Show Hide image

Laurie Penny on Mrs T: unreliable narrator

There are many Maggie Thatchers, and which story we choose to tell says more about us than it does her.

There are many Maggie Thatchers, and which story we choose to tell says more about us than it does about her.

"I really wish," whispers my Northern Friend, watching the Grand Hotel explode into chunks of concrete on screen, "that they would stop making young Denis Thatcher so fanciable". On reflection, it may have been a mistake to go and see The Iron Lady, the ubiquitous Thatcher Biopic, in the company of seven anarchists who have partaken of fortifying cider before venturing into the Tottenham Court Road Odeon, but by the time the soaring theme-music starts to roll it's far, far too late.

The way in which we choose to tell the story of Margaret Thatcher will always be about more than one frail old lady losing her faculties in Belgravia. It's about the ideology that Thatcher represents, the free-market, anti-union, anti-state, pro-business fanaticism that divided the nation in the 1980s and is coming to divide it again. The opening shot, in which Meryl-Streep-as-Thatcher's wizened, liver-spotted paw reaches up to snatch an pint of milk from a shelf along with the inevitable Oscar -- a cheeky reference to the old Left nickname "Thatcher, Milk Snatcher'" for the benefit of those readers who have mentally erased the 1980s -- does not soften the blow of what is to come.

Bouffant battleaxe

Over the next one hundred and three minutes, I watch my friends sink into fetal positions in the snap-up seats as history is reshot with soaring trumpets in the background. In this nostalgic and mostly imaginary recent British past, we are a nation of strong, self-reliant businessfolks who don't believe in welfare. Thatcher was a feminist hero who refused to "die washing up a teacup". Unions are socially irresponsible throwbacks memorable only for allowing the rubbish to pile up in the street in the bad old days of the 1970s, before Maggie took power in an orgy of Union flags descending in slow motion from the ceilings of memory. War and spending cuts can save Britain, and the unemployed and dispossessed are snarling, ungrateful animals, thumping and screaming outside the darkened windows of a ministerial car.

I start peeking through my fingers when Maggie has her Next Top Model-esque makeover montage, transforming from matronly back-bencher to power-dressing, bouffant-haired battleaxe, and being strapped into a peacock-blue gown with a plunging neckline whilst she lectures Geoffrey Howe about the importance of public sector cuts. A couple of what look, from their trendy open-neck shirts and slick hair, to be young Conservatives in front of us are practically wetting themselves with excitement. "Oh god. The gay Tories are going to love this," the friend to my left says, a sentiment that might perhaps have caused the real Thatcher to tighten her grip on her handbag.

To my left, Anarcha-Feminist Friend has stopped rocking in her chair and started scribbling frantically in a notebook. "I've worked out how we can get through this," she says, "It's not a panegyric, it's actually a really clever story with an unreliable narrator, about a dotty old lady editing out all the bad bits of her legacy and remembering herself as a hero." Then we have to sit through the scene where Denis Thatcher literally ascends into heaven, leaving Maggie alone at the top of the stairs. "Jump," she whispers, too loudly. The young Conservatives glare at us.

My Northern Friend is supposed to be quitting smoking. Outside the Odeon, with the patriotic overture still ringing in our ears, he's sucking down his second Pall Mall in a row and shaking with rage. "I don't care if it's a hagiography, you can't make a film about Thatcher without talking about the Miners' Strike," he says. "They hardly even mentioned it." The young Conservatives stumble past us and out into the winter chill with the glazed, slightly sheepish expressions of punters leaving a strip-club. There are many Maggie Thatchers, and which story we choose to tell says more about us than it does about her. Right now, the official story is a nostalgic flag-waver about how war, markets and judiciously chosen twinsets saved Britain- but there are, and will always be, those who remember it differently.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

This article first appeared in the 16 January 2012 issue of the New Statesman, The battle for Britain

Getty
Show Hide image

Byron burgers and bacon sandwiches: can any politician get away with eating on camera?

Memo to aspirant world leaders: eating in public is a political minefield.

Miliband’s sandwich. Cameron’s hot dog. Osborne’s burger. The other Miliband’s banana. As well as excellent names for up-and-coming indie bands, these are just a few examples of now infamous food faux pas committed by British politicians.

During his entire mayoral campaign, Sadiq Khan refused to eat anything in public. When journalist Simon Hattenstone met him in his local curry house for the Guardian, the now-mayor didn’t eat a single bite despite “dish after dish” arriving at the table. Who can blame him? Though Ed Miliband had been pictured blunderingly eating a bacon sandwich an entire year earlier, the national furore around the incident had not yet died down. “He can make me look Clooneyesque or make me look like Ed eating a bacon sandwich,” Khan said of the photographer at the time.

Miliband’s bacon sandwich is now so infamous that I need offer no explanation for the event other than those words. There is an entire Wikipedia page dedicated to the photograph of Ed, lips curled and eyes rolling, as he tucks into that fateful sarnie. Yet politicians frequently bite off more than they can chew – why did Ed’s mishap inspire multiple headlines and an entire front page of The Sun?

Via Getty

“The momentum got behind the bacon sandwich story because he was awkward, it showed him in a light which was true - he was an awkward candidate in that election,” says Paul Baines, a professor of political marketing at Cranfield University. “He didn’t come across right.”

The photograph of Miliband fit neatly within a pre-existing image of the politician – that he was bumbling, incompetent, and unable to take control. Similarly, when David Cameron was pictured eating a hot dog with a knife and fork months later, the story reinforced popular notions of him as a posh, out-of-touch, champagne-swilling old Etonian. Though Oxford-educated, two-kitchen Miliband is nearly as privileged as Cameron, and Brexit-inducing Dave equally as incompetent as Ed, the pictures would not gain the same popularity in reverse. There are many, many less-than-flattering pictures of Cameron eating, but they didn’t fit into a workable narrative.

Via Getty

No one, for example, focused on the price of Ed’s sandwich. Purchased at New Covenant Garden Market, it was undoubtedly more expensive than Greggs’ £1.75 bacon roll – but no one cared. When George Osborne was pictured eating an £8 Byron burger whilst cutting £11.5 million from the British budget, however, the picture spoke to many. The then-chancellor was forced to explain that “McDonalds doesn't deliver”, although, as it turned out, Byron didn’t either.

“The idea was to try and display him in a good light – here's a guy eating a burger just like everyone else. The only problem was it was a posh burger and of course he didn't look like everyone else because he was spending ten quid on a burger,” explains Baines.

But Dave, Ed, and George are just the latest in a long, long line of politicians who have been mocked for their eating habits. Across the ocean, Donald Trump has been lambasted for liking his steak well done, while in 1976, Gerald Ford was mocked after biting into the inedible corn husk of a tamale. Why then, do politicians not copy Khan, and avoid being pictured around food altogether?

Via Getty

“Food connects everybody, food is essentially a connection to culture and the 'every person',” explains Baines. “[Nigel] Farage's appearance in the pub has definitely had a positive impact on how he's perceived by a big chunk of the working class electorate which is an important, sizeable group.” Though Cameron, too, has been pictured with pints, his undeniably weird grasp on the glass make the pictures seem inauthentic, compared to Farage whose pints are clearly at home in his hands. In America, Joe Biden managed to capture the same authenticity with an ice-cream cone.

“I think when it comes across badly is when it comes across as inauthentic,” says Baines. “If I were advising, I certainly wouldn't advise Theresa May to be seen in the pub having a pint, that would not shine with her particular character or style. But could Tim Farron come across better in that way? Possibly but it does have to be authentic.”

Food, then, can instantly make a politician seem in or out of touch. This is especially true when food connects to national identity. Tony Blair, for example, publicly claimed his favourite dish was fish and chips despite earlier saying it was fettuccine with olive oil, sundried tomatoes and capers. In the 1980s, Lord Mandelson allegedly mistook mushy peas for guacamole, insulting us all. In the States, you’d be hard pressed to find a politician who hasn’t been pictured with a hot dog, and there are entire articles dedicated to US politicians who eat pizza with a knife and fork. Again, the food fits a narrative – politicians out of touch with the common person.  

Then again, sometimes, just sometimes, no narrative is needed. We’d advise any candidate who seriously wants a shot in the 2017 General Election to not, under any circumstances, be pictured casually feeding a Solero to an unidentified young woman. 

Amelia Tait is a technology and digital culture writer at the New Statesman.

0800 7318496