back in 1990 but, from the moment he burst out in tears that night in Turin, he never came close to fulfilling his potential ever again. That’s why he is loved and romantiscsied so much. He could have been like his German counterpart that night, Lothar Mattahus, who went on to lift the World Cup before triumphing in a succession of other tournaments for club and country. He was not cheeky, daft, charismatic or given to stumbling drunk out of kebab shops in full view of the paps. And that was no coincidence either. He was a winner, so he went to bed early and trained hard every day. That kind of application doesn’t play with the British public the way it does with the Germans. Perhaps it’s because the British public see something slightly vulgar in winning.

We love charismatic losers like Gazza, Jimmy White, Alex Higgins, George Best and Frank Bruno. The rogues and chancers who blew their talent – or just weren’t quite that good enough. The real winners we have produced, from Steve Davis to Linford Christie to Lewis Hamilton to Lennox Lewis, have been deemed too dull and robotic to fully qualify for our affections.

We like our sporting icons to be ‘human.’ That is to say we like them to be flawed, ordinary, dumb and often drunk. Perhaps it was possible to be ‘human’ and successful a few decades ago, when international footballers could turn up five minutes before kick off smoking a fag with a fried breakfast inside of them and still bag a hat trick. But sport is more serious than that nowadays. There will never be another Gazza because someone like him would be lucky to be playing in the higher divisions of non-league football nowadays. Being ‘human’ and being successful are now mutually exclusive characteristics.

We Brits regard sport as a soap opera: everything must be richly infused with sentimentality and melodrama. According to the outraged critics who condemned Stuart Pearce over the matter, David Beckham should have been part of the Team GB not because he was one of the best British footballers available but because he was an icon, a patriot and a man who addressed television interviewers with an appealingly boyish politeness. This is the X Factor generation, who want their sports stars like their talent show contestants: either tragic, or comic, or both  - and with a back story that can be neatly encapsulated in a ninety second montage to the accompaniment of a Coldplay track.

But of course, Andy Murray should not have to wear fake breasts, eat a kebab or perform hilarious impressions of other tennis stars in order to convince us he is human. The ins and outs of his character shouldn’t be here nor there to any of us who love sport for what it is: a contest of physical prowess. Unfortunately, too many Brits regard a serious demeanor to be alienating and objectionable rather than an admirable sign of a winning mentality. Yes, Olympic Gold Medals are all very well for other countries. But over here, nothing quite matches up to the dubious prestige of the BBC Sports Personality Of The Year.

Sam Delaney writes for The Guardian and is a host on talkSPORT. Follow him on Twitter @delaneyman

 

Andy Murray: good at tennis, but "a bit miserable and scruffy" for our tastes. Photograph: Getty Images

Sam Delaney also writes for The Guardian, The Big Issue and numerous others.  He is the author of two books: ‘Get Smashed – The Story Of The Men Who Made The Ads That Changed Our Lives’ and ‘Night Of The Living Dad.’ He has written and presented documentaries for the BBC and Channel 4 and is a host on talkSPORT radio.

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What David Hockney has to tell us about football

Why the sudden glut of blond footballers? A conversation I had with the artist back in 1966 gave me a clue. . .

In 1966, I went to interview David Hockney at a rather run-down flat in Bayswater, central London. He was 28 and had just won a gold medal at the Royal College of Art.

In his lavatory, I noticed a cut-out photograph from a newspaper of Denis Law scoring a goal. I asked if he was a football fan. He said no, he just liked Denis Law’s thighs.

The sub-editors cut that remark out of the story, to save any gossip or legal problems. In 1966 homosexual activity could still be an offence.

Hockney and a friend had recently been in the United States and had been watching an advert on TV that said “Blondes have more fun”. At two o’clock in the morning, slightly drunk, they both went out, bought some hair dye and became blond. Hockney decided to remain blond from then on, though he has naturally dark hair.

Is it true that blonds have more fun? Lionel Messi presumably thinks so, otherwise why has he greeted this brand-new season with that weird blond hair? We look at his face, his figure, his posture and we know it’s him – then we blink, thinking what the heck, does he realise some joker has been pouring stuff on his head?

He has always been such a staid, old-fashioned-looking lad, never messing around with his hair till now. Neymar, beside him, has gone even blonder, but somehow we expect it of him. He had foony hair even before he left Brazil.

Over here, blonds are popping up all over the shop. Most teams now have a born-again blondie. It must take a fortune for Marouane Fellaini of Man United to brighten up his hair, as he has so much. But it’s already fading. Cheapskate.

Mesut Özil of Arsenal held back, not going the full head, just bits of it, which I suspect is a clue to his wavering, hesitant personality. His colleague Aaron Ramsey has almost the full blond monty. Paul Pogba of Man United has a sort of blond streak, more like a marker pen than a makeover. His colleague Phil Jones has appeared blond, but he seems to have disappeared from the team sheet. Samir Nasri of Man City went startlingly blond, but is on loan to Seville, so we’re not able to enjoy his locks. And Didier Ndong of Sunderland is a striking blond, thanks to gallons of bleach.

Remember the Romanians in the 1998 World Cup? They suddenly appeared blond, every one of them. God, that was brilliant. One of my all-time best World Cup moments, and I was at Wembley in 1966.

So, why do they do it? Well, Hockney was right, in a sense. Not to have more fun – meaning more sex – because top footballers are more than well supplied, but because their normal working lives are on the whole devoid of fun.

They can’t stuff their faces with fast food, drink themselves stupid, stay up all night, take a few silly pills – which is what many of our healthy 25-year-old lads consider a reasonably fun evening. Nor can they spend all their millions on fun hols, such as skiing in the winter, a safari in the spring, or hang-gliding at the weekend. Prem players have to be so boringly sensible these days, or their foreign managers will be screaming at them in their funny foreign accents.

While not on the pitch, or training, which takes up only a few hours a day, the boredom is appalling, endlessly on planes or coaches or in some hotel that could be anywhere.

The only bright spot in the long days is to look in the mirror and think: “Hmm, I wonder what highlights would look like? I’ve done the beard and the tattoos. Now let’s go for blond. Wow, gorgeous.”

They influence each other, being simple souls, so when one dyes his hair, depending on where he is in the macho pecking order, others follow. They put in the day by looking at themselves. Harmless fun. Bless ’em.

But I expect all the faux blonds to have gone by Christmas. Along with Mourinho. I said that to myself the moment he arrived in Manchester, smirking away. Pep will see him off. OK then, let’s say Easter at the latest . . . 

Hunter Davies is a journalist, broadcaster and profilic author perhaps best known for writing about the Beatles. He is an ardent Tottenham fan and writes a regular column on football for the New Statesman.

This article first appeared in the 22 September 2016 issue of the New Statesman, The New Times