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Laurie Penny on why British journalists are taught to be dishonest

Free speech is shackled by the UK's libel laws.

The first thing I learned in journalism school was not to say anything bad about the police. If I did, even if I'd seen abuses of power with my own eyes, I could face a suit for damages that would ruin me, my editors and whatever paper had been unfortunate enough to publish my work.

Nick Cohen's new treatise on censorship, You Can't Read This Book, airs one of the more painful secrets of the British press - the slide, especially over the last 15 years, towards a culture where archaic libel laws give the wealthy and privileged "the power to enforce a censorship that the naive supposed had vanished with the repressions of the old establishment."

I recently spent some time in the United States, where the cultural attitude to freedom of the press is rather different. A country that produced Fox News and allows presidential attack ads to run on television can hardly be held up as a gold standard for fair and unbiased reporting, but if American journalism lacks deference, British journalism is crippled by a surfeit of it.

Where writers in the United States are used to having their articles cross-referenced by fact-checkers for accuracy, journalists in Britain have our work picked over by lawyers. I found myself blushing when I explained to fellow writers covering police brutality at Occupy Wall Street that where I come from, it does not matter whether or not what you write is true so much as whether or not it is actionable.

Actionability, moreover, is relative. It's about money as well as legality. The decisions writers and editors make about what to publish inevitably depend on whether the potentially aggrieved party is wealthy enough to sue. This means, in practical terms, that journalists can and do say pretty much anything we like about, for example, single parents, immigrants, the unemployed, or benefit claimants. Last year, however, when a group of chronically ill and disabled benefit claimants set up a small website campaigning against Atos Origin, the private company running the controversial new welfare tests, the French company lost no time sending out intimidating legal letters.

The real problem here is not just censorship, but self-censorship. Cohen points out that British journalists, campaigners and others learn to modify our speech before it ever reaches the point of contention. I will never forget being quietly reminded by other activists, on a demonstration against corporate tax avoidance last year, to chant "tax avoider!" not "tax dodger!". The imprecision of "dodger" might have given grounds for a suit, and we'd already spent all our money on the placards.

These were young people quite prepared to be arrested in the course of a peaceful protest. The risks of a defamation action, however, were much too high. Under British civil law, the burden of proof in cases of libel or slander is on the defendant, not the claimant - if you're sued, you have to prove that what you said isn't libellous, and defendants must pay some court costs whatever the verdict. The price of losing a libel case often runs into millions, so editors, activists and journalists are forced to take steps to avoid them at any cost.

In the British media, the cost of courage is prohibitively high - so young journalists are taught to be duplicitous from day one. We are taught, or we learn on the job from decent editors shackled by the threat of libel costs, to withhold or obscure what we know in case it inconveniences the rich and spiteful.

What could be more dishonest? Without a change in the law, journalists will continue to learn deference and duplicity in the very profession many of us entered to expose such things.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

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Can Philip Hammond save the Conservatives from public anger at their DUP deal?

The Chancellor has the wriggle room to get close to the DUP's spending increase – but emotion matters more than facts in politics.

The magic money tree exists, and it is growing in Northern Ireland. That’s the attack line that Labour will throw at Theresa May in the wake of her £1bn deal with the DUP to keep her party in office.

It’s worth noting that while £1bn is a big deal in terms of Northern Ireland’s budget – just a touch under £10bn in 2016/17 – as far as the total expenditure of the British government goes, it’s peanuts.

The British government spent £778bn last year – we’re talking about spending an amount of money in Northern Ireland over the course of two years that the NHS loses in pen theft over the course of one in England. To match the increase in relative terms, you’d be looking at a £35bn increase in spending.

But, of course, political arguments are about gut instinct rather than actual numbers. The perception that the streets of Antrim are being paved by gold while the public realm in England, Scotland and Wales falls into disrepair is a real danger to the Conservatives.

But the good news for them is that last year Philip Hammond tweaked his targets to give himself greater headroom in case of a Brexit shock. Now the Tories have experienced a shock of a different kind – a Corbyn shock. That shock was partly due to the Labour leader’s good campaign and May’s bad campaign, but it was also powered by anger at cuts to schools and anger among NHS workers at Jeremy Hunt’s stewardship of the NHS. Conservative MPs have already made it clear to May that the party must not go to the country again while defending cuts to school spending.

Hammond can get to slightly under that £35bn and still stick to his targets. That will mean that the DUP still get to rave about their higher-than-average increase, while avoiding another election in which cuts to schools are front-and-centre. But whether that deprives Labour of their “cuts for you, but not for them” attack line is another question entirely. 

Stephen Bush is special correspondent at the New Statesman. His daily briefing, Morning Call, provides a quick and essential guide to domestic and global politics.

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