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Can’t take a joke? Too right, says Laurie Penny

Racist, sexist or homophobic banter draws its lazy humour from exclusion.

Racist, sexist or homophobic banter draws its lazy humour from exclusion.

Boys are funny, aren't they? I mean funny as in curious, not funny as in ha-ha. One minute they're all bogeys and pokemon and perilous attempts to set fire to their own farts, and the next they're making hilarious jokes about gang-rape. First, there was 'unilad,' the student magazine for undergraduates looking to affirm their own masculinity with a bit of joshing about how rape is just surprise sex. Then there were the 'G4'- four rich city boys whose cringeworthy email about a planned rugby bender in Dubai was leaked to the press, including 'rules' about 'laddish' behaviour like high- fiving each other during notional gang-bangs in which they would degrade the women involved. They also swore not to phone the girlfriends they had somehow managed to acquire, although this seems unlikely to remain an obstacle for long.

'Lad banter' is nothing new- but the leakiness of data online means that a large number of women can now see the way that we have always suspected some men talk about us behind our backs. Before they were chased from the internet by fire-breathing feminist hellwraiths, the jolly boys at Unilad apologised for 'going too far' and for causing offence. This is an Olympian feat of point- missage: the problem is not the offence caused but the fact that some men still think that this is an acceptable way to talk about women in or out of our earshot.

Some jokes are designed to make people feel powerful by dehumanising others. Racist, sexist or homophobic banter draws its lazy humour from exclusion, and in general, the worse a joke is, the smaller the circle of people likely to 'get' it. When people accuse women of inability to 'take a joke' when men humiliate, objectify or degrade us, they are absolutely right. The 'joke' wouldn't work if it were designed for us to appreciate, because that sort of humour is based on cruelty, on making men feel big and stiff at women's expense. Some jokes we are simply expected to 'take' rather like one might take a punch.

That this sort of misogynist table-thumping has more than a little of the playground to it is not accidental. It is learned in the playground. I remember ten years ago, in year eleven, the way the loud, overweight boy in who might have been bullied if it were not for his particular penchant for filthy banter used to speculate, as soon as the teacher left the room, as to how the genitals of the prettiest girl in English class might taste - like bacon? Like beef? Was she shaved?

I remember how she just sat there with her eyes lowered, waiting for it to stop. With hindsight I can understand the vulnerability of these spotty little underage virgins, the anxiety to prove themselves men, which meant adopting the postures of a circle of angry power that excluded all of the girls as well as not a small number of the boys. It excluded the shy, the nerdy, the obviously gay, and the one or two who had somehow learned years or decades ahead of their peers that women and girls were real human beings with dreams and desires and personal agency.

I wonder if hindsight works the same way for the rest of those boys, wherever they are now. I wonder if some of them look back and see the harm that their lairy bullying and baseless sexual boasting caused. Or perhaps not. Perhaps they just grew up into wealthy, powerful douchebags like the self-styled 'G4', entertaining heady fantasies of gang-rape as part of a language of violent sexist posturing kept entirely private from the women in their lives. That would be funny. But not funny ha-ha.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

This article first appeared in the 20 February 2012 issue of the New Statesman, How do we stop Iran getting the bomb?

Photo: Getty
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The rise of the green mayor – Sadiq Khan and the politics of clean energy

At an event at Tate Modern, Sadiq Khan pledged to clean up London's act.

On Thursday night, deep in the bowls of Tate Modern’s turbine hall, London Mayor Sadiq Khan renewed his promise to make the capital a world leader in clean energy and air. Yet his focus was as much on people as power plants – in particular, the need for local authorities to lead where central governments will not.

Khan was there to introduce the screening of a new documentary, From the Ashes, about the demise of the American coal industry. As he noted, Britain continues to battle against the legacy of fossil fuels: “In London today we burn very little coal but we are facing new air pollution challenges brought about for different reasons." 

At a time when the world's leaders are struggling to keep international agreements on climate change afloat, what can mayors do? Khan has pledged to buy only hybrid and zero-emissions buses from next year, and is working towards London becoming a zero carbon city.

Khan has, of course, also gained heroic status for being a bête noire of climate-change-denier-in-chief Donald Trump. On the US president's withdrawal from the Paris Agreement, Khan quipped: “If only he had withdrawn from Twitter.” He had more favourable things to say about the former mayor of New York and climate change activist Michael Bloomberg, who Khan said hailed from “the second greatest city in the world.”

Yet behind his humour was a serious point. Local authorities are having to pick up where both countries' central governments are leaving a void – in improving our air and supporting renewable technology and jobs. Most concerning of all, perhaps, is the way that interest groups representing business are slashing away at the regulations which protect public health, and claiming it as a virtue.

In the UK, documents leaked to Greenpeace’s energy desk show that a government-backed initiative considered proposals for reducing EU rules on fire-safety on the very day of the Grenfell Tower fire. The director of this Red Tape Initiative, Nick Tyrone, told the Guardian that these proposals were rejected. Yet government attempts to water down other EU regulations, such as the energy efficiency directive, still stand.

In America, this blame-game is even more highly charged. Republicans have sworn to replace what they describe as Obama’s “war on coal” with a war on regulation. “I am taking historic steps to lift the restrictions on American energy, to reverse government intrusion, and to cancel job-killing regulations,” Trump announced in March. While he has vowed “to promote clean air and clear water,” he has almost simultaneously signed an order to unravel the Clean Water Rule.

This rhetoric is hurting the very people it claims to protect: miners. From the Ashes shows the many ways that the industry harms wider public health, from water contamination, to air pollution. It also makes a strong case that the American coal industry is in terminal decline, regardless of possibile interventions from government or carbon capture.

Charities like Bloomberg can only do so much to pick up the pieces. The foundation, which helped fund the film, now not only helps support job training programs in coal communities after the Trump administration pulled their funding, but in recent weeks it also promised $15m to UN efforts to tackle climate change – again to help cover Trump's withdrawal from Paris Agreement. “I'm a bit worried about how many cards we're going to have to keep adding to the end of the film”, joked Antha Williams, a Bloomberg representative at the screening, with gallows humour.

Hope also lies with local governments and mayors. The publication of the mayor’s own environment strategy is coming “soon”. Speaking in panel discussion after the film, his deputy mayor for environment and energy, Shirley Rodrigues, described the move to a cleaner future as "an inevitable transition".

Confronting the troubled legacies of our fossil fuel past will not be easy. "We have our own experiences here of our coal mining communities being devastated by the closure of their mines," said Khan. But clean air begins with clean politics; maintaining old ways at the price of health is not one any government must pay. 

'From The Ashes' will premiere on National Geograhpic in the United Kingdom at 9pm on Tuesday, June 27th.

India Bourke is an environment writer and editorial assistant at the New Statesman.

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