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Laurie Penny, on the streets with Bloomberg's "private army"

"Whose tweets? Our tweets!" Sometimes, only puns will do.

"Whose tweets? Our tweets!" Sometimes, only puns will do.

The Brookfield Winter Garden is the sort of aggressively bland corporate un-place where scuffles with the NYPD are not supposed to happen.

The financial district of New York is full of spaces like this: soulless private-public atriums full of force-grown unseasonal greenery, glistening 1980s marble and glaze-eyed commuters on their way to meetings. It's a place for "passive recreation" -- the stated function of Zucotti Park, also owned and run by Brookfield industries.

Absolutely nothing of emotional or political significance is ever supposed to happen here, ever. Right now, though, scores of members of the police force Mayor Bloomberg called his "private army" are arresting people seemingly at random just for looking like they might be working against the world's largest investment bank, rather than for it.

Just after eight in the morning, several hundred protesters from Occupy Wall Street had gathered in front of the headquarters of Goldman Sachs, banging drums, blearily slurping coffee and carrying a large, wobbly papier-mache squid. The latter was a reference to Rolling Stone journalist Matt Taibbi's iconic denotion of the bank as "a great vampire squid wrapped around the face of humanity, relentlessly jamming its blood funnel into anything that smells like money".

Some of the protesters also wore homemade cardboard squid hats. Yeah, take that, everyone who used to be skeptical about radical writers' ability to change the world using only the power of humorous metaphor.

Black bloc it wasn't. But this wasn't New York's day of action, not really. The demonstration was called in solidarity with the workers and occupiers attempting to block major ports along the West Coast of America, many of which happen to be controlled by subsidiaries of the Goldman group. Which also owns much of America's university system. And the shipping industry. And your mortgage. And your soul.

The fact that angry chanting and heavy policing have become routine features of life in the financial district is perhaps only appropriate in a country where four million families have been made homeless by a banking industry that was recently rewarded for trashing the economy with trillions of dollars of public money.

After a noisily peaceful march around the Goldman building, which entirely failed to collapse like the walls of Jericho, some of the protesters broke off to march through the World Financial Centre, adjoining the Winter Garden Plaza. Which is when the police freaked the hell out.

Red-eyed, astonished businesspersons held up their smartphones like protective talismans as emissaries of the 99 per cent danced around the ornamental ferns. Police poured in as someone dropped a West Coast Solidarity banner above the escalators. Protesters stood and shouted "everybody pays their tax, everyone but Goldman Sachs" -- well, close enough, the company paid only one per cent tax in 2008 -- just a little too long. On the turn of a penny, the arrests began.

By now we're used to hearing about protesters being arrested for taking part in peaceful actions, but this is the first time I've truly witness young people being grabbed at random just for standing near a demonstration with a phone or camera.

At least two of the 18 arrestees were journalists, including Radio Dispatch's John Knefel, and it is pure luck that the officer who shoved me through the atrium doors, shouting "your turn now", when he saw me tweeting, did not decide to arrest me too. As citizen journalists and members of the marching band sat in the back of the police van, a chant started: "Whose tweets? Our tweets!"

In the face of this sort of paranoid over-protection of a degenerate financial elite, you have to pun, because otherwise you might put your fist through a wall.

Funnily enough, last week, when hundreds of protesters and local campaigners really did take over a foreclosed property in East New York technically belonging to Bank of America, Bloomberg's army was almost nowhere to be seen.

Laurie Penny is a contributing editor to the New Statesman. She is the author of five books, most recently Unspeakable Things.

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The Tinder dating app isn't just about sex – it's about friendship, too. And sex

The lines between sex, love and friendship are blurrier than ever, as I found out quickly while using the app.

The first time I met someone using Tinder, the free dating app that requires users to swipe left for “no” and right for “yes” before enabling new “matches” to chat, it was an unqualified success. I should probably qualify that. I was newly single after five years in a committed relationship and wasn’t looking for anything more than fun, friendship and, well, who knows. A few weeks earlier I had tried to give my number to a girl in a cinema café in Brixton. I wrote it on a postcard I’d been using as a bookmark. She said she had a boyfriend, but wanted to keep the postcard. I had no date and I lost my page.

My Tinder date was a master’s student from Valencia called Anna (her name wasn’t really Anna, of course, I’m not a sociopath). When I arrived at the appointed meeting place, she told me I was far more handsome IRL (“in real life”) than my pictures suggested. I was flattered and full of praise for the directness of continental Europeans but also thought sadly to myself: “If only the same could be said about you.”

Anna and I became friends, at least for a while. The date wasn’t a success in the traditional sense of leading us into a contract based on exclusivity, an accumulating cache of resentments and a mortgage, but it had put me back in the game (an appropriate metaphor – people speak regularly of “playing” with the app).

According to Sean Rad, the co-founder who launched Tinder in late 2012, the service was invented for people like me. “It was really a way to overcome my own problems,” he told the editor of Cosmopolitan at an event in London last month. “It was weird to me, to start a conversation [with a stranger]. Once I had an introduction I was fine, but it’s that first step. It’s difficult for a lot of people.” After just one outing, I’d learned two fundamental lessons about the world of online dating: pretty much everyone has at least one decent picture of themselves, and meeting women using a so-called hook-up app is seldom straightforwardly about sex.

Although sometimes it is. My second Tinder date took place in Vienna. I met Louisa (ditto, name) outside some notable church or other one evening while visiting on holiday (Tinder tourism being, in my view, a far more compelling way to get to know a place than a cumbersome Lonely Planet guide). We drank cocktails by the Danube and rambled across the city before making the romantic decision to stay awake all night, as she had to leave early the next day to go hiking with friends. It was just like the Richard Linklater movie Before Sunrise – something I said out loud more than a few times as the Aperol Spritzes took their toll.

When we met up in London a few months later, Louisa and I decided to skip the second part of Linklater’s beautiful triptych and fast-track our relationship straight to the third, Before Midnight, which takes place 18 years after the protagonists’ first meet in Vienna, and have begun to discover that they hate each others’ guts.

Which is one of the many hazards of the swiping life: unlike with older, web-based platforms such as Match.com or OkCupid, which require a substantial written profile, Tinder users know relatively little about their prospective mates. All that’s necessary is a Facebook account and a single photograph. University, occupation, a short bio and mutual Facebook “likes” are optional (my bio is made up entirely of emojis: the pizza slice, the dancing lady, the stack of books).

Worse still, you will see people you know on Tinder – that includes colleagues, neighbours and exes – and they will see you. Far more people swipe out of boredom or curiosity than are ever likely to want to meet up, in part because swiping is so brain-corrosively addictive.

While the company is cagey about its user data, we know that Tinder has been downloaded over 100 million times and has produced upwards of 11 billion matches – though the number of people who have made contact will be far lower. It may sound like a lot but the Tinder user-base remains stuck at around the 50 million mark: a self-selecting coterie of mainly urban, reasonably affluent, generally white men and women, mostly aged between 18 and 34.

A new generation of apps – such as Hey! Vina and Skout – is seeking to capitalise on Tinder’s reputation as a portal for sleaze, a charge Sean Rad was keen to deny at the London event. Tinder is working on a new iteration, Tinder Social, for groups of friends who want to hang out with other groups on a night out, rather than dating. This makes sense for a relatively fresh business determined to keep on growing: more people are in relationships than out of them, after all.

After two years of using Tinder, off and on, last weekend I deleted the app. I had been visiting a friend in Sweden, and took it pretty badly when a Tinder date invited me to a terrible nightclub, only to take a few looks at me and bolt without even bothering to fabricate an excuse. But on the plane back to London the next day, a strange thing happened. Before takeoff, the woman sitting beside me started crying. I assumed something bad had happened but she explained that she was terrified of flying. Almost as terrified, it turned out, as I am. We wound up holding hands through a horrific patch of mid-air turbulence, exchanged anecdotes to distract ourselves and even, when we were safely in sight of the ground, a kiss.

She’s in my phone, but as a contact on Facebook rather than an avatar on a dating app. I’ll probably never see her again but who knows. People connect in strange new ways all the time. The lines between sex, love and friendship are blurrier than ever, but you can be sure that if you look closely at the lines, you’ll almost certainly notice the pixels.

Philip Maughan is Assistant Editor at the New Statesman.

This article first appeared in the 26 May 2016 issue of the New Statesman, The Brexit odd squad