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"Divide and rule"? Diane Abbott was right, says Laurie Penny

The privileged will do anything to distract attention from their own power.

The privileged will do anything to distract attention from their own power.

Racism, as the British National Party and its neo-fascist street imitators have been arguing for years, cuts both ways. On 4 January, a black British woman MP hammered out a comment on Twitter which could, taken entirely out of context, be interpreted as a a generalisation about white people. Diane Abbott MP is now Britain's best-known racist -- in a week when the nation's top story has been the prosecution of the murder of a black teenager by a gang of white youths and the subsequent "institutional racism" that was unearthed in the handling of the case by the Metropolitan police.

But hang on, what was it that Abbott actually said? Let's have a little look at the generalisation over which the Hackney MP got a public dressing-down from her own party. Abbott said that "white people" like to play the game of "divide and rule". That's rude, isn't it? Clearly she thinks that ordinary white people like me spend the waking hours between tooth-brushing and the office dividing and ruling. It couldn't possibly be a comment on the structural imposition of power along lines of race and class, particularly not from a veteran anti-racist campaigner, and especially not in a week where institutional racism is in the news. That would just be silly.

Dorian Lynskey's comments on the matter are worth quoting at length. He points out that Abbott, who has a track record of saying the right thing in just the wrong way -- "she should have said 'white people in power' or 'certain white people'" -- was essentially on the money.

[Abbott] clarified that she was referring to 19th century colonialism when, to take just one example, the Belgians colonising modern-day Rwanda strategically favoured the Tutsis over the Hutus and sowed the seeds of attempted genocide a century later. But you don't need to go back that far. The US government's efforts to disrupt the civil rights and Black Power movements are a textbook example of divide-and-rule. It is what dominant powers do. To read her tweet as an indictment of every single white person in the world requires either paranoia or malice. Most of all it means denying that power matters.

The British right has always been allergic to any structural understanding of racial politics, and all week, the commentariat has been coming out in hives. A day before Abbottgate, a Telegraph leader wrung its hands over the profound impact of the Lawrence trial on racial awareness in British public life, complaining that "people" have "found themselves denounced for harmless, if inappropriate, remarks". Elsewhere, former Prospect editor David Goodhart wrote that:

If the Stephen Lawrence case may help to diminish a black grievance culture, it is likely to increase a white working class one . . . this is part of a broader story of how parts of white working class London, especially in the east and the south, felt that they had to accommodate the changes required by post-war immigration...and then had to endure lectures about racism from middle class liberals whose lives had not been changed at all.

The argument that the "white working class" has had anti-racist politics forced on it by "middle class liberals" is an insult to those white working-class people who have spent years, sometimes lifetimes, fighting racism in their communities. In Barking and Dagenham in 2010, thousands of the borough's residents mobilised to stop the British National Party gaining a foothold in Westminster. Goodhart's lazy generalisations play right into the language of the modern far-right: that anti-racism is itself racist, and that any gains for black people must produce equal and opposite losses for white people, in a world in which privilege and prejudice can never be fought, only redistributed.

There's a term for that tactic. The term is "divide and rule".

It's a tactic, as Abbott herself put it, "as old as colonialism" - and it's also a tactic as modern as Twitter. When those with an ideological or personal stake in defending the interests of privilege feel themselves under threat, their first line of defence is often to persuade the underprivileged that it is they who are under attack.

Rick Perry and Mitt Romney defend tax-breaks for the super-rich by telling blue-collar Americans that Democrats and union workers want to cut their paycheques: divide and rule. David Cameron denounces industrial action by encouraging low-paid private sector workers to complain that the pensions public sector workers are striking to protect are higher than theirs: divide and rule. David Willetts tells unemployed men that it's all these selfish women in the workplace who have taken their jobs: divide and rule. Ed Miliband and Liam Byrne, not to mention Ian Duncan Smith, defend the dismantling of the welfare state by persuading the working class that those in receipt of housing benefit are scroungers scamming the system. Divide, dismiss -- and rule.

Everywhere, the right fights public awareness of structural injustice by re-phrasing it as a personal attack by one vulnerable demographic on another. Structural injustice itself cannot be wedged into the story of neoliberalism, which reduces everything to a cloying moral syrup of personal responsibility lectures -- except where the banking sector is involved, of course.

What's missing from the story -- what's always missing -- is power. Defenders of privilege and hierarchy will do anything at all to distract attention from power, and to re-phrase attacks on power as attacks on the powerless. The chorus of faux-outrage over Abbott's tweet isn't just cynical; in a week when structural racism is in the news, it's a classic game of divide and rule.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

Reuters/New Statesman composite.
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When it comes to social media, we all have a responsibility to avoid sharing upsetting images

If Twitter is the new journalism, we are all editors – and responsible for treating our fellow humans with dignity.

“I wish I hadn’t seen that”, my colleague says from across the desk. It’s been an hour since the first reports came in of a shooting outside Parliament, and the news agency Reuters has started posting photographs of injured people, knocked down by the terrorist as he drove across Westminster Bridge.

In one, a brunette woman leans over a victim whose blood is beginning to stain the wet pavement. Lying on her back, she is framed by scattered postcards sold for tourists which have been knocked to the floor. She is clutching the arm of the woman helping her, but her eyes are staring dead into the photographer’s lens.

Another photograph – the one that my colleague is referring to – disturbs me even more: a man who has fallen (or been pushed?) off the bridge onto a stairwell. He is face down in a pool of blood, his left leg at an unnatural angle. It is impossible to tell if he is alive or not.

Briefly, before I scroll past, I wonder if someone, somewhere is seeing the same picture and experiencing a shock of recognition as they recognise their friend’s clothes.

And then there is one picture which I now cannot find on Twitter, but which, lying in bed last night, I could not stop thinking of: a woman’s legs extended from under the wheel of a bus, her skirt hiked up to show her underwear, her shoes missing.

We are a desk of journalists covering an attack on the Houses of Parliament, so I keep scrolling. It is only later, in an article by the Telegraph, that I learn a junior doctor has declared the woman dead.

Of course, the shock of seeing images like these is nothing compared to what war reporters, doctors or police go through on a regular basis. But a 2015 study at the University of Toronto found that extended exposure to violent or disturbing material can have a severe effect on journalists’ mental health.

The impact can be particularly confusing when one does not anticipate seeing violence.On social media, we increasingly encounter images this way: without warning and without a chance to steel ourselves. This is particularly a problem when it comes to members of the public, whose jobs don’t require them to look at shocking material but who can nevertheless be exposed to it just by virtue of using a social media network.

It is for this reason that, shortly after Reuters published their photographs of the Westminster victims, prominent journalists began posting asking their colleagues not to retweet them. Some protested the fact that Reuters had published them at all.

In today’s media landscape, news moves fast and social media faster. Where a picture editor would have previously had until their print deadline to decide which images to run, now photographers are able to send their work back to the office almost instantaneously, and editors must make a snap decision about what to release.

Deciding what images to use can be a difficult call – especially under pressure. On the one hand, there is the urge to not turn away, to bear witness to the full magnitude of what has happened, even if it is shocking and upsetting. On the other, there is the need to treat fellow human beings with dignity, and particularly to avoid, where possible, showing images of victims whose families have not yet been informed.

Social media makes this process even more difficult. Once released online, photographs of the Westminster attack were quickly saved and re-posted by private individuals, stripped of context or warning. One can choose not to follow the Reuters Pictures account, but one cannot necessarily avoid seeing an image once it is being retweeted, reposted and recycled by private accounts.

As the line between traditional news and social media blurs and we increasingly become participants in the news, as well as consumers of it, our sense of responsibility also shifts. On Twitter, we are our own editors, each charged with making sure we extend dignity to our fellow humans, even – especially – when the news is dramatic and fast-moving.

I was glad, this morning, to encounter fewer and fewer photographs – to not see the girl lying under the bus again. But at 3am last night, I thought about her, and about her family; about them knowing that journalists on desks across Britain had seen up their loved one’s skirt during the last moments of her life. It was, without putting too fine a point on it, no way to encounter a fellow human being.

Over the next few days, we will find out more about who the victims were. The media will release images of them in happier times, tell us about their jobs and careers and children – as is already happening with Keith Palmer, the policeman who we now know died on the Parliamentary Estate.

It is those images which I hope will be shared: not just as a way to resist fear, but as a way of acknowledging them as more than victims – of forging a different connection, based not in horror and voyeurism, but in a small moment of shared humanity.

There is no shame in being affected by graphic images, however removed one “ought” to feel. If you would like someone to talk to, Mind can provide details of local services.

The BBC also provides advice for those upset by the news.

Find out how to turn off Twitter image previews here.

Stephanie Boland is digital assistant at the New Statesman. She tweets at @stephanieboland