Justin Fashanu and the politics of memory

The narrative that homophobia in football was primarily responsible for his death forms a dauntingly

Fourteen years since his demise, Justin Fashanu remains one of football’s most politicised yet least understood figures – despite conducting his entire adult life in the media spotlight.

Rounding up the coverage of his death for the Gay Times (June 1998), Vicky Powell noted that "scarcely have there ever been obituaries so devoid of feeling, compassion or warmth" as those for Justin. In the aftermath, he was portrayed as "the Walter Mitty of football" (Guardian), a "predatory gay man" (Sun) and "the architect of his own downfall" killing himself to escape "torment over his homosexual lifestyle" (Mail). Only the Independent and the Times placed Justin in any social context, the latter concluding that "he might have had a less troubled life had his talents been made for a more forgiving arena".

As the tenth anniversary of his death approached, there seemed to be little reconsideration of the cultural meanings of his life (all I noticed was a Scotland on Sunday article reiterating the negative perception of Justin). Aware from ex-manager Brian Clough’s autobiography and elsewhere that prejudice from colleagues and crowds blighted Justin before and after he came out, some team-mate at an LGBT club in Brighton and I co-founded the Justin Campaign, aiming to incite a wider debate about homophobia, biphobia and transphobia in football.

We held intense conversations about whether it was ethical to use Justin’s memory in this way, however much we thought he might have approved. (We later learned that despite appearing as a role model, he didn’t involve himself in activist groups such as Stonewall or OutRage, or elsewhere, despite his friendship with Peter Tatchell.)

Having studied his life, from his childhood in a Barnardo’s home and with a foster family in rural Norfolk, the goal of the season which made him nationally famous whilst at Norwich City and the failure of his £1m transfer to Nottingham Forest, all before he turned 21, to his subsequently nomadic career and tragic death, we acknowledged that his difficulties were not solely due to homophobia. We could not ignore his mistakes, not least that he died after being accused of sexual assault, but we would emphasise his struggle against discrimination, and ask how it may have affected his mental state. This made our platform workable, and contributed towards more sympathetic reassessment of Justin, and of football’s treatment of sexual and gender diversity (even in the Mail), but also obscured the complexities of his life.

Inflammatory as it felt, John Fashanu’s recent attempt to short circuit the debate by claiming that his brother “wasn’t really gay” is a red herring. Given that he also had relations with women, there is perhaps an argument about whether Justin was gay or bisexual, or something else, but that concerns the validity of identities attached to sexual behaviour, and the pitfalls of assigning (or re-assigning) them to the deceased. Whatever label is used, Justin was not lying about the fact that had sex with men, and spent time on "the scene" in Nottingham, London and elsewhere throughout his adult life, all of which he spent in football.

Famously, this brought conflict with arch-traditionalist Clough, who asked why he kept "going to those bloody poofs’ clubs" but after leaving, he briefly flourished at neighbouring Notts County, then in the top flight. What destroyed him, as much as the clash between sexuality and his profession, were injury, his double-edged engagement with Evangelical Christianity and his Faustian pact with the tabloids – which really began when he tried to sue the Sunday People after it carried a front-page story headed "I am not gay" which published rumours about his nights at Nottingham’s Part Two.

In December 1981, Justin crashed his car for the second time. On the Autocar forecourt in Nottingham, the salesman convinced him to find God. But, to his surprise, Justin’s proclaimed belief, teetotalism and celibacy baffled and affronted Clough as much as his sexuality, and his acrimonious exit from the City Ground was sparked by Justin bringing his spiritual guide to training – Clough screamed "the religious bloke has got to go" and rang the police to escort them out.

After moving to Notts County, where he spent three years, Justin trumpeted his faith – when he joined Brighton & Hove Albion in June 1985, the Argus said it had been "over-stated". Privately, he struggled to reconcile it with his sexual desires, lamenting the lack of support from the Church on the matter in his Stonewall 25 contribution, "Strong Enough to Survive". Perhaps because his religion was assumed to have covered for his sexuality, the subject was seldom raised after he came out, despite the fact that his last words were "I hope the Jesus I love welcomes me home". One indicator of how Justin is remembered, his Wikipedia page, barely mentions it. (As it stands, anyway.)

Coming out by selling his sexuality to the Sun was one way to meet some of the debts he accrued in trying to fix the horrific knee injury that ended his time in the First Division. It did not, as Justin later claimed, end his career, but actually revived it: he was out of League football at the time. Wanting a high-profile yet affordable player to drive up their crowds, Torquay United, newly promoted to Division Three, gambled on Justin (paying him three times more than their previous highest earner) despite doubts about how his sexuality would be received and, his fitness. He performed brilliantly – ten goals in his first season despite his club being relegated – but his realisation that he could make easy money by selling stories about his private life, whatever their veracity, ended disastrously.

After his fabricated "relationship" with Coronation Street’s Julie Goodyear, and various other media appearances (including a Guardian article in May 1992 urging readers to vote Conservative), Torquay chairman Mike Bateson declined to promote Justin from coach to manager. This led Justin to leave, first for Airdrieonians and then Heart of Midlothian, one of Scotland’s top sides. They sacked him in February 1994 after his attempts to sell stories to the Sunday People about his affairs with Conservative MPs ended with him being questioned by the police and his admission that none were true.

No top-level club touched Justin again – but this may have been because he was 33, out of form and playing with an injured knee. (Footballers have done worse and stayed in the sport if clubs feel they have something to offer, after all.) Nor did the tabloids, despite having taken great interest in Justin when he was profitable: the fallout undoubtedly informed their spiteful response to his death, setting the terms for the polarisation of his memory. Now, surely, enough has passed for us to consider the shades in Justin’s story, remembering him as someone who struggled with a difficult family background and a host of prejudices, against his ethnicity, his sexuality and his faith, in a time that probably wasn’t ready for him. Not only is that fairer for Justin, but it’s fairer for any closeted footballers, for whom the narrative that homophobia in football was primarily responsible for his death forms a dauntingly negative precedent.

Justin Fashanu, pictured here in 1981 when he played for Norwich City. Photograph: Getty Images

Juliet Jacques is a freelance journalist and writer who covers gender, sexuality, literature, film, art and football. Her writing can be found on her blog at and she can be contacted on Twitter @julietjacques.

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Erdogan’s purge was too big and too organised to be a mere reaction to the failed coup

There is a specific word for the melancholy of Istanbul. The city is suffering a mighty bout of something like hüzün at the moment. 

Even at the worst of times Istanbul is a beautiful city, and the Bosphorus is a remarkable stretch of sea. Turks get very irritated if you call it a river. They are right. The Bosphorus has a life and energy that a river could never equal. Spend five minutes watching the Bosphorus and you can understand why Orhan Pamuk, Turkey’s Nobel laureate for literature, became fixated by it as he grew up, tracking the movements of the ocean-going vessels, the warships and the freighters as they steamed between Asia and Europe.

I went to an Ottoman palace on the Asian side of the Bosphorus, waiting to interview the former prime minister Ahmet Davu­toglu. He was pushed out of office two months ago by President Recep Tayyip Erdogan when he appeared to be too wedded to the clauses in the Turkish constitution which say that the prime minister is the head of government and the president is a ceremonial head of state. Erdogan was happy with that when he was prime minister. But now he’s president, he wants to change the constitution. If Erdogan can win the vote in parliament he will, in effect, be rubber-stamping the reality he has created since he became president. In the days since the attempted coup, no one has had any doubt about who is the power in the land.

 

City of melancholy

The view from the Ottoman palace was magnificent. Beneath a luscious, pine-shaded garden an oil tanker plied its way towards the Black Sea. Small ferries dodged across the sea lanes. It was not, I hasten to add, Davutoglu’s private residence. It had just been borrowed, for the backdrop. But it reminded a Turkish friend of something she had heard once from the AKP, Erdogan’s ruling party: that they would not rest until they were living in the apartments with balconies and gardens overlooking the Bosphorus that had always been the preserve of the secular elite they wanted to replace.

Pamuk also writes about hüzün, the melancholy that afflicts the citizens of Istanbul. It comes, he says, from the city’s history and its decline, the foghorns on the Bosphorus, from tumbledown walls that have been ruins since the fall of the Byzantine empire, unemployed men in tea houses, covered women waiting for buses that never come, pelting rain and dark evenings: the city’s whole fabric and all the lives within it. “My starting point,” Pamuk wrote, “was the emotion that a child might feel while looking through a steamy window.”

Istanbul is suffering a mighty bout of something like hüzün at the moment. In Pamuk’s work the citizens of Istanbul take a perverse pride in hüzün. No one in Istanbul, or elsewhere in Turkey, can draw comfort from what is happening now. Erdogan’s opponents wonder what kind of future they can have in his Turkey. I think I sensed it, too, in the triumphalist crowds of Erdogan supporters that have been gathering day after day since the coup was defeated.

 

Down with the generals

Erdogan’s opponents are not downcast because the coup failed; a big reason why it did was that it had no public support. Turks know way too much about the authoritarian ways of military rule to want it back. The melancholy is because Erdogan is using the coup to entrench himself even more deeply in power. The purge looks too far-reaching, too organised and too big to have been a quick reaction to the attempt on his power. Instead it seems to be a plan that was waiting to be used.

Turkey is a deeply unhappy country. It is hard to imagine now, but when the Arab uprisings happened in 2011 it seemed to be a model for the Middle East. It had elections and an economy that worked and grew. When I asked Davutoglu around that time whether there would be a new Ottoman sphere of influence for the 21st century, he smiled modestly, denied any such ambition and went on to explain that the 2011 uprisings were the true succession to the Ottoman empire. A century of European, and then American, domination was ending. It had been a false start in Middle Eastern history. Now it was back on track. The people of the region were deciding their futures, and perhaps Turkey would have a role, almost like a big brother.

Turkey’s position – straddling east and west, facing Europe and Asia – is the key to its history and its future. It could be, should be, a rock of stability in a desperately un­stable part of the world. But it isn’t, and that is a problem for all of us.

 

Contagion of war

The coup did not come out of a clear sky. Turkey was in deep crisis before the attempt was made. Part of the problem has come from Erdogan’s divisive policies. He has led the AKP to successive election victories since it first won in 2002. But the policies of his governments have not been inclusive. As long as his supporters are happy, the president seems unconcerned about the resentment and opposition he is generating on the other side of politics.

Perhaps that was inevitable. His mission, as a political Islamist, was to change the country, to end the power of secular elites, including the army, which had been dominant since Mustafa Kemal Atatürk created modern Turkey after the collapse of the Ottoman empire. And there is also the influence of chaos and war in the Middle East. Turkey has borders with Iraq and Syria, and is deeply involved in their wars. The borders do not stop the contagion of violence. Hundreds of people have died in the past year in bomb attacks in Turkish cities, some carried out by the jihadists of so-called Islamic State, and some sent by Kurdish separatists working under the PKK.

It is a horrible mix. Erdogan might be able to deal with it better if he had used the attempted coup to try to unite Turkey. All the parliamentary parties condemned it. But instead, he has turned the power of the state against his opponents. More rough times lie ahead.

Jeremy Bowen is the BBC’s Middle East editor. He tweets @bowenbbc

This article first appeared in the 28 July 2016 issue of the New Statesman, Summer Double Issue