Justin Fashanu and the politics of memory

The narrative that homophobia in football was primarily responsible for his death forms a dauntingly

Fourteen years since his demise, Justin Fashanu remains one of football’s most politicised yet least understood figures – despite conducting his entire adult life in the media spotlight.

Rounding up the coverage of his death for the Gay Times (June 1998), Vicky Powell noted that "scarcely have there ever been obituaries so devoid of feeling, compassion or warmth" as those for Justin. In the aftermath, he was portrayed as "the Walter Mitty of football" (Guardian), a "predatory gay man" (Sun) and "the architect of his own downfall" killing himself to escape "torment over his homosexual lifestyle" (Mail). Only the Independent and the Times placed Justin in any social context, the latter concluding that "he might have had a less troubled life had his talents been made for a more forgiving arena".

As the tenth anniversary of his death approached, there seemed to be little reconsideration of the cultural meanings of his life (all I noticed was a Scotland on Sunday article reiterating the negative perception of Justin). Aware from ex-manager Brian Clough’s autobiography and elsewhere that prejudice from colleagues and crowds blighted Justin before and after he came out, some team-mate at an LGBT club in Brighton and I co-founded the Justin Campaign, aiming to incite a wider debate about homophobia, biphobia and transphobia in football.

We held intense conversations about whether it was ethical to use Justin’s memory in this way, however much we thought he might have approved. (We later learned that despite appearing as a role model, he didn’t involve himself in activist groups such as Stonewall or OutRage, or elsewhere, despite his friendship with Peter Tatchell.)

Having studied his life, from his childhood in a Barnardo’s home and with a foster family in rural Norfolk, the goal of the season which made him nationally famous whilst at Norwich City and the failure of his £1m transfer to Nottingham Forest, all before he turned 21, to his subsequently nomadic career and tragic death, we acknowledged that his difficulties were not solely due to homophobia. We could not ignore his mistakes, not least that he died after being accused of sexual assault, but we would emphasise his struggle against discrimination, and ask how it may have affected his mental state. This made our platform workable, and contributed towards more sympathetic reassessment of Justin, and of football’s treatment of sexual and gender diversity (even in the Mail), but also obscured the complexities of his life.

Inflammatory as it felt, John Fashanu’s recent attempt to short circuit the debate by claiming that his brother “wasn’t really gay” is a red herring. Given that he also had relations with women, there is perhaps an argument about whether Justin was gay or bisexual, or something else, but that concerns the validity of identities attached to sexual behaviour, and the pitfalls of assigning (or re-assigning) them to the deceased. Whatever label is used, Justin was not lying about the fact that had sex with men, and spent time on "the scene" in Nottingham, London and elsewhere throughout his adult life, all of which he spent in football.

Famously, this brought conflict with arch-traditionalist Clough, who asked why he kept "going to those bloody poofs’ clubs" but after leaving, he briefly flourished at neighbouring Notts County, then in the top flight. What destroyed him, as much as the clash between sexuality and his profession, were injury, his double-edged engagement with Evangelical Christianity and his Faustian pact with the tabloids – which really began when he tried to sue the Sunday People after it carried a front-page story headed "I am not gay" which published rumours about his nights at Nottingham’s Part Two.

In December 1981, Justin crashed his car for the second time. On the Autocar forecourt in Nottingham, the salesman convinced him to find God. But, to his surprise, Justin’s proclaimed belief, teetotalism and celibacy baffled and affronted Clough as much as his sexuality, and his acrimonious exit from the City Ground was sparked by Justin bringing his spiritual guide to training – Clough screamed "the religious bloke has got to go" and rang the police to escort them out.

After moving to Notts County, where he spent three years, Justin trumpeted his faith – when he joined Brighton & Hove Albion in June 1985, the Argus said it had been "over-stated". Privately, he struggled to reconcile it with his sexual desires, lamenting the lack of support from the Church on the matter in his Stonewall 25 contribution, "Strong Enough to Survive". Perhaps because his religion was assumed to have covered for his sexuality, the subject was seldom raised after he came out, despite the fact that his last words were "I hope the Jesus I love welcomes me home". One indicator of how Justin is remembered, his Wikipedia page, barely mentions it. (As it stands, anyway.)

Coming out by selling his sexuality to the Sun was one way to meet some of the debts he accrued in trying to fix the horrific knee injury that ended his time in the First Division. It did not, as Justin later claimed, end his career, but actually revived it: he was out of League football at the time. Wanting a high-profile yet affordable player to drive up their crowds, Torquay United, newly promoted to Division Three, gambled on Justin (paying him three times more than their previous highest earner) despite doubts about how his sexuality would be received and, his fitness. He performed brilliantly – ten goals in his first season despite his club being relegated – but his realisation that he could make easy money by selling stories about his private life, whatever their veracity, ended disastrously.

After his fabricated "relationship" with Coronation Street’s Julie Goodyear, and various other media appearances (including a Guardian article in May 1992 urging readers to vote Conservative), Torquay chairman Mike Bateson declined to promote Justin from coach to manager. This led Justin to leave, first for Airdrieonians and then Heart of Midlothian, one of Scotland’s top sides. They sacked him in February 1994 after his attempts to sell stories to the Sunday People about his affairs with Conservative MPs ended with him being questioned by the police and his admission that none were true.

No top-level club touched Justin again – but this may have been because he was 33, out of form and playing with an injured knee. (Footballers have done worse and stayed in the sport if clubs feel they have something to offer, after all.) Nor did the tabloids, despite having taken great interest in Justin when he was profitable: the fallout undoubtedly informed their spiteful response to his death, setting the terms for the polarisation of his memory. Now, surely, enough has passed for us to consider the shades in Justin’s story, remembering him as someone who struggled with a difficult family background and a host of prejudices, against his ethnicity, his sexuality and his faith, in a time that probably wasn’t ready for him. Not only is that fairer for Justin, but it’s fairer for any closeted footballers, for whom the narrative that homophobia in football was primarily responsible for his death forms a dauntingly negative precedent.

Justin Fashanu, pictured here in 1981 when he played for Norwich City. Photograph: Getty Images

Juliet Jacques is a freelance journalist and writer who covers gender, sexuality, literature, film, art and football. Her writing can be found on her blog at and she can be contacted on Twitter @julietjacques.

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With the BBC Food’s collection under threat, here's how to make the most of online recipes

Do a bit of digging, trust your instincts – and always read the comments.

I don’t think John Humphrys is much of a chef. Recently, as his Today co-presenter Mishal Husain was discussing the implications of the BBC’s decision to axe its Food website (since commuted to transportation to the Good Food platform, run by its commercial arm), sharp-eared listeners heard the Humph claim that fewer recipes on the web could only be a good thing. “It would make it easier!” he bellowed in the background. “We wouldn’t have to choose between so many!”

Husain also seemed puzzled as to why anyone would need more than one recipe for spaghetti bolognese – but, as any keen cook knows, you can never have too many different takes on a dish. Just as you wouldn’t want to get all your news from a single source, it would be a sad thing to eat the same bolognese for the rest of your life. Sometimes only a molto autentico version, as laid down by a fierce Italian donna, rich with tradition and chopped liver, will do – and sometimes, though you would never admit it in a national magazine, you crave the comfort of your mum’s spag bol with grated cheddar.

The world wouldn’t starve without BBC Food’s collection but, given that an online search for “spaghetti bolognese recipe” turns up about a million results, it would have been sad to have lost one of the internet’s more trustworthy sources of information. As someone who spends a large part of each week researching and testing recipes, I can assure you that genuinely reliable ones are rarer than decent chips after closing time. But although it is certainly the only place you’ll find the Most Haunted host Yvette Fielding’s kedgeree alongside Heston Blumenthal’s snail porridge, the BBC website is not the only one that is worth your time.

The good thing about newspaper, magazine and other commercial platforms is that most still have just enough budget to ensure that their recipes will have been made at least twice – once by the writer and once for the accompanying photographs – though sadly the days when everyone employed an independent recipe tester are long gone. Such sites also often have sufficient traffic to generate a useful volume of comments. I never make a recipe without scrolling down to see what other people have said about it. Get past the “Can’t wait to make this!” brigade; ignore the annoying people who swap baked beans for lentils and then complain, “This is nothing like dhal”; and there’s usually some sensible advice in there, too.

But what about when you leave the safety of the big boys and venture into the no man’s land of the personal blog? How do you separate the wheat from the chaff and find a recipe that actually works? You can often tell how much work a writer has put in by the level of detail they go into: if they have indicated how many people it serves, or where to find unusual ingredients, suggested possible tweaks and credited their original sources, they have probably made the dish more than once. The photography is another handy clue. You don’t have to be Annie Leibovitz to provide a good idea of what the finished dish ought to look like.

Do a bit of digging as part of your prep. If you like the look of the rest of the site, the author’s tastes will probably chime with your own. And always, always, wherever the recipe is from, read it all the way through, even before you order the shopping. There is nothing more annoying than getting halfway through and then realising that you need a hand blender to finish the dish, just as the first guest arrives.

Above all, trust your instincts. If the cooking time seems far too short, or the salt content ridiculously high, it probably is, so keep an eye on that oven, check that casserole, keep tasting that sauce. As someone who once published a magic mince pie recipe without any sugar, I’m living proof that, occasionally, even the very best of us make mistakes. 

Felicity Cloake is the New Statesman’s food columnist. Her latest book is The A-Z of Eating: a Flavour Map for Adventurous Cooks.

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad